10 SNABBGUIDE
Uppbyggnaden av ljud i Jupiter 80 sker i 3 olika Modes (lägen). Förståelse av
dessa är essentiellt för att arbeta på ett klokt sätt med synthesizern.
Tone
Ett enskilt ljud och den minsta beståndsdelen på Jupiter 80 heter Tone. Det finns
tre olika slags Tones, SuperNatural sampling Tone, SuperNatural Synth Tone och
Percussion/Drums Tone.
En SuperNatural sampling Tone är typiskt ett akustiskt instrument till exempel en
oboe, en gitarr eller en fiol. Dessa samplingar är inte bara allmänna samplingar
utan hur ursprungsinstrumentet uppför sig, när man spelar på dem, är speglas
i samplingen och programmeringen av dessa Tones. Dessa Tones har en fastlag
grundstruktur, men de viktigaste parametrarna kan kontrolleras, när de kombi-
neras i ett Live Set. I Jupiter 80 finns ett stort bibliotek av dessa SuperNatural
samplingar.
LJUDUPPBYGGNAD OCH DE
VIKTIGA LÄGENA PÅ JUPITER
80: TONE, LIVE SET PARTS OCH
REGISTRERINGAR
12
Getting Acquainted with the JUPITER-80
How the Sound Generator is Organized
The sound generator is organized into units of sounds called “Registrations,” “Live Sets,” and “tones.”
The JUPITER-80’s sound generator
Solo Part
Tone
Registration
Upper Part
Percussion Part
Tone 4
Lower Part
Tone 1
Tone 2
Tone 3
Tone 4
Live Set
Tone 1
Tone 2
Tone 3
Tone 4
Live Set
MFX 1
MFX 1
MFX 2
MFX 2
MFX 3
MFX 3
MFX 4
MFX 4
ReverbComp
Comp
Equalizer
Equalizer
Delay
Delay
Reverb
MASTER
EQ
Reverb
Harmony
Intelligence
Arpeggio
Audio data ow Performance data ow
What is a Tone?
Although a Tone is the smallest unit of sound handled by the JUPITER-80, it boasts an extravagantly powerful structure based on SuperNATURAL
sounds. “SuperNATURAL Acoustic Tones” not only reproduce the sounds of an acoustic instrument, but also automatically analyze—in a way
that’s appropriate for each di erent tone—the di erences between the phrases, chords, and melodies played by the performer, and deliver the
responsiveness that is characteristic of that speci c acoustic instrument. Starting with the SuperNATURAL piano, each of these sounds brings you the
highest possible level of expressive power that has been developed for the sound engines of earlier Roland products.
“SuperNATURAL Synth Tones” can be combined as elements in a Live Set, and can also be edited in detail for each tone and saved. Since a single Synth
Tone contains three sets of oscillator, lter, amp, and LFO, it packs a formidable amount of synthesis power. The oscillator contains not only analog
waveforms but also PCM waveforms, and you can use the graphic screen to edit them intuitively, creating a nearly in nite range of synth sounds.
What is a Live Set?
In the JUPITER-80’s sound engine, the smallest unit of sound is the “tone”; each tone consists of a SuperNATURAL sound.
Up to four tones can be layered to create impressive and richly expressive sounds.
Such a combination can be saved as a “Live Set,” and a di erent Live Set can be used for the Upper Part and the Lower Part.
By layering two Live Sets, you can easily create thick, stacked sounds that would have been di cult to create on any previous PCM synthesizer.
The basic method of creating sound on the JUPITER-80 is to edit a Live Set by combining these powerful tones.
What is a Registration?
The combination of sounds assigned to the Upper Part, Lower Part, Solo Part, and Percussion Part, together with settings for the JUPITER-80 itself, can
be saved as a single “Registration.”
A Registration can be called up instantly, allowing you to switch sounds as appropriate for the song you’re playing, or to instantly get the settings you
need for live performance or studio recording.
SuperNATURAL Acoustic Tone