Yamaha DM1000 Användarmanual

Owner’s Manual

Keep This Manual For Future Reference.

E

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions con-

tained in this manual, meets FCC requirements. Modiﬁcations not

expressly approved by Yamaha may void your authority, granted by

the FCC, to use the product.

2. IMPORTANT:

When connecting this product to accessories and/

or another product use only high quality shielded cables. Cable/s

supplied with this product MUST be used. Follow all installation

instructions. Failure to follow instructions could void your FCC

authorization to use this product in the USA.

3. NOTE:

This product has been tested and found to comply with the

requirements listed in FCC Regulations, Part 15 for Class “B” digital

devices. Compliance with these requirements provides a reason-

able level of assurance that your use of this product in a residential

environment will not result in harmful interference with other elec-

tronic devices. This equipment generates/uses radio frequencies

and, if not installed and used according to the instructions found in

the users manual, may cause interference harmful to the operation

of other electronic devices. Compliance with FCC regulations does

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)

not guarantee that interference will not occur in all installations. If

this product is found to be the source of interference, which can be

determined by turning the unit “OFF” and “ON”, please try to elimi-

nate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by

the interference.

Utilize power outlets that are on different branch (circuit breaker or

fuse) circuits or install AC line ﬁlter/s.

In the case of radio or TV interference, relocate/reorient the

antenna. If the antenna lead-in is 300 ohm ribbon lead, change the

lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results,

please contact the local retailer authorized to distribute this type of

product. If you can not locate the appropriate retailer, please con-

tact Yamaha Corporation of America, Electronic Service Division,

6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed by

Yamaha Corporation of America or its subsidiaries.

FCC INFORMATION (U.S.A.)

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

WARNING:

THIS APPARATUS MUST BE EARTHED

IMPORTANT. The wires in this mains lead are coloured in accordance

with the following code:

GREEN-AND-YELLOW : EARTH

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may not

correspond with the coloured markings identifying the terminals in

your plug proceed as follows:

The wire which is coloured GREEN-and-YELLOW must be connected

to the terminal in the plug which is marked by the letter E or by the

safety earth symbol or colored GREEN or GREEN-and-YELLOW.

The wire which is coloured BLUE must be connected to the terminal

which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the termi-

nal which is marked with the letter L or coloured RED.

• This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd. (3 wires)

ADVARSEL!

Lithiumbatteri—Eksplosionsfare ved fejlagtig håndtering. Udskiftning

må kun ske med batteri af samme fabrikat og type. Levér det brugte

batteri tilbage til leverandoren.

VARNING

Explosionsfara vid felaktigt batteribyte. Använd samma batterityp eller

en ekvivalent typ som rekommenderas av apparattillverkaren.

Kassera använt batteri enligt fabrikantens instruktion.

VAROITUS

Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda paristo

ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hävitä käytetty

paristo valmistajan ohjeiden mukaisesti.

(lithium caution)

This product contains a high intensity lamp that contains

a small amount of mercury. Disposal of this material

may be regulated due to environmental considerations.

For disposal information in the United States, refer to

the Electronic Industries Alliance web site:

www.eiae.org

(mercury)* This applies only to products distributed by

YAMAHA CORPORATION OF AMERICA.

NEDERLAND / THE NETHERLANDS

• Dit apparaat bevat een lithium batterij voor geheugen back-up.

• This apparatus contains a lithium battery for memory back-up.

• Raadpleeg uw leverancier over de verwijdering van de batterij op

het moment dat u het apparaat ann het einde van de levensduur of

gelieve dan contact op te nemen met de vertegenwoordiging van

Yamaha in uw land.

•For the removal of the battery at the moment of the disposal at the

end of life please consult your retailer or Yamaha representative

ofﬁce in your country.

• Gooi de batterij niet weg, maar lever hem in als KCA.

• Do not throw away the battery. Instead, hand it in as small chemical

waste.

(lithium disposal)

* This applies only to products distributed by

YAMAHA CORPORATION OF AMERICA.

COMPLIANCE INFORMATION STATEMENT

(DECLARATION OF CONFORMITY PROCEDURE)

Responsible Party : Yamaha Corporation of America

Address : 6600 Orangethorpe Ave., Buena Park, Calif.

90620

Telephone : 714-522-9011

Type of Equipment : Digital Production Console

Model Name : DM1000

This device complies with Part 15 of the FCC Rules.

Operation is subject to the following two conditions:

1) this device may not cause harmful interference, and

2) this device must accept any interference received including interfer-

ence that may cause undesired operation.

See user manual instructions if interference to radio reception is sus-

pected.

(FCC DoC)

This product contains a battery that contains perchlorate material.

Perchlorate Material—special handling may apply,

See www.dtsc.ca.gov/hazardouswaste/perchlorate.

(Perchlorate)* This applies only to products distributed by

YAMAHA CORPORATION OF AMERICA.

The above warning is located on the side

of the unit

• Explanation of Graphical Symbols

The lightning ﬂash with arrowhead symbol

within an equilateral triangle is intended to

alert the user to the presence of uninsulated

“dangerous voltage” within the product’s

enclosure that may be of sufﬁcient magnitude

to constitute a risk of electric shock to persons.

The exclamation point within an equilateral

triangle is intended to alert the user to the

presence of important operating and mainte-

nance (servicing) instructions in the literature

accompanying the product.

IMPORTANT SAFETY INSTRUCTIONS

1 Read these instructions.

2Keep these instructions.

3 Heed all warnings.

4 Follow all instructions.

5 Do not use this apparatus near water.

6 Clean only with dry cloth.

7 Do not block any ventilation openings. Install in

accordance with the manufacturer’s instruc-

tions.

8 Do not install near any heat sources such as

radiators, heat registers, stoves, or other appa-

ratus (including ampliﬁers) that produce heat.

9 Do not defeat the safety purpose of the polar-

ized or grounding-type plug. A polarized plug

has two blades with one wider than the other. A

grounding type plug has two blades and a third

grounding prong. The wide blade or the third

prong are provided for your safety. If the pro-

vided plug does not ﬁt into your outlet, consult

an electrician for replacement of the obsolete

outlet.

10 Protect the power cord from being walked on or

pinched particularly at plugs, convenience

receptacles, and the point where they exit from

the apparatus.

11 Only use attachments/accessories speciﬁed by

the manufacturer.

12 Use only with the cart, stand,

tripod, bracket, or table spec-

iﬁed by the manufacturer, or

sold with the apparatus.

When a cart is used, use cau-

tion when moving the cart/

apparatus combination to

avoid injury from tip-over.

13 Unplug this apparatus during lightning storms

or when unused for long periods of time.

14 Refer all servicing to qualiﬁed service person-

nel. Servicing is required when the apparatus

has been damaged in any way, such as power-

supply cord or plug is damaged, liquid has been

spilled or objects have fallen into the apparatus,

the apparatus has been exposed to rain or mois-

ture, does not operate normally, or has been

dropped.

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,

DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.

(5)-1 1/2

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical

shock, short-circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to, the following:

• Only use the voltage speciﬁed as correct for the device. The required voltage is

printed on the name plate of the device.

• Use only the speciﬁed power code.

• Do not place the power cord near heat sources such as heaters or radiators, and

do not excessively bend or otherwise damage the cord, place heavy objects on

it, or place it in a position where anyone could walk on, trip over, or roll anything

over it.

• Be sure to connect to an appropriate outlet with a protective grounding

connection. Improper grounding can result in electrical shock.

• Do not open the device or attempt to disassemble the internal parts or modify

them in any way. The device contains no user-serviceable parts. If it should

appear to be malfunctioning, discontinue use immediately and have it inspected

by qualiﬁed Yamaha service personnel.

• Do not expose the device to rain, use it near water or in damp or wet conditions,

or place containers on it containing liquids which might spill into any openings.

• Never insert or remove an electric plug with wet hands.

• If the power cord or plug becomes frayed or damaged, or if there is a sudden

loss of sound during use of the device, or if any unusual smells or smoke

should appear to be caused by it, immediately turn off the power switch,

disconnect the electric plug from the outlet, and have the device inspected by

qualiﬁed Yamaha service personnel.

• If this device should be dropped or damaged, immediately turn off the power

switch, disconnect the electric plug from the outlet, and have the device

inspected by qualiﬁed Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage

to the device or other property. These precautions include, but are not limited to, the following:

• Remove the electric plug from the outlet when the device is not to be used for

extended periods of time, or during electrical storms.

• When removing the electric plug from the device or an outlet, always hold the

plug itself and not the cord. Pulling by the cord can damage it.

• When transporting or moving the device, always use two or more people.

• Before moving the device, remove all connected cables. When you move the

device with the MB1000 attached, do not permit impact or stress on the cable

connector that connects the MB1000 to the device.

• When setting up the product, make sure that the AC outlet you are using is

easily accessible. If some trouble or malfunction occurs, immediately turn off

the power switch and disconnect the plug from the outlet. Even when the power

switch is turned off, electricity is still ﬂowing to the product at the minimum

level. When you are not using the product for a long time, make sure to unplug

the power cord from the wall AC outlet.

•Avoid setting all equalizer controls and faders to their maximum. Depending on

the condition of the connected devices, doing so may cause feedback and may

damage the speakers.

• Do not expose the device to excessive dust or vibrations, or extreme cold or heat

(such as in direct sunlight, near a heater, or in a car during the day) to prevent

the possibility of panel disﬁguration or damage to the internal components.

• Do not place the device in an unstable position where it might accidentally fall

over.

• Do not block the vents. This device has ventilation holes at the top/front/rear/

sides to prevent the internal temperature from rising too high. In particular, do

not place the device on its side or upside down, or place it in any poorly-

ventilated location, such as a bookcase or closet.

• Do not use the device in the vicinity of a TV, radio, stereo equipment, mobile

phone, or other electric devices. Otherwise, the device, TV, or radio may

generate noise.

• If you are using the optional MB1000 Peak Meter Bridge, do not hold only the

MB1000 when moving this unit. Otherwise, the meter brackets may be

damaged, the main unit may malfunction, or you may be injured if the unit falls.

• Before connecting the device to other devices, turn off the power for all devices.

Before turning the power on or off for all devices, set all volume levels to

minimum.

• Be sure to connect to a properly grounded power source. A ground screw

terminal is provided on the rear panel for safely grounding the device and

preventing electrical shock.

Power supply/Power cord

Do not open

Water warning

If you notice any abnormality

Power supply/Power cord

Location

Connections

(5)-1 2/2

• Do not insert your ﬁngers or hand in any gaps or openings on the device (vents,

etc.).

•Avoid inserting or dropping foreign objects (paper, plastic, metal, etc.) into any

gaps or openings on the device (vents, etc.) If this happens, turn off the power

immediately and unplug the power cord from the AC outlet. Then have the

device inspected by qualiﬁed Yamaha service personnel.

• Do not use headphones for a long period of time at a high or uncomfortable

volume level, since this can cause permanent hearing loss. If you experience

any hearing loss or ringing in the ears, consult a physician.

• Do not apply oil, grease, or contact cleaner to the faders. Doing so may cause

problems with electrical contact or fader motion.

• Do not rest your weight on the device or place heavy objects on it, and avoid use

excessive force on the buttons, switches or connectors.

• This device has rear-panel slots for installing mini-YGDAI cards. For technical

reasons, certain card combinations are not supported. Before installing any

cards, check the Yamaha web site (see page 6) to see whether your card is

compatible. Also check the total number of cards that can be installed in the

unit.

Installing cards that are not endorsed by Yamaha may cause electrical shock,

ﬁre, or damage to the unit.

• This device has a built-in backup battery. When you unplug the power cord from

the AC outlet, the internal data is retained. However, if the backup battery fully

discharges, this data will be lost. If the backup battery is running low, when you

turn on the device the display indicates “WARNING Low Battery!.” In this case,

immediately save the data to an external media using MIDI Bulk Dump, then

have qualiﬁed Yamaha service personnel replace the backup battery.

• Using a mobile telephone near this unit may induce noise. If noise occurs, use the telephone away from the unit.

• The digital circuits of this unit may induce a slight noise into nearby radios and TVs. If noise occurs, relocate the affected equipment.

• When connecting D-sub cables, be sure to tighten the screws on both sides of the connector securely. To disconnect the cable, loosen the screws completely, then remove

the cable by holding the connector part. Do not remove the plug by pulling the cable while the screws are still attached. Otherwise, the connector may be damaged, leading

to malfunction.

• When you change the wordclock settings on any device in your digital audio system, some devices may output noise, so turn down your power amps beforehand,

otherwise your speakers may be damaged.

XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (-).

Yamaha cannot be held responsible for damage caused by improper use or modiﬁcations to the device, or data that is lost or destroyed.

Always turn the power off when the device is not in use.

The performance of components with moving contacts, such as switches, volume controls, and connectors, deteriorates over time. Consult qualiﬁed Yamaha service

personnel about replacing defective components.

* The illustrations and screen displays as shown in this Owner’s Manual are for instructional purposes only, and may be different from the ones on your device.

* The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of their respective companies.

* THX and THX pm3 are registered trademarks of THX Ltd.

Handling caution Backup battery

6

Yamaha Pro Audio global website

DM1000 Version 2—Owner’s Manual

Yamaha Pro Audio global website

http://www.yamahaproaudio.com/

Package Contents

• DM1000 Digital Production Console

• CD-ROM

•Power cord

•This manual

•Studio Manager Installation Guide

Optional Extras

• MB1000 Peak Meter Bridge

• SP1000 Wooden Side Panels

• RK1 Rack Mount Kit

• mini YGDAI I/O cards

About this Owner’s Manual

This

Owner’s Manual

explains how to operate the DM1000 Digital Production Console.

The table of contents can help you familiarize yourself with the manual’s organization and

to locate tasks and topics The index can help you locate speciﬁc information.

Before diving in, it is recommended that you read the “Operating Basics” chapter, starting

on page 29.

Each chapter in this manual discusses a speciﬁc section or function of the DM1000. The

Input and Output Channels are explained in the following chapters: “Input Channels,” “Bus

Outs,” and “Aux Sends.” Where possible, these chapters have been organized in order of sig-

nal ﬂow, from input to output.

Conventions Used in this Manual

The DM1000 features two types of buttons: physical buttons that you can press (e.g.,

ENTER and DISPLAY) and buttons that appear on the display pages. References to physical

buttons are enclosed in square brackets, for example, “press the [ENTER] button.” Refer-

ences to display page buttons are not emphasized, for example, “move the cursor to the ON

button.”

You can select display pages by using the [DISPLAY] buttons or the Left Tab Scroll, Right

Tab Scroll, and F1–4 buttons below the display. In order to simplify explanations, the pro-

cedures reference only the [DISPLAY] button method. See “Selecting Display Pages” on

page 30 for details on all the ways in which pages can be selected.

New Functions in DM1000 Version 2 7

DM1000 Version 2—Owner’s Manual

New Functions in DM1000 Version 2

The following functions have been added to the DM1000 as part of the upgrade of the ﬁrm-

ware from version 1.0 to version 2.0.

Control Surface

• Encoder mode now features an assignable function, ALT LAYER, which enables you to con-

trol the channel level for all 32 channels without switching between layers. → page 36

•There are now 50 assignable Encoder mode parameters. → page 38

Aux Sends

•If an Aux Send is set to pre-fader, you can set the Pre point before or after channel mute.

→ page 99

•The AUX SELECT [AUX 1–8] buttons enable you to solo or unsolo Aux Sends without

switching to the Master layer. → page 107

Control Room Monitor

•You can select whether the Input Channel’s Pan setting is used when the Input Channel Solo

signal is set to Pre Fader. → page 120

•Raising the channel faders for soloed Channels from –∞ can unsolo the Channels.

→ page 121

•You can simultaneously select 2TR D1 or 2TR D2, and STEREO as control room monitor

sources. → page 123

Surround Function

•The on/off status of the Follow Pan button is reﬂected in the pan and Surround Pan

settings. → page 125

•The Surround Monitor function now supports THX Surround. → page 138

•You can simultaneously select BUS and SLOT as surround monitor sources. → page 137

Group/Link

•The Fader Group Master function enables you to control the overall level of the Fader group

channels simultaneously while maintaining the relative level balance of each channel.

→ page 150

•The Mute Group Master function enables you to mute all channels in a Mute group

simultaneously. → page 152

Internal Effects

•You can add optional Add-On Effects to the preset effects. → page 161

Scene Memory

•Any channel or parameter settings in the current scene can be copied and pasted into other

scenes. → page 171

•You can select additional parameters for the Recall Safe function. → page 170

8

New Functions in DM1000 Version 2

DM1000 Version 2—Owner’s Manual

Automix

•You can insert the mix parameters in a region speciﬁed in the Automix data.

→

page 193

•Touching the faders can punch parameter values in and out if the corresponding OVER-

WRITE button is set to on (Touch Sence Edit In ALL ).

→

page 271

Remote Control

•Cubase SX has been added as a target of the Remote layer.

→

page 215

•The Joystick or the controls in the SELECTED CHANNEL section enable you to control Pro

To ols Surround Pan settings.

→

page 216

•Yamaha’s proprietary Advanced DAW protocol has been added to Nuendo, Cubase SX, and

General DAW. This enables you to control these devices using the DM1000’s SELECTED

CHANNEL section. (Controllable functions vary depending on the DAW software and ver-

sion you are using.)

Other Functions

•You can control the DM1000 from a connected Video Editor via the ESAM protocol.

→

page 259

•You can set the Routing ST Pair Link so that the routing from paired channels to the Stereo

Bus is linked.

→

page 268

•Some Operation Lock Safe parameters have been added.

→

page 280

•You can remotely control a connected Yamaha AD8HR A/D converter.

→

page 287

•You can assign the selected channels to a Fader or Mute group using the USER DEFINED

KEYS.

→

page 293

•You can switch the windows of the included Studio Manager software application using the

USER DEFINED KEYS.

→

page 293

Contents

9

DM1000 Version 2—Owner’s Manual

Contents

1 Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

2 Control Surface & Rear Panel . . . . . . . . . . . . . . . . . . . 15

Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Installing an Optional Card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

3 Operating Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

About the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Selecting Display Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Display Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Selecting Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Selecting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Selecting Fader Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Selecting Encoder Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Assigning Parameters to the ENCODER MODE [ASSIGN] button . . . . . . . . . . 37

Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

4 Connections and Setup . . . . . . . . . . . . . . . . . . . . . . . . 43

Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Wordclock Connections and Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Input and Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

5 Analog I/O & Digital I/O . . . . . . . . . . . . . . . . . . . . . . . 53

Analog Inputs & Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Digital Inputs & Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Converting Sampling Rates of Signals Received at 2TR Digital Inputs . . . . . . . . 55

Monitoring Digital Input Channel Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Dithering Digital Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Setting the Transfer Format for Higher Sampling Rates . . . . . . . . . . . . . . . . . . . . 59

6 Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

About Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

Setting the Input Channels from the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Setting the Input Channels from the Control Surface . . . . . . . . . . . . . . . . . . . . . . 75

Pairing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Naming Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Using MS Stereo Microphone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

7 Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

About Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

Bus Out 1–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Setting the Stereo Out and Bus Out 1–8 from the Display . . . . . . . . . . . . . . . . . . 83

Setting the Stereo Out and Bus Out 1–8 from the Control Surface . . . . . . . . . . . 88

Pairing Buses or Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Attenuating Output Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Naming the Stereo Out and Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

10

Contents

DM1000 Version 2—Owner’s Manual

8 Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

Aux Out 1–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

Setting Aux Out 1–8 from the Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Setting Aux Out 1–8 from the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Setting Aux Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

Viewing Aux Send Settings for Multiple Channels . . . . . . . . . . . . . . . . . . . . . . . . 102

Panning Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Excluding Certain Channels from Aux Sends (Mix Minus) . . . . . . . . . . . . . . . . . 105

Copying Channel Fader Positions to Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Soloing AUX Sends using the [AUX 1]–[AUX 8] Buttons . . . . . . . . . . . . . . . . . . 107

9 Input & Output Patching . . . . . . . . . . . . . . . . . . . . . . 109

Input Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112

Patching Direct Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

Insert Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116

10 Control Room Monitoring . . . . . . . . . . . . . . . . . . . . . 119

Control Room Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Solo Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Using the Solo Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Using the Control Room Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

Using the Talkback Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

11 Surround Functions . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Using Surround Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Surround Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136

12 Grouping Channels & Linking Parameters . . . . . . . . . 147

Grouping & Linking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147

Using Fader Groups and Mute Groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148

Using Fader Group Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150

Using Mute Group Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152

Linking EQ and Compressor Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152

13 Internal Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

About the Internal Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

Using Effects Processors via Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156

Inserting the Internal Effects into Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158

Editing Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159

About Surround Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161

About Add-On Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161

About Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162

14 Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163

About Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163

Storing and Recalling Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

Auto Scene Memory Update . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167

Fading Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168

Recalling Scenes Safely . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170

Sorting Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

Copying and Pasting a Scene (Global Paste) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

Contents

11

DM1000 Version 2—Owner’s Manual

15 Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

About the Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

General Library Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

Using Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175

16 Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187

About Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187

Setting Up for Automix Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188

Recording an Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190

Inserting Mix Parameters into Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193

Punching In & Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197

[SEL] Button Functions While the [AUTO] Button Indicator Is On . . . . . . . . . 199

Playing Back an Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199

Automix Main Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200

Automix Memory Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204

Fader1 &2 pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205

Editing Events Offline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207

17 Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215

About Remote Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215

Pro Tools Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216

Nuendo/Cubase SX Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235

Other DAW Remote Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235

MIDI Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 236

Machine Control Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242

18 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245

MIDI & the DM1000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245

MIDI Port Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246

Assigning Scenes to Program Changes for Remote Recall . . . . . . . . . . . . . . . . . . . 249

Assigning Parameters to Control Changes for Real-time Control . . . . . . . . . . . . 250

Controlling Parameters by Using Parameter Changes . . . . . . . . . . . . . . . . . . . . . . 256

Transmitting Parameter Settings via MIDI (Bulk Dump) . . . . . . . . . . . . . . . . . . 256

19 Controlling the DM1000 from a Video Editor . . . . . . 259

About ESAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259

Connection Example . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259

Crossfade via ESAM Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260

Video Editors with confirmed compatibility . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264

Supported Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264

Remote Connector Pin Assignment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264

20 Other Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265

Changing the Input and Output Connector Names . . . . . . . . . . . . . . . . . . . . . . . 265

Setting Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 266

Creating a Custom Layer by Combining Channels (User Assignable Layer) . . . 272

Using the Oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273

Using the User Defined Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274

Using GPI (General Purpose Interface) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 276

Using Operation Lock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280

Cascading Consoles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282

Using the AD8HR/AD824 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287

Checking the Battery and the System Version . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289

Initializing the DM1000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289

Calibrating the Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290

12 Contents

DM1000 Version 2—Owner’s Manual

Appendix A: Parameter Lists . . . . . . . . . . . . . . . . . . . . . . 293

USER DEFINED KEYS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293

USER DEFINED KEYS Initial Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 295

Input Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 296

Initial Input Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 298

Output Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300

Initial Output Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302

GPI Trigger Source & Target List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 304

User Defined Remote Layer Initial Bank Settings . . . . . . . . . . . . . . . . . . . . . . . . . 306

Effects Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310

Effects and tempo synchronization . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 322

Preset EQ Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323

Preset Gate Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 324

Preset Compressor Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . 325

Dynamics Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327

Appendix B: Specifications . . . . . . . . . . . . . . . . . . . . . . . . 332

General Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332

Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337

Analog Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337

Analog Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337

Digital Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338

Digital Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338

I/O Slot Spec (1–2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339

Control I/O Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339

REMOTE Port . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 340

CONTROL Port . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 340

Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341

Appendix C: MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 343

Scene Memory to Program Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 343

Initial Parameter to Control Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 344

MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 360

Appendix D: About Optional Product . . . . . . . . . . . . . . . 374

MB1000 Peak Meter Bridge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 374

Installing the SP1000 Side Panels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 377

Rack Mounting the DM1000 Using the RK1 Rack Mount Kit . . . . . . . . . . . . . . . 377

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 378

MIDI Implementation Chart . . . . . . . . . . . . . . . End of Manual

DM1000 Block Diagram. . . . . . . . . . . . . . . . . . . End of Manual

DM1000 Level Diagram . . . . . . . . . . . . . . . . . . . End of Manual

Welcome 13

DM1000 Version 2—Owner’s Manual

1

Welcome

1 Welcome

Thank you for choosing the Yamaha DM1000 Digital Production Console.

The compact DM1000 Digital Console features 24-bit/96 kHz digital audio processing

without compromise, as well as 48-channel simultaneous mixing. The DM1000 covers a

broad range of needs and applications, including multi-track recording, 2-channel mix-

down, and cutting-edge surround sound production. This integrated, comprehensive

audio system features remote control function for DAWs (Digital Audio Workstations) as

popularized by the DM2000 and 02R96 Digital Mixing Consoles.

The DM1000 offers the following features:

■ Hardware Features

• 17 touch-sensitive 100-mm motorized faders (for touch-sensitive selection of channels,

or for punching in and out during Automix recording)

•Faders can set levels for Input Channels, Aux Sends, and Bus Outs.

•Rotary Encoders enable you to control panning for each channel, AUX send levels, and

various parameters.

•Six selectable software layers determine the function of channel faders and Encoders.

• 320 x 240 dot LCD display with ﬂuorescent backlighting

•Buttons and controls in the SELECTED CHANNEL section enable direct editing of

channel mix parameters.

• 12 USER-DEFINED KEYS enable you to assign functions to control DM1000 internal

parameters.

•Two expansion slots for optional digital I/O, AD, and DA cards.

■ Sonic Speciﬁcations

• Linear 24-bit, 128-times oversampling A/D converters

• Linear 24-bit, 128-times oversampling D/A converters

• 20 Hz through 40 kHz frequency response at 96 kHz sampling rate.

• 106 dB typical dynamic range

• 32-bit internal signal processing (58-bit accumulator)

■ Inputs and Outputs

• 16 mic/line inputs with switchable +48 V phantom power and 4 line inputs

• 12 Omni Outs assignable to Stereo Out, Bus Out, Monitor Out, and Input Channel

Direct Outs.

•Two optional slots allow a maximum of 32 inputs.

•Two 2-track digital inputs, with sampling rate converters capable of converting sam-

pling rates of 44.1 kHz through 96 kHz.

•Double Channel support for recording and playing at 88.2/96 kHz on 44.1/48 kHz leg-

acy multi-track digital recorders.

•You can cascade two DM1000s while remaining in the digital domain.

•Input patches enable assignment of input signals to desired signal paths.

•Output patches enable assignment of Bus Out signals and Input Channel Direct Outs to

desired output jacks.

14 Chapter 1—Welcome

DM1000 Version 2—Owner’s Manual

■ Channel Conﬁguration

•Simultaneous mixing of up to 48 Input Channels. Group multiple channels and pair

channels for stereo.

•8 Bus Outs and 8 AUX Sends. Buses 1-8 can be routed to Stereo Buses for use as Group

Buses.

•Channel library for storing and recalling the channel settings for each Input Channel

and Output Channel.

• 4-band EQ and dynamics processor equip all channels. Dynamics processor and EQ set-

tings can be stored in libraries and recalled.

■ Effects

•Four high-quality multi-channel effects (Apply effects via AUX Sends or Channel

Inserts).

• Effect library for storing and recalling effect settings.

•Optional Add-On Effects packages for adding effects that utilize a variety of new algo-

rithms.

■ Scene Memory

•Scene memories for storing and recalling the mix settings as Scenes.

•Snapshot style automation with Scene memories recallable via Automix.

■ Surround Sound

•Supports 3-1, 5.1, and 6.1 channel surround sound production.

•Joystick for adjusting each channel's surround pan.

■ Automix

•Automated controls of channel faders and parameters via Automix. (Even more power-

ful when combined with an MTR, DAW, and MIDI sequence system.)

•Control parameters of connected MIDI devices via Automix.

■ Remote Control

•Control and manage your DM1000 from your Mac or PC using bundled Studio Man-

ager software

•Remote Layers for controlling popular DAWs (Digital Audio Workstations), including

Pro Tools, Nuendo, etc.

•Control an external recorder via MMC commands and P2 commands.

■ MIDI

•Equipped with MIDI ports and a USB port for computer connection.

•Scene recall and mix parameter changes via MIDI

■ ESAM

•Controls the DM1000 from a connected Video Editor via the ESAM II protocol

Control Surface & Rear Panel 15

DM1000 Version 2—Owner’s Manual

2

Control Surface & Rear Panel

2 Control Surface & Rear Panel

Control Surface

AUXPAN

DISPLAY

ASSIGN

ENCODER MODE

EQUALIZER

LOW

HIGH

GAIN

Q

FREQUENCY

LOW MID

HIGH MID

ROUTING

12

34

56

78

STEREO DIRECT

DISPLAY

SELECTED CHANNEL

16

BUS 8

32 48

15

BUS 7

31 47

14

BUS 6

30 46

13

BUS 5

29 45

12

BUS 4

28 44

11

BUS 3

27 43

10

16151413121110

20dB

ONOFF

+48V

1

2

3

4

5

6

78 1213

14

15

16

91011

1615141312111098765432

PEAK

SIGNAL

1

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PAD

20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 1

1

17 33

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 2

2

18 34

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 3

3

19 35

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 4

4

20 36

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 5

5

21 37

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 6

6

22 38

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 7

7

23 39

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 8

8

24 40

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

BUS 1

9

25 41

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

ON

SOLO

SEL

ON

SOLO

SEL

ON

SOLO

SEL

ON

SOLO

SEL

ON

SOLO

SEL

BUS 2

26 42

AUTO

ON

SEL

STEREO

70

60

50

40

30

20

15

10

5

0

AUX2 AUX 3 AUX4

AUX6AU X5 AUX7 AU X8

AUX SELECT

DISPLAY

FADER MODE

FADER

AUX

DISPLAY ACCESS

AUTOMIX DIO SETUP UTILITY

MIDI REMOTE METER VIEW

PAI R /GROUP

INPUT

OUTPUT

EFFECTSURROUND DYNAMICS SCENE

/

PAN/

INSERT/ DELAY

PATCH

PATC H

GRAB

SCENE MEMORY

STORERECALL

DISPLAY

USER DEFINED

KEYS

ENTER

INC

DEC

TAL KB ACK LEVEL

PHONES

LEVEL

010

PHONES

MONITOR

LEVEL

SOLO CLEAR

2TR D1

2TR D2

DIMMER

TALKBACK

MONITOR

STEREO

SLOT

BUS

DISPLAY

100

F1 F2 F 3

F4

0

OVER

-2

-4

-6

-8

-10

-12

-14

-18

-24

-30

-36

-42

-48

-56

-72

0

OVER

-2

-4

-6

-8

-10

-12

-14

-18

-24

-30

-36

-42

-48

-56

-72

LR

AD Input Section (p. 16) SELECTED CHANNEL Section (p. 21)

Headphones

& Talkback

Section

(p. 23)

MONITOR

Section (p. 24)

Channel Strip Section (p. 17) STEREO Section (p. 17) USER DEFINED KEYS

Section (p. 23)

Data Entry

Section (p. 23)

LAYER Section

(p. 22)

SCENE MEMORY

Section (p. 22)

Display Section

(p. 20)

DISPLAY ACCESS Section

(p. 19)

AUX SELECT

Section (p. 18)

ENCODER

MODE Section

(p. 18)

FADER MODE

Section (p. 18)

16

Chapter 2—Control Surface & Rear Panel

DM1000 Version 2—Owner’s Manual

AD Input Section

A

+48V ON/OFF switches 1–16

These switches turn on or off the +48 V phantom power feed to each INPUT.

B

PAD switches 1–16

These switches turn on or off the 20 dB pad (attenuator) for each AD Input.

C

GAIN controls 1–16

These controls adjust input sensitivity for each AD Input. Input sensitivity is +4 dB to

–40 dB when the Pad is on, and –16 dB to –60 dB when the Pad is off.

D

PEAK indicators 1–16

These indicators light up when the input signal level is 3 dB below clipping. Adjust the Pad

switch and GAIN control so that the indicator rarely lights up at signal peak.

E

SIGNAL indicators

These indicators light up when the input signal level is 20 dB below nominal.

Note: Screw holes for attaching a cover are located at both sides of the AD input section of the

DM1000. (Size M3, horizontal spacing 417 mm, vertical spacing 36 mm.) You may wish to

fabricate your own cover and attach it to the front panel to prevent the controls from being

operated inadvertently. Yamaha does not sell such a cover. If you fabricate and attach your

own cover, make sure that the mounting screws do not extend more than 10 mm into the front

panel. You will need to allow approximately 15–20 mm between the top panel and the cover

in order to clear the control knobs and buttons.

20dB

ONOFF

+48V

1

2

3

4

5

6

78 1213

14

15

16

91011

1615141312111098765432

PEAK

SIGNAL

1

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PAD

20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

2

3

4

5

1

Control Surface 17

DM1000 Version 2—Owner’s Manual

2

Control Surface & Rear Panel

Channel Strip Section

A Encoders 1–16

These rotary Encoders adjust the channel parameter settings. Depending on the button

selected in the ENCODER MODE section (see page 18), the Encoders will adjust the chan-

nel pan setting (when the ENCODER MODE [PAN] button indicator is lit), the AUX Send

level (when the ENCODER MODE [AUX] button indicator is lit), or any parameter (when

the ENCODER MODE [ASSIGN] button indicator is lit).

These Encoders also feature push switches that are used to view the value of the parameter

currently assigned to the Encoder, or to punch in or out during Automix recording.

B [SEL] buttons 1–16

These buttons enable you to select desired channels. The [SEL] button indicator for the cur-

rently-selected channel lights up. The channel selected by each [SEL] button depends on the

currently-selected button in the LAYER section (see page 22).

These buttons also allow you to select channels for Automix recording and playback, create

or cancel channel pairs, and add channels to (or remove them from) Fader, Mute, EQ, and

Compressor groups.

C [SOLO] buttons 1–16

These buttons solo the selected channels. The [SOLO] button indicator of the cur-

rently-soloed channel lights up.

D [ON] buttons 1–16

These buttons turn the selected channels on or off. The [ON] button indicators for On

channels light up.

E Channel faders 1–16

These are touch-sensitive 100 mm motorized faders. Depending on the button selected in

the FADER MODE Section (see page 18), the faders will adjust the input or output level of

the selected channels or buses, or adjust the AUX Send level.

STEREO Section

A [AUTO] button

When this button is turned on, you can use the [SEL] buttons 1–16 to turn the Automix

function on or off.

B [SEL] button

Selects the Stereo Bus.

C [ON] button

Tur ns the selected bus on or off.

D [STEREO] fader

This touch-sensitive 100 mm motorized fader adjusts the ﬁnal output level of the Stereo

Bus.

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 1

1

17 33

1

2

3

4

5

AUTO

ON

SEL

STEREO

70

60

50

40

30

20

15

10

5

0

1

2

3

4

18 Chapter 2—Control Surface & Rear Panel

DM1000 Version 2—Owner’s Manual

AUX SELECT Section

A [DISPLAY] button

This button displays an Aux-related page (see page 99).

B [AUX 1]–[AUX 8] buttons

These buttons select an Aux Send. When you press a button to select an AUX Send, the cor-

responding button indicator lights up.

ENCODER MODE Section

A [DISPLAY] button

This button displays an Encoder page, enabling you to assign functions to Encoders 1–16

(see page 37). To use a function assigned to an Encoder, press the [ASSIGN] button to turn

on the button indicator.

B [PAN] button

If you press this button, the button indicator turns on and Encoders 1–16 function as chan-

nel panpots.

C [AUX] button

If you press this button, the button indicator turns on and Encoders 1–16 function as chan-

nel Aux Send. The Send destination is selected in the AUX SELECT Section.

D [ASSIGN] button

If you press this button, the button indicator turns on and Encoders 1–16 function as

assignable controls for the parameters assigned on the Encoder pages. (By default, Input

Patches of the corresponding Input Channels are assigned.)

FADER MODE Section

A [FADER/AUX] button

Toggles between the desired parameter to be adjusted by channel faders 1–16. The faders

adjust the Channel or Bus level when the FADER indicator is lit, and adjust the Aux Send

level when the AUX indicator is lit.

B FADER indicator

C AUX indicator

An indicator lights up to indicate the parameter selected via the [FADER/AUX] button.

AUX2 AUX3 AUX4

AUX6AUX5 AUX7 AUX8

AUX SELECT

DISPLAY

AUX1

1

2

AUXPAN

DISPLAY

ASSIGN

ENCODER MODE

1

2 3 4

FADER MODE

FADE R

AUX

1

2

3

Control Surface 19

DM1000 Version 2—Owner’s Manual

2

Control Surface & Rear Panel

DISPLAY ACCESS Section

A [AUTOMIX] button

This button displays an Automix page, enabling you to make Automix settings (see

page 187).

B [DIO] button

This button displays a DIO page, enabling you to make digital I/O settings (see page 55).

C [SETUP] button

This button displays a Setup page, enabling you to make the DM1000 internal settings.

D [UTILITY] button

This button displays a Utility page, enabling you to use the internal oscillators and view

information about installed optional cards.

E [MIDI] button

This button displays a MIDI page, enabling you to make MIDI settings (see page 248).

F [REMOTE] button

This button displays a Remote page, enabling you to control a DAW remotely and make

machine control settings (see page 215).

G [METER] button

This button displays a Meter page, which displays Input Channel levels, or Bus Out or Aux

Send Out levels (see page 39).

H [VIEW] button

This button displays a View page, enabling you to view and set mix parameters for a speciﬁc

channel (see page 72).

I [PAIR/GROUP] button

This button displays a Pair/Group page, enabling you to pair channels, group multiple fad-

ers, or mute channels (see page 78 and 147).

J [ /INSERT/DELAY] button

This button displays a /INS/DLY page, enabling you to switch the signal phase, set the

signal to be inserted, or set the delay parameters (see page 63 and 158).

K [INPUT PATCH] button

This button displays an In Patch page, enabling you to patch input signals and Bus Out sig-

nals to the desired Input Channels (see page 109).

L [OUTPUT PATCH] button

This button displays an Out Patch page, enabling you to patch Bus Out and Insert Out sig-

nals to the desired destination (see page 112).

M [PAN/SURROUND] button

This button displays a Pan/Surr page, enabling you to adjust stereo or surround pan settings

(see page 70 and 125).

DISPLAY ACCESS

AUTOMIX DIO SETUP UTILITY

MIDI REMOTE METER VIEW

PAIR/GROUP

INPUT

OUTPUT

EFFECTSURROUND DYNAMICS SCENE

/

PA N/

INSERT/ DELAY

PAT CH

PATCH

1 2 3

M

N O P

J

4

K

9

L

5

6

8

7

20 Chapter 2—Control Surface & Rear Panel

DM1000 Version 2—Owner’s Manual

N [DYNAMICS] button

This button displays a Dynamics page, enabling you to control channel gates and compres-

sors (see page 65).

O [EFFECT] button

This button displays an Effect page, enabling you to edit the internal effects processors and

use optional plug-in cards (see page 159).

P [SCENE] button

This button displays a Scene page, enabling you to store and recall Scenes (see page 163).

Display Section

A Display

This is a 320 x 240 dot LCD display with a ﬂuorescent backlight.

B Stereo meters

These 32-segment level meters display the ﬁnal output level of the Stereo Bus.

C Contrast control

This control adjusts the display contrast.

D [F1]–[F4] buttons

These buttons select a page from a multi-page screen. Selecting a tab at the bottom of the

screen using one of these buttons displays the corresponding page. (See page 30 for more

information on displaying a page.)

E Left Tab Scroll [ ] button

F Right Tab Scroll [ ] button

If there are more pages available than the four whose tabs are currently displayed, use these

buttons to display the additional tabs. These buttons are available only when the left or right

Tab Scroll arrow appears.

F1 F2 F 3

F4

0

OVER

-2

-4

-6

-8

-10

-12

-14

-18

-24

-30

-36

-42

-48

-56

-72

0

OVER

-2

-4

-6

-8

-10

-12

-14

-18

-24

-30

-36

-42

-48

-56

-72

LR

2

3

45 6

1

Tab Scroll arrow

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