Yamaha RX-V3900 Bruksanvisning

Kategori
AV-mottagare
Typ
Bruksanvisning
Caution-i En
1 To assure the finest performance, please read this manual
carefully. Keep it in a safe place for future reference.
2 Install this sound system in a well ventilated, cool, dry, clean
place – away from direct sunlight, heat sources, vibration,
dust, moisture, and/or cold. Allow ventilation space of at least
30 cm on the top, 20 cm on the left and right, and 20 cm on
the back of this unit.
3 Locate this unit away from other electrical appliances, motors,
or transformers to avoid humming sounds.
4 Do not expose this unit to sudden temperature changes from
cold to hot, and do not locate this unit in an environment with
high humidity (i.e. a room with a humidifier) to prevent
condensation inside this unit, which may cause an electrical
shock, fire, damage to this unit, and/or personal injury.
5 Avoid installing this unit where foreign objects may fall onto
this unit and/or this unit may be exposed to liquid dripping or
splashing. On the top of this unit, do not place:
Other components, as they may cause damage and/or
discoloration on the surface of this unit.
Burning objects (i.e. candles), as they may cause fire,
damage to this unit, and/or personal injury.
Containers with liquid in them, as they may fall and liquid
may cause electrical shock to the user and/or damage to
this unit.
6 Do not cover this unit with a newspaper, tablecloth, curtain,
etc. in order not to obstruct heat radiation. If the temperature
inside this unit rises, it may cause fire, damage to this unit,
and/or personal injury.
7 Do not plug in this unit to a wall outlet until all connections
are complete.
8 Do not operate this unit upside-down. It may overheat,
possibly causing damage.
9 Do not use force on switches, knobs and/or cords.
10 When disconnecting the power cable from the wall outlet,
grasp the plug; do not pull the cable.
11 Do not clean this unit with chemical solvents; this might
damage the finish. Use a clean, dry cloth.
12 Only voltage specified on this unit must be used. Using this
unit with a higher voltage than specified is dangerous and may
cause fire, damage to this unit, and/or personal injury. Yamaha
will not be held responsible for any damage resulting from use
of this unit with a voltage other than specified.
13 To prevent damage by lightning, keep the power cord and
outdoor antennas disconnected from a wall outlet or the unit
during a lightning storm.
14 Do not attempt to modify or fix this unit. Contact qualified
Yamaha service personnel when any service is needed. The
cabinet should never be opened for any reasons.
15 When not planning to use this unit for long periods of time
(i.e. vacation), disconnect the AC power plug from the wall
outlet.
16 Install this unit near the AC outlet and where the AC power
plug can be reached easily.
17 Be sure to read the “Troubleshooting” section on common
operating errors before concluding that this unit is faulty.
18 Before moving this unit, press
A
MASTER ON/OFF to
release it outward to the OFF position to turn off this unit, the
main room, Zone 2 and Zone 3 and then disconnect the AC
power plug from the AC wall outlet.
19 VOLTAGE SELECTOR (Asia and General models only)
The VOLTAGE SELECTOR on the rear panel of this unit
must be set for your local main voltage BEFORE plugging
into the AC wall outlet. Voltages are:
................................AC 110/120/220/230–240 V, 50/60 Hz
20 The batteries shall not be exposed to excessive heat such as
sunshine, fire or like.
21 Excessive sound pressure from earphones and headphones can
cause hearing loss.
22 When replacing the batteries, be sure to use batteries of the
same type. Danger of explosion may happen if batteries are
incorrectly replaced.
For U.K. customers
If the socket outlets in the home are not suitable for the
plug supplied with this appliance, it should be cut off and
an appropriate 3 pin plug fitted. For details, refer to the
instructions described below.
The plug severed from the mains lead must be destroyed, as a
plug with bared flexible cord is hazardous if engaged in a live
socket outlet.
Special Instructions for U.K. Model
Caution: Read this before operating your unit.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN
OR MOISTURE.
As long as this unit is connected to the AC wall outlet,
it is not disconnected from the AC power source even
if you turn off this unit by
A
MASTER ON/OFF. In
this state, this unit is designed to consume a very small
quantity of power.
Note
IMPORTANT
THE WIRES IN MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
Blue: NEUTRAL
Brown: LIVE
As the colours of the wires in the mains lead of this apparatus
may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the
terminal which is marked with the letter N or coloured
BLACK. The wire which is coloured BROWN must be
connected to the terminal which is marked with the letter L or
coloured RED.
Making sure that neither core is connected to the earth
terminal of the three pin plug.
Caution: Read this before operating your unit.
Caution-ii En
Limited Guarantee for European Economic Area (EEA) and Switzerland
Thank you for having chosen a Yamaha product. In the unlikely event that your Yamaha product needs guarantee service, please contact the dealer from
whom it was purchased. If you experience any difficulty, please contact Yamaha representative office in your country. You can find full details on our
website (http://www.yamaha-hifi.com/ or http://www.yamaha-uk.com/ for U.K. resident).
The product is guaranteed to be free from defects in workmanship or materials for a period of two years from the date of the original purchase. Yamaha
undertakes, subject to the conditions listed below, to have the faulty product or any part(s) repaired, or replaced at Yamaha’s discretion, without any charge
for parts or labour. Yamaha reserves the right to replace a product with that of a similar kind and/or value and condition, where a model has been
discontinued or is considered uneconomic to repair.
Conditions
1. The original invoice or sales receipt (showing date of purchase, product code and dealer’s name) MUST accompany the defective product, along with a
statement detailing the fault. In the absence of this clear proof of purchase, Yamaha reserves the right to refuse to provide free of charge service and the
product may be returned at the customer’s expense.
2. The product MUST have been purchased from an AUTHORISED Yamaha dealer within the European Economic Area (EEA) or Switzerland.
3. The product must not have been the subject of any modifications or alterations, unless authorised in writing by Yamaha.
4. The following are excluded from this guarantee:
a. Periodic maintenance and repair or replacement of parts due to normal wear and tear.
b. Damage resulting from:
(1) Repairs performed by the customer himself or by an unauthorised third party.
(2) Inadequate packaging or mishandling, when the product is in transit from the customer. Please note that it is the customer’s responsibility to
ensure the product is adequately packaged when returning the product for repair.
(3) Misuse, including but not limited to (a) failure to use the product for its normal purpose or in accordance with Yamaha’s instructions on the proper
use, maintenance and storage, and (b) installation or use of the product in a manner inconsistent with the technical or safety standards in force in
the country where it is used.
(4) Accidents, lightning, water, fire, improper ventilation, battery leakage or any cause beyond Yamaha’s control.
(5) Defects of the system into which this product is incorporated and/or incompatibility with third party products.
(6) Use of a product imported into the EEA and/or Switzerland, not by Yamaha, where that product does not conform to the technical or safety
standards of the country of use and/or to the standard specification of a product sold by Yamaha in the EEA and/or Switzerland.
(7) Non AV (Audio Visual) related products.
(Products subject to “Yamaha AV Guarantee Statement” are defined in our website at http://www.yamaha-hifi.com/ or
http://www.yamaha-uk.com/ for U.K. resident.)
5. Where the guarantee differs between the country of purchase and the country of use of the product, the guarantee of the country of use shall apply.
6. Yamaha may not be held responsible for any losses or damages, whether direct, consequential or otherwise, save for the repair or replacement of the
product.
7. Please backup any custom settings or data, as Yamaha may not be held responsible for any alteration or loss to such settings or data.
8. This guarantee does not affect the consumer’s statutory rights under applicable national laws in force or the consumer’s rights against the dealer arising
from their sales/purchase contract.
Information for Users on Collection and Disposal of Old Equipment and used Batteries
These symbols on the products, packaging, and/or accompanying documents mean that used electrical
and electronic products and batteries should not be mixed with general household waste.
For proper treatment, recovery and recycling of old products and used batteries, please take them to
applicable collection points, in accordance with your national legislation and the Directives 2002/96/
EC and 2006/66/EC.
By disposing of these products and batteries correctly, you will help to save valuable resources and
prevent any potential negative effects on human health and the environment which could otherwise
arise from inappropriate waste handling.
For more information about collection and recycling of old products and batteries, please contact your
local municipality, your waste disposal service or the point of sale where you purchased the items.
[Information on Disposal in other Countries outside the European Union]
These symbols are only valid in the European Union. If you wish to discard these items, please contact
your local authorities or dealer and ask for the correct method of disposal.
Note for the battery symbol (bottom two symbol examples):
This symbol might be used in combination with a chemical symbol. In this case it complies with the
requirement set by the Directive for the chemical involved.
Caution: Read this before operating your unit.
Caution-iii En
Manufactured under license from Dolby Laboratories.
Dolby, Pro Logic and the double-D symbol are trademarks of
Dolby Laboratories.
Manufactured under license under U.S. Patent No’s:
5,451,942;5,956,674;5,974,380;5,978,762;6,226,616;6,487,535
& other U.S. and worldwide patents issued & pending. DTS is a
registered trademark and the DTS logos, Symbol, DTS-HD and
DTS-HD Master Audio are trademark of DTS, Inc. © 1996-2007
DTS, Inc. All Rights Reserved.
“iPod” is a trademark of Apple Inc., registered in the U.S. and
other countries.
MPEG Layer-3 audio coding technology licensed from
Fraunhofer IIS and Thomson.
This receiver supports network connections.
“HDMI”, the “HDMI” logo and “High-Definition Multimedia
Interface” are trademarks, or registered trademarks of HDMI
Licensing LLC.
x.v.Color™
“x.v.Color” is a trademark of Sony Corporation.
“SILENT CINEMA” is a trademark of Yamaha Corporation.
The Certified For Windows Vista logo, Windows Media and the
Windows logo are trademarks or registered trademarks of
Microsoft Corporation in the United States and/or other countries.
Content providers are using the digital rights management
technology for Windows Media contained in this device
(WMDRM) to protect the integrity of their content (Secure
Content) so that their intellectual property, including copyright, in
such content is not misappropriated.
This device uses WM-DRM software to play Secure Content
(WM-DRM Software).
If the security of the WM-DRM Software in this device has been
compromised, owners of Secure Content (Secure Content
Owners) may request that Microsoft revoke the WM-DRM
Software's right to acquire new licenses to copy, display and/or
play Secure Content. Revocation does not alter the WM-DRM
Software's ability to play unprotected content. A list of revoked
WM-DRM Software is sent to your device whenever you
download a license for Secure Content from the Internet or from a
PC. Microsoft may, in conjunction with such license, also
download revocation list onto your device on behalf of Secure
Content Owners.
iPod
TM
1 En
PREPARATIONINTRODUCTION
BASIC
OPERATION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX
English
Features ................................................................... 3
Supplied accessories .................................................. 3
Getting started ........................................................ 4
Quick start guide .................................................... 5
Connections............................................................. 9
Optimizing the speaker setting for your
listening room.................................................... 30
Before starting the automatic setup ......................... 30
Quick automatic setup ............................................. 30
Basic automatic setup .............................................. 31
Advanced automatic setup....................................... 33
Reviewing and reloading the automatic setup
parameters ........................................................... 34
Playback ................................................................ 36
Basic procedure ....................................................... 36
Selecting audio input jacks
(AUDIO SELECT).............................................. 37
Selecting the multi-channel input component ......... 37
Selecting the HDMI OUT jack................................ 37
Using your headphones............................................ 38
Muting the audio output........................................... 38
Displaying the input source information ................. 38
Using the sleep timer ............................................... 39
Sound field programs ........................................... 40
Selecting sound field programs ............................... 40
Using CINEMA DSP 3D mode............................... 46
Enjoying unprocessed input sources........................ 46
Using audio features ............................................. 47
Enjoying pure hi-fi sound ........................................ 47
Adjusting the tonal quality....................................... 47
Adjusting the speaker level...................................... 47
Selecting the recording source................................. 47
FM/AM tuning ...................................................... 48
Overview.................................................................. 48
FM/AM tuning operations ....................................... 48
Preset FM/AM stations ............................................ 49
Radio Data System tuning
(U.K. and Europe models only)....................... 51
Selecting the Radio Data System program type
(PTY SEEK mode).............................................. 51
Using the enhanced other networks (EON)
data service .......................................................... 52
Displaying the Radio Data System information ...... 52
Using Bluetooth™ components ........................... 54
Pairing the Bluetooth™ receiver and
your Bluetooth component .................................. 54
Playback of the Bluetooth™ component................. 54
Music Content menu ............................................ 55
Music Content menu operations .............................. 55
Using iPod™.......................................................... 56
iPod menu tree ......................................................... 56
Controlling iPod™................................................... 57
Using USB and network features.........................58
USB and network menu tree.................................... 58
Navigating USB and network menus ...................... 59
Using a USB storage device or a USB portable
audio player ......................................................... 59
Using a PC server or Yamaha
MCX-2000........................................................... 60
Using the Internet Radio.......................................... 61
Using shortcut buttons ............................................. 61
Advanced sound configurations...........................63
Selecting decoders ................................................... 63
Graphical user interface (GUI) menu .................65
GUI menu overview ................................................ 67
GUI menu operations............................................... 68
Saving and recalling the system settings
(System Memory) ..............................................90
Controlling this unit by using the Web browser
(Web Control Center) .......................................94
Remote control features........................................95
Controlling this unit, a TV, or other components.... 95
Customizing the remote control .............................. 97
Setting the backlight mode of the remote control.... 98
Setting remote control codes ................................... 98
Programming codes from other remote controls ... 100
Changing source names in the display window..... 101
Macro programming features ................................ 102
Clearing configurations ......................................... 104
Simplified remote control...................................... 105
Using multi-zone configuration..........................106
Connecting the Zone 2 and Zone 3 components ... 106
Controlling Zone 2 or Zone 3 ................................ 108
Advanced setup....................................................110
Using the advanced setup menu ............................ 110
Troubleshooting...................................................113
Resetting the system............................................124
Operation modes of front panel controls ..........125
Glossary................................................................126
Sound field program information......................129
Parametric equalizer information .....................130
Specifications .......................................................131
Index.....................................................................133
(at the end of this manual)
Front panel................................................................i
Remote control ....................................................... ii
Sound output in each sound field program......... iii
List of remote control codes ...................................v
Information about software ...................................x
Contents
INTRODUCTION
PREPARATION
BASIC OPERATION
ADVANCED OPERATION
ADDITIONAL INFORMATION
APPENDIX
2 En
By configuring the parameters in the GUI menu of this unit, you can adjust a variety of system settings suited for your
listening environment. The following is a brief description of some of the useful menus you can configure in the GUI
menu. For more detailed information, see “Graphical user interface (GUI) menu” (page 65).
Fine adjusting the speaker settings
In case speaker settings configured by automatic setup
does not match your listening environment, you can
configure them manually.
Setup Speaker (page 76)
Specifying the muting type
In case you do not want to fully mute audio when you
receive a call while watching your favorite TV program,
you can use this menu to specify the muting level.
Setup Volum e Muting Type (page 78)
Specifying the initial volume level
By adjusting this parameter, you can automatically control
the initial volume level regardless of the recording level of
the audio source.
Setup Volum e Initial Volume (page 78)
Adjusting the dynamic range
The dynamic range is the difference between the
minimum and maximum amplitude. The higher the
dynamic range, the more accurate the sound reproduction
for bitstream signals. You can adjust the dynamic range
for speakers and headphones individually. Also, you can
use the adaptive dynamic range control feature to adjust
the dynamic range automatically in conjunction with the
volume level.
Setup Sound Dynamic Range (page 79)
Setup Volum e Adaptive DRC (page 78)
Adjusting the audio and video synchronization
Sometimes, depending on your video source component,
video is delayed relative to audio due to processing
problems. In this case, you need to manually adjust the
audio delay to keep it synchronized with the video. If you
connect the video source component to this unit using an
HDMI connection and your component supports the
LIPSYNC feature, you can adjust the audio/video
synchronization automatically.
Setup Sound Lipsync (page 81)
Changing input/output assignment
In case the initial input/output assignments do not
correspond to your needs, you can rearrange them
according to your component to be connected to this unit.
You can also edit the input name to be displayed in the
front panel or in the GUI screen as necessary.
Setup Option I/O Assignment (page 86)
Setup Option Input Rename (page 86)
Fixing the volume difference between input
sources
The sound output level may vary depending on the audio
source components connected to this unit. In this case, you
can reduce or increase the output level of each input
source using this feature.
Input Select (input source) (submenu)
Volume Trim (page 74)
Setting the background video for discrete multi-
channel input
If you want to enjoy video images in combination with
discrete multi-channel audio input, configure this setting
to specify the video input source. For example, to view
DVD video images while listening to the music sources
from a multi-format player or an external decoder, set this
setting to “DVD”.
Input Select MULTI CH (submenu) BGV
(page 75)
Adjusting the brightness of the front panel
display
You can make the front panel display darker or brighter by
configuring this setting.
Setup Option Display Set Front Panel Display
Dimmer (page 87)
Turning on or off the short message display
Each time you operate this unit using controls on the front
panel or remote control keys, this unit displays short
messages on the video monitor. If you want to turn off the
short message display, select “Off” in this setting (Initial
factory setting is “On”).
Setup Option Display Set Short Message
(page 87)
Setting the amount of time to display GUI screen
information
You can set the amount of time to display playback
information in the GUI screen after you perform a certain
operation.
Setup Option Display Set Playback Screen
(page 87)
Protecting the setup values
After you have configured the sound field program
parameters and other system settings, you can use this
feature to prevent accidental changes to those setup
values.
Setup Option Memory Guard (page 86)
What you can do with the GUI menu
FEATURES
3 En
INTRODUCTION
English
Built-in 7-channel power amplifier
Minimum RMS output power
(20 Hz to 20 kHz, 0.04% THD, 8
Ω
)
Front: 140 W + 140 W
Center: 140 W
Surround: 140 W + 140 W
Surround back: 140 W + 140 W
Various input/output connectors
HDMI (IN x 4, OUT x 2), Component video (IN x 3, OUT x 1),
S-video (IN x 6, OUT x 3), Composite video (IN x 6, OUT x 5),
Coaxial digital audio (IN x 3), Optical digital audio (IN x 5, OUT x
2), Analog audio (IN x 10, OUT x 3)
Speaker out (7-channel), Pre out (7-channel), Subwoofer out,
Presence out, Zone 2/Zone 3 out
Discrete multi-channel input (6 or 8-channel)
Sound field programs
Proprietary Yamaha technology for the creation of sound fields
CINEMA DSP 3D
Compressed Music Enhancer mode
Virtual CINEMA DSP
SILENT CINEMA
Digital audio decoders
Dolby TrueHD, Dolby Digital Plus decoder
DTS-HD Master Audio, DTS-HD High Resolution Audio decoder
Dolby Digital/Dolby Digital EX decoder
DTS/DTS-ES Matrix 6.1, Discrete 6.1, DTS 96/24 decoder
Dolby Pro Logic/Dolby Pro Logic II/Dolby Pro Logic IIx decoder
DTS NEO:6 decoder
Sophisticated FM/AM tuner
40-station random and direct preset tuning
Automatic preset tuning
Radio Data System capability (Europe model only)
HDMI™ (High-Definition Multimedia Interface)
HDMI interface for standard, enhanced or
high-definition video as well as multi-channel digital audio based on
HDMI version 1.3a (HDMI is licensed by HDMI Licensing, LLC.)
Automatic audio and video synchronization (lip sync) information
capability
Deep Color video signal (30/36 bit) transmission capability
“x.v.Color” video signal transmission capability
High refresh rate and high resolution video signals capability
High definition digital audio format signals capability
HDCP (High-bandwidth Digital Content Protection System) licensed
by Digital Content Protection, LLC.
Analog video to HDMI digital video up-conversion (composite video
S-video
component video
HDMI digital video) capability
for monitor out
Analog and HDMI video up-scaling: 480i(576i)
480p(576p)/
720p/1080i/1080p, 480p(576p)
720p/1080i/1080p, 720p
1080i/1080p, 1080i
720p/1080p
DOCK terminal
DOCK terminal to connect a Yamaha iPod universal dock (such as
YDS-11, sold separately) or Bluetooth wireless audio receiver (such
as YBA-10, sold separately)
USB and network features
USB port to connect a USB storage device, USB Hard disc
drive, or USB portable audio player
NETWORK port to connect a PC and Yamaha MCX-2000 or
access the Internet Radio and via LAN
DHCP automatic or manual network configuration
Web control capability of this unit by using a Web browser
Automatic speaker setup features
Advanced YPAO (Yamaha Parametric room Acoustic Optimizer) for
automatic speaker setup
Multi-point measurement feature for multiple listening positions
Parametric equalizer select feature
Other features
192-kHz/24-bit D/A converter
GUI (graphic user interface) menus that allow you to optimize this
unit to suit your individual audiovisual system
Music Content menu that allows you to easily navigate music content
menus of your iPod, USB component, Internet Radio, etc.
PURE DIRECT mode for pure hi-fi sound for all sources
Adaptive dynamic range controlling capability
Adaptive DSP effect level controlling capability
Remote control with preset remote control codes, learning and macro
capability
ZONE 2/ZONE 3 custom installation facility
Zone switching capability between the main zone and
ZONE 2/ZONE 3 using ZONE CONTROLS
System Memory capability for saving and recalling multiple system
parameter settings
Sleep timer for each zone
Check that you received all of the following parts.
Remote control
Simplified remote control
Batteries (4) (AAA, LR03, UM-4)
Power cable (Two for Asia model)
Optimizer microphone
AM loop antenna
Indoor FM antenna
Features
Supplied accessories
GETTING STARTED
4 En
Installing batteries in the remote control
1 Take off the battery compartment cover.
2 Insert the four supplied batteries
(AAA, LR03, UM-4) according to the polarity
markings (+ and –) on the inside of the
battery compartment.
3 Snap the battery compartment cover back
into place.
Change all of the batteries if you notice the following
conditions:
the operation range of the remote control decreases.
the transmit indicator does not flash or its light becomes dim.
Do not use old batteries together with new ones.
Do not use different types of batteries (such as alkaline and
manganese batteries) together. Read the packaging carefully as
these different types of batteries may have the same shape and
color.
If the batteries have leaked, dispose of them immediately. Avoid
touching the leaked material or letting it come into contact with
clothing, etc. Clean the battery compartment thoroughly before
installing new batteries.
Do not throw away batteries with general house waste; dispose
of them correctly in accordance with your local regulations.
If the remote control is without batteries for more than 2
minutes, or if exhausted batteries remain in the remote control,
the contents of the memory may be cleared. When the memory
is cleared, insert new batteries, set up the remote control code
and program any acquired functions that may have been
cleared.
VOLTAGE SELECTOR
(Asia and General models only)
Getting started
About this manual
y indicates a tip for your operation.
Some operations can be performed by using either the
buttons on the front panel or the ones on the remote
control. In case the button names differ between the front
panel and the remote control, the button name on the
remote control is given in parentheses.
This manual is printed prior to production. Design and
specifications are subject to change in part as a result of
improvements, etc. In case of differences between the
manual and product, the product has priority.
•“
A
MASTER ON/OFF” or “
3
DVD” (example)
indicates the name of the parts on the front panel or the
remote control. Refer to the attached sheet or the pages at
the end of this manual for the information about each
position of the parts.
1
3
2
Notes
Caution
The VOLTAGE SELECTOR on the rear panel of this
unit must be set for your local voltage BEFORE
plugging the power cable into the AC wall outlet.
Improper setting of the VOLTAGE SELECTOR may
cause damage to this unit and create a potential fire
hazard.
Rotate the VOLTAGE SELECTOR clockwise or
counterclockwise to the correct position using a straight
slot screwdriver.
Voltages are as follows:
........................AC 110/120/220/230–240 V, 50/60 Hz
230-
240V
VOLTAGE
SELECTOR
Voltage indication
QUICK START GUIDE
5 En
INTRODUCTION
English
The following steps describe the easiest way to enjoy DVD movie playback in your home theater.
In these steps, you need the following supplied
accessories.
Power cable
The following items are not included in the package of this
unit.
Speakers
Front speaker ......................................x 2
Center speaker ...................................x 1
Surround speaker ...............................x 4
Select magnetically shielded speakers. The
minimum required speakers are two front speakers.
The priority of the requirement of other speakers is
as follows:
1. Two surround speakers
2. One center speaker
3. One (or two) surround back speaker(s)
Active subwoofer ....................................x 1
Select an active subwoofer equipped with an RCA
input jack.
Speaker cable ..........................................x 7
Subwoofer cable .....................................x 1
Select a monaural RCA cable.
DVD player ...............................................x 1
Select DVD player equipped with coaxial digital
audio output jack and composite video output
jack.
Video monitor...........................................x 1
Select a TV monitor, video monitor or projector
equipped with a composite video input jack.
Video cable ..............................................x 2
Select RCA composite video cables.
Digital coaxial audio cable .....................x 1
Quick start guide
Front right
speaker
Subwoofer
Surround back
right speaker
Surround left
speaker
Front left
speaker
Surround back left
speaker
Surround right
speaker
Center
speaker
Video monitor
DVD player
Enjoy DVD playback!
Step 1: Set up your speakers
P. 6
Step 2: Connect your DVD player
and other components
Step 3: Turn on the power and
start playback
P. 7
P. 8
Preparation: Check the items
Quick start guide
6 En
Place your speakers in the room and connect them to this
unit.
1 Place your speakers and subwoofer in the
room.
2 Connect speaker cables to each speaker.
3 Connect each speaker cable to the
corresponding speaker terminal of this unit.
1 Make sure that this unit and the subwoofer are
unplugged from the AC wall outlets.
2 Twist the exposed wires of the speaker cables
together to prevent short circuits.
3 Do not let the bare speaker wires touch each other.
4 Do not let the bare speaker wires touch any metal
part of this unit.
Be sure to connect the left channel (L), right channel
(R), “+” (red) and “–” (black) properly.
Front speakers and center speaker
Surround and surround back speakers
4 Connect the subwoofer cable to the
SUBWOOFER PRE OUT jack of this unit and
the input jack of the subwoofer.
Step 1: Set up your speakers
AC IN
AC OUTLETS
SWITCHED
SPEAKERS
CENTERSURROUND BACK/BI-AMP PRESENCE/ZONE 2/ZONE 3
FRONT SURROUND ZONE 2/ZONE 3
SINGLE
NETWORK
ANTENNA
FM
GND
AM
75Ω UNBAL.
VIDEO
S VIDEO
MONITOR OUT
VIDEO
REMOTE
PHONO
GND
CD TV
HDMI
COMPONENT VIDEO
AUDIO
DOCK
DIGITAL INPUT
MULTI CH INPUT
PRE OUT
TRIGGER OUT
RS-232C
DIGITAL OUTPUT
ZONE OUT
SUB SUR.BACK
WOOFER
SUB
WOOFER
CENTER
CENTER
FRONT(6CH)
FRONT
SURROUND
SURROUND
PRESENCE
SUR.BACK/
SINGLE(SB)
ZONE 2
ZONE 3 ZONE
VIDEO
CD
D
V
D
D
V
R
COAXIAL
1
2
TV
BD/
HD DVD
CBL/
SAT
MD/
CD-R
DVD DVR
OPTICAL
987
65
4
321
(8CH)
DVD
OUT(REC)
IN(PLAY)
MD/CD-R
BD/HD DVD
VCR
DVR
CBL/SAT
OUT OUT
ININ
BD/HD DVD DVD CBL/SAT
MONITOR OUT
Y
P
R
Y
P
R
P
B
P
B
IN 1 2
OUT IN OUT
DVR
CBL/
SAT
OUT
1
OUT
2
+
A B C
R
R
L
R
L
+
R
L
+
+
R
L
+
R
L
+
R
L
L
IN1
IN3
DVD
BD/
HD DVD
IN2
IN4
SP1
SP2
SUBWOOFER PRE OUT Speaker terminals
12 3 4
12 3 4
To the front left
speaker
To the front right
speaker
Loosen Insert
To the center
speaker
Tighten
To the surround
back
right speaker
To the surround
left speaker
To the surround back
left speaker
To the surround right
speaker
SUBWOOFER PRE OUT jack
Input jack
AV receiverSubwoofer
Subwoofer cable
Quick start guide
7 En
INTRODUCTION
English
1 Connect the digital coaxial audio cable to the
digital coaxial audio output jack of your DVD
player and the DVD DIGITAL INPUT COAXIAL
jack of this unit.
2 Connect the video cable to the composite
video output jack of your DVD player and
DVD VIDEO jack of this unit.
3 Connect the video cable to the VIDEO
MONITOR OUT jack of this unit and the video
input jack of your video monitor.
4 Connect the supplied power cable to this unit
and then plug of the power cable and other
components into the AC wall outlet.
y
For details about connecting the power cable, see page 25.
For other connections
Other speaker combinations P. 12
Information on jacks and cable plugs P. 15
Information on HDMI™ P. 16
TV monitor or projector P. 18
Other components P. 19
External amplifier P. 21
Multi-format player or external
decoder P. 22
Yamaha iPod universal dock or
Bluetooth wireless audio receiver P. 22
•FM/AM antennas P. 24
•Network P. 23
•USB device P. 23
Step 2: Connect your DVD player
and other components
AC IN
AC OUTLETS
SWITCHED
SPEAKERS
CENTERSURROUND BACK/BI-AMP PRESENCE/ZONE 2/ZONE 3
FRONT SURROUND ZONE 2/ZONE 3
SINGLE
NETWORK
ANTENNA
FM
GND
AM
75Ω UNBAL.
VIDEO
S VIDEO
MONITOR OUT
VIDEO
REMOTE
PHONO
GND
CD TV
HDMI
COMPONENT VIDEO
AUDIO
DOCK
DIGITAL INPUT
MULTI CH INPUT
PRE OUT
TRIGGER OUT
RS-232C
DIGITAL OUTPUT
ZONE OUT
SUB SUR.BACK
WOOFER
SUB
WOOFER
CENTER
CENTER
FRONT(6CH)
FRONT
SURROUND
SURROUND
PRESENCE
SUR.BACK/
SINGLE(SB)
ZONE 2
ZONE 3 ZONE
VIDEO
CD
D
V
D
D
V
R
COAXIAL
1
2
TV
BD/
HD DVD
CBL/
SAT
MD/
CD-R
DVD DVR
OPTICAL
987
65
4
321
(8CH)
DVD
OUT(REC)
IN(PLAY)
MD/CD-R
BD/HD DVD
VCR
DVR
CBL/SAT
OUT OUT
ININ
BD/HD DVD DVD CBL/SAT
MONITOR OUT
Y
P
R
Y
P
R
P
B
P
B
IN 1 2
OUT IN OUT
DVR
CBL/
SAT
OUT
1
OUT
2
+
A B C
R
R
L
R
L
+
R
L
+
+
R
L
+
R
L
+
R
L
L
IN1
IN3
DVD
BD/
HD DVD
IN2
IN4
SP1
SP2
Make sure that this unit and the DVD
player are unplugged from the AC
wall outlets.
VIDEO MONITOR OUTDVD VIDEO
DVD DIGITAL INPUT
COAXIAL
Digital coaxial
audio output
jack
Digital coaxial audio
cable
DVD DIGITAL INPUT
COAXIAL jack
DVD player
AV receiver
Composite video
output jack
Video cable
DVD VIDEO jack
DVD player
AV receiver
Video monitor
AV receiver
Video cable
VIDEO MONITOR
OUT jack
Video input jack
Quick start guide
8 En
1 Turn on the video monitor connected to this
unit.
2 Press AMASTER ON/OFF inward to the ON
position on the front panel.
3 Rotate the
C
INPUT selector to set the input
source to “DVD”.
4 Start playback of the desired DVD on your
player.
5 Rotate
P
VOLUME to adjust the volume.
6 To set this unit to the standby mode, press
BMAIN ZONE ON/OFF.
y
For details about turning on/off this unit and the standby
mode, see page 26.
For other operations
Optimizing the speaker parameters
automatically P. 30
Basic playback operations P. 36
Sound field programs P. 40
Pure high-fidelity sounds P. 47
FM/AM radio tuning P. 48
Bluetooth component playback P. 54
iPod playback P. 56
Playback via USB or network P. 58
Step 3: Turn on the power and start
playback
Check the type of the connected speakers.
If the speakers are 6-ohm speakers, set “SPEAKER
IMP.” to “6Ω MIN” before using this unit (page 26).
You can also use 4-ohm speakers as the front speakers
(page 110).
9 En
PREPARATION
English
The RS-232C terminal is a control expansion terminal for
factory use only. Consult your dealer for details.
Connections
Rear panel
AC IN
AC OUTLETS
SWITCHED
SPEAKERS
CENTERSURROUND BACK/BI-AMP PRESENCE/ZONE 2/ZONE 3
FRONT SURROUND ZONE 2/ZONE 3
SINGLE
NETWORK
ANTENNA
FM
GND
AM
75Ω UNBAL.
VIDEO
S VIDEO
MONITOR OUT
VIDEO
REMOTE
PHONO
GND
CD TV
HDMI
COMPONENT VIDEO
AUD IO
DOCK
DIGITAL INPUT
MULTI CH INPUT
PRE OUT
TRIGGER OUT
RS-232C
DIGITAL OUTPUT
ZONE OUT
SUB SUR.BACK
WOOFER
SUB
WOOFER
CENTER
CENTER
FRONT(6CH)
FRONT
SURROUND
SURROUND
PRESENCE
SUR.BACK/
SINGLE(SB)
ZONE 2
ZONE 3 ZONE
VIDEO
CD
D
V
D
D
V
R
COAXIAL
1
2
TV
BD/
HD DVD
CBL/
SAT
MD/
CD-R
DVD DVR
OPTICAL
987
65
4
321
(8CH)
DVD
OUT(REC)
IN(PLAY)
MD/CD-R
BD/HD DVD
VCR
DVR
CBL/SAT
OUT OUT
ININ
BD/HD DVD DVD CBL/SAT
MONITOR OUT
Y
P
R
Y
P
R
P
B
P
B
IN 1 2
OUT IN OUT
DVR
CBL/
SAT
OUT
1
OUT
2
+
A B C
R
R
L
R
L
+
R
L
+
+
R
L
+
R
L
+
R
L
L
IN1
IN3
DVD
BD/
HD DVD
IN2
IN4
SP1
SP2
AB0
9
C
231456 78
Name Page
1 HDMI jacks 16
2 COMPONENT VIDEO jacks 15
3 Audio component jacks 15
REMOTE IN/OUT jacks 22, 106
4 Video component jacks 15
5 ANTENNA terminals 24
6 NETWORK port 23
7 VOLTAGE SELECTOR
(Asia and General models only)
25
8 AC IN 25
AC OUTLET(S) 25
9 DOCK terminal 22
0 DIGITAL INPUT/OUTPUT jacks 15
A TRIGGER OUT jacks 108
B RS-232C terminal
C MULTI CH INPUT jacks 22
PRE OUT jacks 21
ZONE OUT jacks 106
Speaker terminals 12
Note
10 En
Connections
The speaker layout below shows the speaker setting we recommend.
y
7.1-channel speaker layout is highly recommended for playback of the high definition digital audio sources (Dolby TrueHD, DTS-HD
Master Audio, etc.) with sound field programs.
We recommend that you add the presence speakers for the effect sounds of the CINEMA DSP sound field program.
7.1-channel speaker layout
6.1-channel speaker layout
5.1-channel speaker layout
Placing speakers
FR
FL
SBR
SBL
SL
SR
C
SW
60˚
30˚
SBR
SBL
FL
FR
C
SL
SR
SR
80˚
SL
30 cm (12 in) or more
60˚
30˚
SB
FL
FR
C
SL
SR
SR
80˚
SL
FR
FL
SB
SL
SR
C
SW
FR
FL
SL
SR
SW
C
60˚
30˚
FL
FR
C
SL
SR
SR
80˚
SL
11 En
Connections
PREPARATION
English
Speaker types
Front left and right speakers (FL and FR)
The front speakers are used for the main source sound plus
effect sounds. Place these speakers at an equal distance from
the ideal listening position. The distance of each speaker
from each side of the video monitor should be the same.
Center speaker (C)
The center speaker is for the center channel sounds
(dialog, vocals, etc.). If for some reason it is not practical
to use a center speaker, you can do without it. Best results,
however, are obtained with the full system.
Surround left and right speakers (SL and SR)
The surround speakers are used for effect and surround
sounds.
For 5.1-channel speaker layout, place these speakers
farther back compared with the placement in the 7.1-
channel speaker layout.
Surround back left and right speakers (SBL and
SBR) /Surround back speaker (SB)
The surround back speakers supplement the surround
speakers and provide more realistic front-to-back
transitions.
For 6.1-channel speaker layout, surround back left and
right channel signals are mixed down and output at the
single surround back speaker by configuring the
“Surround Back” setting (
page 76
).
For 5.1-channel speaker layout, surround back left and
right channel signals are output at the surround left and
right speakers by configuring the “Surround Back” setting
(
page 76
).
Subwoofer (SW)
The use of a subwoofer with a built-in amplifier, such as
the Yamaha Active Servo Processing Subwoofer System,
is effective not only for reinforcing bass frequencies from
any or all channels, but also for reproducing the high
fidelity sound of the LFE (low-frequency effect) channel
included in bitstreams and multi-channel PCM sources.
The position of the subwoofer is not so critical, because
low bass sounds are not highly directional. But it is better
to place the subwoofer near the front speakers. Turn it
slightly toward the center of the room to reduce wall
reflections.
Presence left and right speakers (PL and
PR)
The presence speakers supplement the sound from the front
speakers with extra ambient effects produced by the sound
field programs (page 40). We recommend that you use the
presence speakers especially for the CINEMA DSP sound
field programs. To use the presence speakers, connect the
speakers to SP1 speaker terminals and then set
Front
Presence
to
Yes
(page 76).
For other speaker combinations
You can enjoy multi-channel sources with sound field
programs by using a speaker combination other than
the 7.1/6.1/5.1-channel speaker combinations.
Use the automatic setup feature (page 30) or set the
“Speaker” parameters (
page 76
). to output the surround
sounds at the connected speakers.
FR
PRPL
C
FL
1.8 m (6 ft)
0.5 to 1 m (1 to 3 ft) 0.5 to 1 m (1 to 3 ft)
1.8 m (6 ft)
12 En
Connections
Be sure to connect the left channel (L), right channel (R), “+” (red) and “–” (black) properly. If the connections are faulty,
this unit cannot reproduce the input sources accurately.
A speaker cord is actually a pair of insulated cables running side by side. Cables are colored or shaped differently, perhaps with a
stripe, groove or ridge. Connect the striped (grooved, etc.) cable to the “+” (red) terminals of this unit and your speaker. Connect the
plain cable to the “–” (black) terminals.
You can connect both surround back and presence speakers to this unit, however they do not output sound simultaneously. This unit
automatically switches the presence speakers and surround back speakers depending on the input sources and the selected sound field
programs.
7.1-channel speaker connection
Connecting speakers
Caution
Before connecting the speakers, make sure that this unit is turned off (page 26).
Do not let the bare speaker wires touch each other or do not let them touch any metal part of this unit. This could
damage this unit and/or speakers.
Use magnetically shielded speakers. If this type of speaker still creates interference with the monitor, place the
speakers away from the monitor.
If you are to use 6-ohm speakers, be sure to set “SPEAKER IMP.” to “6Ω MIN” before using this unit (page 26).
You can also use 4-ohm speakers as the front speakers (page 110).
Notes
SPEAKERS
CENTERSURROUND BACK/BI-AMP PRESENCE/ZONE 2/ZONE 3
FRONT SURROUND ZONE 2/ZONE 3
SINGLE
SUB
WOOFER
+
R
L
+
R
L
+
+
R
L
+
R
L
+
R
L
SP1
SP2
Front speakers
Surround speakers
Presence speakers
(page 11) or
Zone 2/Zone 3
speakers
(page 106)
Subwoofer
Right
Center speaker
Surround back speakers
Left
Left Left
RightRight
Zone 2/Zone 3 speakers
(page 106)
13 En
Connections
PREPARATION
English
6.1-channel speaker connection
5.1-channel speaker connection
Surround back speaker
SPEAKERS
CENTERPRESENCE/ZONE 2/ZONE 3
FRONT SURROUND ZONE 2/ZONE 3
SINGLE
SUB
WOOFER
+
L
+
R
L
+
+
R
L
+
R
L
+
R
L
SP1
SP2
Surround speakers
Front speakers
Presence speakers
(page 11) or
Zone 2/Zone 3 speakers
(page 106)
Subwoofer
Center speaker
Left
Left
Right
Right
Zone 2/Zone 3
speakers
(page 106)
SPEAKERS
CENTERSURROUND BACK/BI-AMP PRESENCE/ZONE 2/ZONE 3
FRONT SURROUND ZONE 2/ZONE 3
SINGLE
SUB
WOOFER
+
R
L
+
R
L
+
+
R
L
+
R
L
+
R
L
SP1
SP2
Surround speakersFront speakers
Subwoofer
Center speaker
Left
LeftRight Right
Zone 2/Zone 3
speakers
(page 106)
Front speakers for the
bi-amplification
connections
(page 14)
Presence speakers
(page 11) or
Zone 2/Zone 3 speakers
(page 106)
14 En
Connections
Connecting the speaker cable
1 Remove approximately 10 mm (0.4 in) of
insulation from the end of each speaker
cable and then twist the exposed wires of the
cable together to prevent short circuits.
2 Loosen the knob, insert one bare wire into
the hole and then tighten the knob.
Connecting the banana plug
(Except U.K., Europe, Asia and Korea
models)
Tighten the knob and then insert the banana plug
into the end of the terminal.
Using bi-amplification connections
You can make bi-amplification connections to one speaker
system which supports bi-amplification connection as
shown below. To activate the connections, configure the
“BI-AMP” setting (page 111).
When you make the conventional connection with the speakers,
make sure that the shorting bars are put into the terminals of the
speakers appropriately. Refer to the instruction manuals of the
speakers for details.
10 mm (0.4 in)
Loosen Insert Tighten
Banana plug
Caution
Remove the shorting bars or bridges of your speakers to
separate the LPF (low pass filter) and HPF (high pass filter)
crossovers.
Note
SURROUND BACK/BI-AMP
FRONT
SINGLE
+
R
L
+
R
L
This unit
LeftRight
Front speakers
15 En
Connections
PREPARATION
English
This unit has three types of audio jacks, three types of video jacks and HDMI jacks. You can choose the connection
method depending on the component to be connected.
Audio jacks
AUDIO jacks
For conventional analog audio signals transmitted via left
and right analog audio cables. Connect red plugs to the
right jacks and white plugs to the left jacks.
COAXIAL jacks
For digital audio signals transmitted via coaxial digital
audio cables.
OPTICAL jacks
For digital audio signals transmitted via optical digital
audio cables.
You can use the digital jacks to input PCM, Dolby Digital and
DTS bitstreams. When you connect components to both the
COAXIAL and OPTICAL jacks, priority is given to the signals
input at the COAXIAL jack. All digital input jacks are
compatible with up to 96-kHz sampling digital signals.
Video jacks
VIDEO jacks
For conventional composite video signals transmitted via
composite video cables.
S VIDEO jacks
For S-video signals, separated into the luminance (Y) and
chrominance (C) video signals transmitted on separate
wires of S-video cables.
COMPONENT VIDEO jacks
For component video signals, separated into the
luminance (Y) and chrominance (P
B, PR) video signals
transmitted on separate wires of component video cables.
y
This unit is equipped with the video conversion function.
(page 17)
Information on jacks and cable plugs
Note
COAXIAL
DIGITAL
AUDIO
OPTICAL
DIGITAL
R
L
C
O
R
L
Left and right
analog audio
cable plugs
Optical
digital
audio cable
plug
Coaxial
digital audio
cable plug
(Red)(White) (Orange)
VIDEO S VIDEO
COMPONENT VIDEO
Y
R
P
B
P
PB
Y
P
R
S
V
Composite
video cable
plug
S-video
cable plug
Component
video cable
plugs
(Yellow) (Green) (Blue) (Red)
16 En
Connections
This unit has four HDMI input jacks and two HDMI output jacks for digital audio and video signal input/output.
HDMI jack and cable plug
y
We recommend that you use a commercially available HDMI cable
shorter than 5 meters (16 feet) with the HDMI logo printed on it.
Use a conversion cable (HDMI jack
DVI-D jack) to connect this
unit to other DVI components.
You can check the potential problem about the HDMI connection
(page 38).
If you set “Mode” in “Standby Through” to “Last” or “Fix”, this
unit allows the HDMI signals input at an HDMI IN jack to pass
through this unit and output at an HDMI OUT jack (page 83).
This unit is equipped with two HDMI OUT jacks. You can select
the active HDMI OUT jack(s) (page 37).
This unit is equipped with the video conversion function (page 17).
Do not disconnect or connect the cable or turn off the power of
the HDMI components connected to the HDMI OUT jacks of
this unit while data is being transferred. Doing so may disrupt
playback or cause noise.
The HDMI OUT jacks output the audio signals input at the
HDMI input jacks only.
If you turn off the video monitor connected to the HDMI OUT
jacks via a DVI connection, the connection may fail.
HDMI signal compatibility with this unit
Audio signals
y
If the input source component can decode the bitstream audio
signals of audio commentaries, you can play back the audio sources
with the audio commentaries mixed down by using the following
connections:
– multi-channel analog audio input (page 22)
– DIGITAL INPUT OPTICAL (or COAXIAL)
Refer to the instruction manuals of the input source component,
and set the component appropriately.
When CPPM copy-protected DVD audio is played back, video and
audio signals may not be output depending on the type of the DVD
player.
This unit is not compatible with HDCP-incompatible HDMI or
DVI components.
To decode the audio bitstream signals on this unit, set the input
source component appropriately so that the component outputs the
audio bitstream signals directly (does not decode the bitstream
signals on the component).
This unit is not compatible with the audio commentary features (for
example, the special audio contents downloaded via Internet) of
Blu-ray Disc or HD DVD. This unit does not play back the audio
commentaries of the Blu-ray Disc or HD DVD contents.
Video signals
This unit is compatible with the video signals of the
following resolutions:
480i/60 Hz
576i/50 Hz
480p/60 Hz
576p/50 Hz
720p/60 Hz, 50 Hz
1080i/60 Hz, 50 Hz
1080p/60 Hz, 50 Hz, 24Hz
Compatibility with Deep Color and x.v.Color
video signals
This unit accepts Deep Color (30 or 36-bit) and x.v.Color
video signals. To output those video signals from the
HDMI OUT jacks without any processing, set “HDMI `
HDMI” (page 82)” to “Through”.
If the video monitor is not compatible with Deep Color or
x.v.Color video signals, the video source may not be played
back correctly.
Default input assignment of HDMI input
jacks
Information on HDMI™
Notes
Audio signal
types
Audio signal
formats
Compatible
media
2ch Linear
PCM
2ch, 32-192 kHz,
16/20/24 bit
CD, DVD-Video,
DVD-Audio, etc.
Multi-ch
Linear PCM
8ch, 32-192 kHz,
16/20/24 bit
DVD-Audio, etc.
DSD 2/5.1ch,
2.8224 MHz,1 bit
SA-CD, etc.
Bitstream Dolby Digital,
DTS
DVD-Video, etc.
Bitstream
(High definition
audio)
Dolby TrueHD,
Dolby Digital Plus,
DTS-HD Master
Audio, DTS-HD
High Resolution
Audio
Blu-ray Disc,
HD DVD, etc.
HDMI
HDMI cable plug
Notes
Note
HDMI input jack Assigned input source
IN1 BD/HD DVD
IN2 DVD
IN3 CBL/SAT
IN4 DVR
  • Page 1 1
  • Page 2 2
  • Page 3 3
  • Page 4 4
  • Page 5 5
  • Page 6 6
  • Page 7 7
  • Page 8 8
  • Page 9 9
  • Page 10 10
  • Page 11 11
  • Page 12 12
  • Page 13 13
  • Page 14 14
  • Page 15 15
  • Page 16 16
  • Page 17 17
  • Page 18 18
  • Page 19 19
  • Page 20 20
  • Page 21 21
  • Page 22 22
  • Page 23 23
  • Page 24 24
  • Page 25 25
  • Page 26 26
  • Page 27 27
  • Page 28 28
  • Page 29 29
  • Page 30 30
  • Page 31 31
  • Page 32 32
  • Page 33 33
  • Page 34 34
  • Page 35 35
  • Page 36 36
  • Page 37 37
  • Page 38 38
  • Page 39 39
  • Page 40 40
  • Page 41 41
  • Page 42 42
  • Page 43 43
  • Page 44 44
  • Page 45 45
  • Page 46 46
  • Page 47 47
  • Page 48 48
  • Page 49 49
  • Page 50 50
  • Page 51 51
  • Page 52 52
  • Page 53 53
  • Page 54 54
  • Page 55 55
  • Page 56 56
  • Page 57 57
  • Page 58 58
  • Page 59 59
  • Page 60 60
  • Page 61 61
  • Page 62 62
  • Page 63 63
  • Page 64 64
  • Page 65 65
  • Page 66 66
  • Page 67 67
  • Page 68 68
  • Page 69 69
  • Page 70 70
  • Page 71 71
  • Page 72 72
  • Page 73 73
  • Page 74 74
  • Page 75 75
  • Page 76 76
  • Page 77 77
  • Page 78 78
  • Page 79 79
  • Page 80 80
  • Page 81 81
  • Page 82 82
  • Page 83 83
  • Page 84 84
  • Page 85 85
  • Page 86 86
  • Page 87 87
  • Page 88 88
  • Page 89 89
  • Page 90 90
  • Page 91 91
  • Page 92 92
  • Page 93 93
  • Page 94 94
  • Page 95 95
  • Page 96 96
  • Page 97 97
  • Page 98 98
  • Page 99 99
  • Page 100 100
  • Page 101 101
  • Page 102 102
  • Page 103 103
  • Page 104 104
  • Page 105 105
  • Page 106 106
  • Page 107 107
  • Page 108 108
  • Page 109 109
  • Page 110 110
  • Page 111 111
  • Page 112 112
  • Page 113 113
  • Page 114 114
  • Page 115 115
  • Page 116 116
  • Page 117 117
  • Page 118 118
  • Page 119 119
  • Page 120 120
  • Page 121 121
  • Page 122 122
  • Page 123 123
  • Page 124 124
  • Page 125 125
  • Page 126 126
  • Page 127 127
  • Page 128 128
  • Page 129 129
  • Page 130 130
  • Page 131 131
  • Page 132 132
  • Page 133 133
  • Page 134 134
  • Page 135 135
  • Page 136 136
  • Page 137 137
  • Page 138 138
  • Page 139 139
  • Page 140 140
  • Page 141 141
  • Page 142 142
  • Page 143 143
  • Page 144 144
  • Page 145 145
  • Page 146 146
  • Page 147 147
  • Page 148 148
  • Page 149 149
  • Page 150 150
  • Page 151 151
  • Page 152 152
  • Page 153 153
  • Page 154 154
  • Page 155 155
  • Page 156 156
  • Page 157 157
  • Page 158 158
  • Page 159 159
  • Page 160 160
  • Page 161 161
  • Page 162 162
  • Page 163 163
  • Page 164 164
  • Page 165 165
  • Page 166 166
  • Page 167 167
  • Page 168 168
  • Page 169 169
  • Page 170 170
  • Page 171 171
  • Page 172 172
  • Page 173 173
  • Page 174 174
  • Page 175 175
  • Page 176 176
  • Page 177 177
  • Page 178 178
  • Page 179 179
  • Page 180 180
  • Page 181 181
  • Page 182 182
  • Page 183 183
  • Page 184 184
  • Page 185 185
  • Page 186 186
  • Page 187 187
  • Page 188 188
  • Page 189 189
  • Page 190 190
  • Page 191 191
  • Page 192 192
  • Page 193 193
  • Page 194 194
  • Page 195 195
  • Page 196 196
  • Page 197 197
  • Page 198 198
  • Page 199 199
  • Page 200 200
  • Page 201 201
  • Page 202 202
  • Page 203 203
  • Page 204 204
  • Page 205 205
  • Page 206 206
  • Page 207 207
  • Page 208 208
  • Page 209 209
  • Page 210 210
  • Page 211 211
  • Page 212 212
  • Page 213 213
  • Page 214 214
  • Page 215 215
  • Page 216 216
  • Page 217 217
  • Page 218 218
  • Page 219 219
  • Page 220 220
  • Page 221 221
  • Page 222 222
  • Page 223 223
  • Page 224 224
  • Page 225 225
  • Page 226 226
  • Page 227 227
  • Page 228 228
  • Page 229 229
  • Page 230 230
  • Page 231 231
  • Page 232 232
  • Page 233 233
  • Page 234 234
  • Page 235 235
  • Page 236 236
  • Page 237 237
  • Page 238 238
  • Page 239 239
  • Page 240 240
  • Page 241 241
  • Page 242 242
  • Page 243 243
  • Page 244 244
  • Page 245 245
  • Page 246 246
  • Page 247 247
  • Page 248 248
  • Page 249 249
  • Page 250 250
  • Page 251 251
  • Page 252 252
  • Page 253 253
  • Page 254 254
  • Page 255 255
  • Page 256 256
  • Page 257 257
  • Page 258 258
  • Page 259 259
  • Page 260 260
  • Page 261 261
  • Page 262 262
  • Page 263 263
  • Page 264 264
  • Page 265 265
  • Page 266 266
  • Page 267 267
  • Page 268 268
  • Page 269 269
  • Page 270 270
  • Page 271 271
  • Page 272 272
  • Page 273 273
  • Page 274 274
  • Page 275 275
  • Page 276 276
  • Page 277 277
  • Page 278 278
  • Page 279 279
  • Page 280 280
  • Page 281 281
  • Page 282 282
  • Page 283 283
  • Page 284 284
  • Page 285 285
  • Page 286 286
  • Page 287 287
  • Page 288 288
  • Page 289 289
  • Page 290 290
  • Page 291 291
  • Page 292 292
  • Page 293 293
  • Page 294 294
  • Page 295 295
  • Page 296 296
  • Page 297 297
  • Page 298 298
  • Page 299 299
  • Page 300 300
  • Page 301 301
  • Page 302 302
  • Page 303 303
  • Page 304 304
  • Page 305 305
  • Page 306 306
  • Page 307 307
  • Page 308 308
  • Page 309 309
  • Page 310 310
  • Page 311 311
  • Page 312 312
  • Page 313 313
  • Page 314 314
  • Page 315 315
  • Page 316 316
  • Page 317 317
  • Page 318 318
  • Page 319 319
  • Page 320 320
  • Page 321 321
  • Page 322 322
  • Page 323 323
  • Page 324 324
  • Page 325 325
  • Page 326 326
  • Page 327 327
  • Page 328 328
  • Page 329 329
  • Page 330 330
  • Page 331 331
  • Page 332 332
  • Page 333 333
  • Page 334 334
  • Page 335 335
  • Page 336 336
  • Page 337 337
  • Page 338 338
  • Page 339 339
  • Page 340 340
  • Page 341 341
  • Page 342 342
  • Page 343 343
  • Page 344 344
  • Page 345 345
  • Page 346 346
  • Page 347 347
  • Page 348 348
  • Page 349 349
  • Page 350 350
  • Page 351 351
  • Page 352 352
  • Page 353 353
  • Page 354 354
  • Page 355 355
  • Page 356 356
  • Page 357 357
  • Page 358 358
  • Page 359 359
  • Page 360 360
  • Page 361 361
  • Page 362 362
  • Page 363 363
  • Page 364 364
  • Page 365 365
  • Page 366 366
  • Page 367 367
  • Page 368 368
  • Page 369 369
  • Page 370 370
  • Page 371 371
  • Page 372 372
  • Page 373 373
  • Page 374 374
  • Page 375 375
  • Page 376 376
  • Page 377 377
  • Page 378 378
  • Page 379 379
  • Page 380 380
  • Page 381 381
  • Page 382 382
  • Page 383 383
  • Page 384 384
  • Page 385 385
  • Page 386 386
  • Page 387 387
  • Page 388 388
  • Page 389 389
  • Page 390 390
  • Page 391 391
  • Page 392 392
  • Page 393 393
  • Page 394 394
  • Page 395 395
  • Page 396 396
  • Page 397 397
  • Page 398 398
  • Page 399 399
  • Page 400 400
  • Page 401 401
  • Page 402 402
  • Page 403 403
  • Page 404 404
  • Page 405 405
  • Page 406 406
  • Page 407 407
  • Page 408 408
  • Page 409 409
  • Page 410 410
  • Page 411 411
  • Page 412 412
  • Page 413 413
  • Page 414 414
  • Page 415 415
  • Page 416 416
  • Page 417 417
  • Page 418 418
  • Page 419 419
  • Page 420 420
  • Page 421 421
  • Page 422 422
  • Page 423 423
  • Page 424 424
  • Page 425 425
  • Page 426 426
  • Page 427 427
  • Page 428 428
  • Page 429 429
  • Page 430 430
  • Page 431 431
  • Page 432 432
  • Page 433 433
  • Page 434 434
  • Page 435 435
  • Page 436 436
  • Page 437 437
  • Page 438 438
  • Page 439 439
  • Page 440 440
  • Page 441 441
  • Page 442 442
  • Page 443 443
  • Page 444 444
  • Page 445 445
  • Page 446 446
  • Page 447 447
  • Page 448 448
  • Page 449 449
  • Page 450 450
  • Page 451 451
  • Page 452 452
  • Page 453 453
  • Page 454 454
  • Page 455 455
  • Page 456 456
  • Page 457 457
  • Page 458 458
  • Page 459 459
  • Page 460 460
  • Page 461 461
  • Page 462 462
  • Page 463 463
  • Page 464 464
  • Page 465 465
  • Page 466 466
  • Page 467 467
  • Page 468 468
  • Page 469 469
  • Page 470 470
  • Page 471 471
  • Page 472 472
  • Page 473 473
  • Page 474 474
  • Page 475 475
  • Page 476 476
  • Page 477 477
  • Page 478 478
  • Page 479 479
  • Page 480 480
  • Page 481 481
  • Page 482 482
  • Page 483 483
  • Page 484 484
  • Page 485 485
  • Page 486 486
  • Page 487 487
  • Page 488 488
  • Page 489 489
  • Page 490 490
  • Page 491 491
  • Page 492 492
  • Page 493 493
  • Page 494 494
  • Page 495 495
  • Page 496 496
  • Page 497 497
  • Page 498 498
  • Page 499 499
  • Page 500 500
  • Page 501 501
  • Page 502 502
  • Page 503 503
  • Page 504 504
  • Page 505 505
  • Page 506 506
  • Page 507 507
  • Page 508 508
  • Page 509 509
  • Page 510 510
  • Page 511 511
  • Page 512 512
  • Page 513 513
  • Page 514 514
  • Page 515 515
  • Page 516 516
  • Page 517 517
  • Page 518 518
  • Page 519 519
  • Page 520 520
  • Page 521 521
  • Page 522 522
  • Page 523 523
  • Page 524 524
  • Page 525 525
  • Page 526 526
  • Page 527 527
  • Page 528 528
  • Page 529 529
  • Page 530 530
  • Page 531 531
  • Page 532 532
  • Page 533 533
  • Page 534 534
  • Page 535 535
  • Page 536 536
  • Page 537 537
  • Page 538 538
  • Page 539 539
  • Page 540 540
  • Page 541 541
  • Page 542 542
  • Page 543 543
  • Page 544 544
  • Page 545 545
  • Page 546 546
  • Page 547 547
  • Page 548 548
  • Page 549 549
  • Page 550 550
  • Page 551 551
  • Page 552 552
  • Page 553 553
  • Page 554 554
  • Page 555 555
  • Page 556 556
  • Page 557 557
  • Page 558 558
  • Page 559 559
  • Page 560 560
  • Page 561 561
  • Page 562 562
  • Page 563 563
  • Page 564 564
  • Page 565 565
  • Page 566 566
  • Page 567 567
  • Page 568 568
  • Page 569 569
  • Page 570 570
  • Page 571 571
  • Page 572 572
  • Page 573 573
  • Page 574 574
  • Page 575 575
  • Page 576 576
  • Page 577 577
  • Page 578 578
  • Page 579 579
  • Page 580 580
  • Page 581 581
  • Page 582 582
  • Page 583 583
  • Page 584 584
  • Page 585 585
  • Page 586 586
  • Page 587 587
  • Page 588 588
  • Page 589 589
  • Page 590 590
  • Page 591 591
  • Page 592 592
  • Page 593 593
  • Page 594 594
  • Page 595 595
  • Page 596 596
  • Page 597 597
  • Page 598 598
  • Page 599 599
  • Page 600 600
  • Page 601 601
  • Page 602 602
  • Page 603 603
  • Page 604 604
  • Page 605 605
  • Page 606 606
  • Page 607 607
  • Page 608 608
  • Page 609 609
  • Page 610 610
  • Page 611 611
  • Page 612 612
  • Page 613 613
  • Page 614 614
  • Page 615 615
  • Page 616 616
  • Page 617 617
  • Page 618 618
  • Page 619 619
  • Page 620 620
  • Page 621 621
  • Page 622 622
  • Page 623 623
  • Page 624 624
  • Page 625 625
  • Page 626 626
  • Page 627 627
  • Page 628 628
  • Page 629 629
  • Page 630 630
  • Page 631 631
  • Page 632 632
  • Page 633 633
  • Page 634 634
  • Page 635 635
  • Page 636 636
  • Page 637 637
  • Page 638 638
  • Page 639 639
  • Page 640 640
  • Page 641 641
  • Page 642 642
  • Page 643 643
  • Page 644 644
  • Page 645 645
  • Page 646 646
  • Page 647 647
  • Page 648 648
  • Page 649 649
  • Page 650 650
  • Page 651 651
  • Page 652 652
  • Page 653 653
  • Page 654 654
  • Page 655 655
  • Page 656 656
  • Page 657 657
  • Page 658 658
  • Page 659 659
  • Page 660 660
  • Page 661 661
  • Page 662 662
  • Page 663 663
  • Page 664 664
  • Page 665 665
  • Page 666 666
  • Page 667 667
  • Page 668 668
  • Page 669 669
  • Page 670 670
  • Page 671 671
  • Page 672 672
  • Page 673 673
  • Page 674 674
  • Page 675 675
  • Page 676 676
  • Page 677 677
  • Page 678 678
  • Page 679 679
  • Page 680 680
  • Page 681 681
  • Page 682 682
  • Page 683 683
  • Page 684 684
  • Page 685 685
  • Page 686 686
  • Page 687 687
  • Page 688 688
  • Page 689 689
  • Page 690 690
  • Page 691 691
  • Page 692 692
  • Page 693 693
  • Page 694 694
  • Page 695 695
  • Page 696 696
  • Page 697 697
  • Page 698 698
  • Page 699 699
  • Page 700 700
  • Page 701 701
  • Page 702 702
  • Page 703 703
  • Page 704 704
  • Page 705 705
  • Page 706 706
  • Page 707 707
  • Page 708 708
  • Page 709 709
  • Page 710 710
  • Page 711 711
  • Page 712 712
  • Page 713 713
  • Page 714 714
  • Page 715 715
  • Page 716 716
  • Page 717 717
  • Page 718 718
  • Page 719 719
  • Page 720 720
  • Page 721 721
  • Page 722 722
  • Page 723 723
  • Page 724 724
  • Page 725 725
  • Page 726 726
  • Page 727 727
  • Page 728 728
  • Page 729 729
  • Page 730 730
  • Page 731 731
  • Page 732 732
  • Page 733 733
  • Page 734 734
  • Page 735 735
  • Page 736 736
  • Page 737 737
  • Page 738 738
  • Page 739 739
  • Page 740 740
  • Page 741 741
  • Page 742 742
  • Page 743 743
  • Page 744 744
  • Page 745 745
  • Page 746 746
  • Page 747 747
  • Page 748 748
  • Page 749 749
  • Page 750 750
  • Page 751 751
  • Page 752 752
  • Page 753 753
  • Page 754 754
  • Page 755 755
  • Page 756 756
  • Page 757 757
  • Page 758 758
  • Page 759 759
  • Page 760 760
  • Page 761 761
  • Page 762 762
  • Page 763 763
  • Page 764 764
  • Page 765 765
  • Page 766 766
  • Page 767 767
  • Page 768 768
  • Page 769 769
  • Page 770 770
  • Page 771 771
  • Page 772 772
  • Page 773 773
  • Page 774 774
  • Page 775 775
  • Page 776 776
  • Page 777 777
  • Page 778 778
  • Page 779 779
  • Page 780 780
  • Page 781 781
  • Page 782 782
  • Page 783 783
  • Page 784 784
  • Page 785 785
  • Page 786 786
  • Page 787 787
  • Page 788 788
  • Page 789 789
  • Page 790 790
  • Page 791 791
  • Page 792 792
  • Page 793 793
  • Page 794 794
  • Page 795 795
  • Page 796 796
  • Page 797 797
  • Page 798 798
  • Page 799 799
  • Page 800 800
  • Page 801 801
  • Page 802 802
  • Page 803 803
  • Page 804 804
  • Page 805 805
  • Page 806 806
  • Page 807 807
  • Page 808 808
  • Page 809 809
  • Page 810 810
  • Page 811 811
  • Page 812 812
  • Page 813 813
  • Page 814 814
  • Page 815 815
  • Page 816 816
  • Page 817 817
  • Page 818 818
  • Page 819 819
  • Page 820 820
  • Page 821 821
  • Page 822 822
  • Page 823 823
  • Page 824 824
  • Page 825 825
  • Page 826 826
  • Page 827 827
  • Page 828 828
  • Page 829 829
  • Page 830 830
  • Page 831 831
  • Page 832 832
  • Page 833 833
  • Page 834 834
  • Page 835 835
  • Page 836 836
  • Page 837 837
  • Page 838 838
  • Page 839 839
  • Page 840 840
  • Page 841 841
  • Page 842 842
  • Page 843 843
  • Page 844 844
  • Page 845 845
  • Page 846 846
  • Page 847 847
  • Page 848 848
  • Page 849 849
  • Page 850 850
  • Page 851 851
  • Page 852 852
  • Page 853 853
  • Page 854 854

Yamaha RX-V3900 Bruksanvisning

Kategori
AV-mottagare
Typ
Bruksanvisning