Yamaha MX400 Användarmanual

Yamaha
varumärke
Yamaha
Modell
MX400
Kategori
Musikinstrument
Typ
Användarmanual
MIXING CONSOLE
CONSOLES DE MIXAGE
MISCHPULTE
CONSOLA DE MEZCLA
User’s Guide
Manuel d’utilisation
Bedienungsanleitung
Manual de uso
24
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250
5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
23
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250
5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
22
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250
5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
21
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250
5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
20
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250
5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
19
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250
5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
18
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250
5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
17
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250
5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
24
ST IN 1/3
S
T
1
A
B
+4
-10
PEAK
SIGNAL
HIGH
–15 +15
LOW
–15 +15
AUX 2
1–2
3–4
ST
AUX 1
BAL/PAN
L
ODD
R
EVEN
LEVEL
010
ON
PFL
S
T
3
+4
-10
PEAK
SIGNAL
HIGH
–15 +15
LOW
–15 +15
AUX 4
1–2
3–4
ST
AUX 3
BAL/PAN
L
ODD
R
EVEN
LEVEL
010
ON
PFL
ST IN 1/3
L
ODD
R
EVEN
ST IN 2/4
S
T
2
A
B
+4
-10
PEAK
SIGNAL
HIGH
–15 +15
LOW
–15 +15
AUX 2
1–2
3–4
ST
AUX 1
BAL/PAN
L
ODD
R
EVEN
LEVEL
010
ON
PFL
S
T
4
+4
-10
PEAK
SIGNAL
HIGH
–15 +15
LOW
–15 +15
AUX 4
1–2
3–4
ST
AUX 3
BAL/PAN
LEVEL
010
ON
PFL
ST IN 2/4
GROUP 1 GROUP 2 GROUP 3 GROUP 4
LRST2/MONITOR
LRSTEREO 1
METER SELECT
MIXING CONSOLE
23222120191817
16
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250
5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
16
15
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250
5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
15
14
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250
5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
14
13
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250
5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
13
12
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250
5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
12
11
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250
5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
11
10
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250
5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
10
9
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250
5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
9
8
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250
5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
8
7
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250
5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
7
6
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250
5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
6
5
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250
5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
5
4
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250
5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
4
3
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250
5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
3
2
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250
5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
2
1
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250
5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
1
ON
L — ST 1 — R
∞
40
30
25
20
15
10
5
0
5
10
∞
40
30
25
20
15
10
5
0
5
10
REC OUT
010
TAPE IN
010
LEVEL
010
PHONES
010
TB
ST
AUX 1–4
GRP 1–4
TALKBACK IN
POWER
PHANTOM
PEAK
+6
+4
+2
0
–2
–4
–7
–10
–15
–20
PEAK
+6
+4
+2
0
–2
–4
–7
–10
–15
–20
PEAK
+6
+4
+2
0
–2
–4
–7
–10
–15
–20
GROUP 1
∞
40
30
15
10
5
0
5
10
20
ON
AFL
PEAK
0
–20
AUX SEND 1
∞
40
30
25
20
15
10
5
0
5
10
PAN
LR
ON
AFL
TO ST
GROUP 2
∞
40
30
25
20
15
10
5
0
5
10
PAN
LR
ON
AFL
TO ST
∞
40
30
15
10
5
0
5
10
20
ON
AFL
PEAK
0
–20
AUX SEND 2
GROUP 3
∞
40
30
25
20
15
10
5
0
5
10
PAN
LR
ON
AFL
TO ST
∞
40
30
15
10
5
0
5
10
20
ON
AFL
PEAK
0
–20
AUX SEND 3
GROUP 4
LR
∞
40
30
25
20
15
10
5
0
5
10
PAN
ON
AFL
TO ST
∞
40
30
15
10
5
0
5
10
20
ON
AFL
PEAK
0
–20
AUX SEND 4
ST2/MONITOR
∞
40
30
25
20
15
10
5
0
5
10
PFL
ON
L+R
2TR IN
MONI
ST2
∞
40
30
15
10
5
0
5
10
20
ON
AFL
PEAK
0
–20
AUX SEND 5
IMPORTANT NOTICE FOR
THE UNITED KINGDOM
Connecting the Plug and Cord
IMPORTANT: The wires in this mains lead are coloured in accordance
with the following code:
BLUE : NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may not
correspond with the coloured markings identifying the terminals in your
plug proceed as follows:
The wire which is coloured BLUE must be connected to the terminal
which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal
which is marked with the letter L or coloured RED.
Making sure that neither core is connected to the earth terminal of the
three pin plug.
* This applies only to products distributed by YAMAHA - KEMBLE
MUSIC (U.K.) LTD. 5-2 BS2 01 2/5
Contents
i
MX400 User’s Guide
Contents
1 Introduction . . . . . . . . . . . . . . . . . . . 1
Features of the MX400 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
2 Front and rear panels . . . . . . . . . . . . 2
Input modules . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Stereo module . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
AUX SEND module . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
GROUP module . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
ST2/MONITOR module . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Master module (L-ST1-R) . . . . . . . . . . . . . . . . . . . . . . . . . 9
Meters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
3 Rear panel . . . . . . . . . . . . . . . . . . . . 11
4 Appendix . . . . . . . . . . . . . . . . . . . . . 14
General specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Input Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Output Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
IMPORTANT NOTICE FOR
THE UNITED KINGDOM
Connecting the Plug and Cord
IMPORTANT: The wires in this mains lead are coloured in accordance
with the following code:
BLUE : NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may not
correspond with the coloured markings identifying the terminals in your
plug proceed as follows:
The wire which is coloured BLUE must be connected to the terminal
which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal
which is marked with the letter L or coloured RED.
Making sure that neither core is connected to the earth terminal of the
three pin plug.
* This applies only to products distributed by YAMAHA - KEMBLE
MUSIC (U.K.) LTD. 5-2 BS2 01 2/5
ii
Precautions
MX400 User’s Guide
Precautions
1. Location
Keep the unit away from locations where it is likely to be exposed to high tem-
peratures or humidity — such as near radiators, stoves, etc. Also avoid locations
which are subject to excessive dust accumulation or vibration which could
cause mechanical damage and locations subject to strong electromagnetic
fields, such as close to broadcast equipment.
2. Ventilation
The unit has ventilation slots on the bottom panel. Do not block these vents.
3. Avoid Physical Shocks
Strong physical shocks to the unit can cause damage. Handle it with care.
4. Do Not Open the Case or Attempt Repairs or Modifications Yourself
This product contains no user-serviceable parts. Refer all maintenance to qual-
ified Yamaha service personnel. Opening the case and/or tampering with the
internal circuitry voids the warranty.
5. Always power off before making connections
Always turn the power OFF before connecting or disconnecting cables. This is
important to prevent damage to the unit itself as well as other connected equip-
ment.
6. Handle Cables Carefully
Always plug and unplug cables — including the AC power cord — by gripping
the connector, not the cord.
7. Clean With a Soft Dry Cloth
Never use solvents such as benzine or thinner to clean the unit. Wipe clean with
a soft, dry cloth.
8. Always Use the Correct Power Supply
Make sure that the power supply voltage specified on the rear panel matches
your local AC mains supply. Also make sure that the AC mains supply can
deliver more than enough current to handle all equipment used in your system.
Introduction
1
MX400 User’s Guide
Introduction
Thank you for purchasing the Yamaha MX400. The MX400 series is designed
for easy operation and versatility in a wide range of applications, including PA
and installed systems. The MX400 series includes three models; 8 channel, 12
channel, 16 channel, and 24 channel mixers.
In order to take full advantage of the MX400’s functionality, please read this
manual carefully.
Features of the MX400
Each of the mono input channels provides the following functions.
• XLR/phone input jacks
• 20dB pad switch / continuously variable gain control
• 3 band EQ (with variable mid-range frequency) / EQ on/off switch / high
pass filter switch
• TRS insert jack / direct output
• A total of 5 AUX SEND systems (pre
×
2, post/pre
×
2 (switchable), post
×
1)
• ODD/EVEN group and stereo assign switch / pan control
• Channel ON switch
• PFL switch
• Level meter for accurate level control
In addition to the mono input channels, 4 sets of stereo input channels are pro-
vided, with the following functions.
• Four stereo inputs with 2 band EQ
• GROUP/AUX/STEREO assign switches
• Balance/pan control
• TRS 1/4” phone jack and RCA input jack select switch (only for stereo
input 1/2)
The master section provides the following features.
• Five fader-style AUX SEND controls
• Independent 3 point level meter for each AUX SEND control
• TO ST switch and pan control for each GROUP
• GROUP ON switch, AFL switch, and 100 mm fader for each GROUP
• The MONI/ST2 switch allows the ST2/MONI OUT output signal to be
switched in the following two ways;
1) One of the signals from an external source input to the stereo bus, the
PFL bus, or the 2TR IN.
2) The same signal as the ST1 OUT output signal.
• ON switch, L+R switch, and fader are provided for the ST2/MONI OUT
output signal.
In addition, the following functions are provided.
• XLR mic inputs
• Talkback level control
• Assign switch
The TAPE IN jacks and REC OUT jacks have level controls, for convenience
when you need additional margin for monitoring or recording. The level
meters with peak indicators allow accurate monitoring.
2
Front and rear panels
MX400 User’s Guide
Front and rear panels
Input modules
1
A/B switch
This switch selects the signal source of the input module.
Select INPUT A (XLR type) or INPUT B (1/4” phone type).
2
20dB pad switch
This is a 20dB input pad (attenuator) that affects INPUT A and INPUT B.
If the level of the input signal is too high for adjustments to be made using
the GAIN control alone, use the pad to attenuate the signal to an appropriate
level. The pad is on when this switch is pressed in.
3
GAIN control
This controls the gain of the preamp for INPUT A and INPUT B. Gain is
variable to a maximum of 44dB.
The GAIN control is always used in conjunction with the SIGNAL indicator
and the PEAK indicator. Adjust the GAIN control so that the SIGNAL indi-
cator is always lit when an input signal is present, and the PEAK indicator
lights occasionally. If the PEAK indicator lights frequently, lower the GAIN
control to prevent the signal from distorting.The following table shows
usual settings for the GAIN control.
4
SIGNAL indicator and PEAK indicator
When the post EQ signal level (nominal level 0dB) reaches –10dB, the SIG-
NAL indicator will light. This indicator indicates that a signal is being input.
When the post EQ signal level reaches 3dB before clipping level, the PEAK
indicator will light. This indicator indicates that the signal has approached
clipping level. Set the signal level based on the status of the PEAK indicator.
For the procedure, see the explanation for
3
GAIN control.
Signal source GAIN control position 20dB pad switch
Dynamic mic (low level) –60 ~ –50 off
Condenser mic (high level) –35 off
Audio device, electronic musical in-
strument (low level)
–20 off
Audio device, electronic musical in-
strument (high level)
+4 on
A
B
20dB
GAIN
–16 –60
HIGH
–15 +15
MID FREQ
250 5K
MID
–15 +15
LOW
–15 +15
AUX 1
010
AUX 2
010
AUX 3
010
AUX 4
010
AUX 5
010
P
O
S
T
P
R
E
PRE
EQ
80
PEAK
SIGNAL
1
2
3
5
6
4
7
8
–16
–60
GAIN
–16
–60
GAIN
–16
–60
GAIN
–16
–60
GAIN
Input modules
3
MX400 User’s Guide
5
high pass filter switch
This switch cuts the input signal below 80 Hz at 12dB/octave. The filter is
turned on when the switch is pressed in.
By using the high pass filter, you can reduce or eliminate wind noise, mic
pop noise, and power supply hum etc.
6
EQ controls (HIGH, MID FREQ, MID, LOW)
This is a 3-band equalizer with center frequencies, range, and type as shown
below.
HIGH: 12 kHz +/–15dB shelving type
MID: 250 Hz ~ 5 kHz (variable) +/–15dB peaking type
LOW: 80 Hz +/–15dB shelving type
The frequency response is flat when the knob is in the center position.
EQ switch
This switch turns the EQ on/off. When the switch is pressed in the EQ is on.
In addition to bypassing the EQ when it is not being used, this switch pro-
vides a convenient way to compare the equalized and unequalized signals.
7
AUX 1 / AUX 2 controls
These adjust the signal level that is sent to each output AUX SEND 1 and
AUX SEND 2. These signals are pre-fader (i.e., they are taken from before
the fader adjustment). Nominal level is at 3 o’clock position.
8
AUX 3 / AUX 4 / AUX 5 controls
These adjust the signal level that is sent to each output AUX SEND 3, AUX
SEND 4 and AUX SEND 5.
The signals controlled by AUX 3 and AUX 4 will depend on the setting of
the PRE switch.
•
When the PRE switch is not pressed
They control the post-fader signal.
•
When the PRE switch is pressed
They control the pre-fader signal.
AUX 5 controls the post-fader signal.
Nominal level is at 3 o’clock position.
80
10k 20k1k10020
–20
–10
0
10
20
Frequency (Hz)
Signal Level (dB)
50 5k2k500200 50k
MID FREQ
250
5k
4
Front and rear panels
MX400 User’s Guide
9
Assign switches (1-2, 3-4, ST)
These switches assign the signal of the input module to the group outputs
and the ST output. The PAN control located below adjusts the stereo posi-
tion of the signal between the odd (ODD) group and left (L) outputs and
the even (EVEN) group and right (R) outputs.
0
PAN control
This knob adjusts the stereo position of the signal between the stereo L and
R, and between the odd/even groups. For example if this knob is turned all
the way to the left, the signal will be sent only to the L and odd (ODD) groups
whose assign switches are pressed. If it is turned all the way to the right, the
signal will be sent only to the R and even (EVEN) groups. If the knob is set
to the center position, the same amount of signal will be sent to the stereo
L and R, and the odd/even groups.
A
ON switch
This switch turns the input module on/off. When the switch is pressed in
the input module is on. Be sure to turn off input modules that are not in
use. Even when a module is off, the SIGNAL and PEAK indicators will light
if a signal is being input. You can also use the PFL switch to monitor the sig-
nal even if a module is off.
B
PFL switch
PFL is an acronym for Pre-Fader Listen. This switch allows you to monitor
the signal of the input module regardless of the fader position, the settings
of the ON switch, the group assign switches, or the AUX settings. As the
name suggests, the signal is taken pre-fader (post EQ). You may listen to an
individual module, or to two or more modules simultaneously. The PFL
indicator located at the top of the STEREO module will light when a PFL
switch is on.
C
Fader
This adjusts the signal level that is sent to the various outputs. Faders are
used individually or in conjunction with the faders of the other input mod-
ules to create the desired mix balance. A position at the zero (0) marking is
the nominal level. Raising the fader above 0 provides up to 10dB of gain.
PAN
L
ODD
R
EVEN
∞
40
30
25
20
15
10
5
0
5
10
ON
PFL
ST
3–4
1–2
9
0
A
B
C
Stereo module
5
MX400 User’s Guide
Stereo module
1
A/B switch
This switch selects the signal source for the stereo module.
Select either ST INPUT A (unbalanced 1/4” phone type) or ST INPUT B
(RCA pin) input. This switch is not provided for [ST3] or [ST4].
2
Sensitivity select (+4/–10) switch
This switch selects the gain appropriate for the input signal level. The sen-
sitivity is –10dB when the switch is pressed in, and +4dB when the switch
is not pressed in.
3
SIGNAL and PEAK indicators
When the post EQ signal level (nominal level 0dB) reaches –20dB, the SIG-
NAL indicator will light. This indicator indicates that a signal is being input.
When the post EQ signal level reaches 3dB before clipping level, the PEAK
indicator will light. This indicator indicates that the signal has approached
clipping level. Set the signal level based on the status of the PEAK indicator.
4
EQ controls (HIGH, LOW)
This is a 2-band equalizer with center frequencies, range, and type as shown
below.
HIGH: 12 kHz +/–15dB shelving type
LOW: 80 Hz +/–15dB shelving type
The frequency response is flat when the knob is in the center position.
5
AUX 1 / AUX 2 / AUX 3 / AUX 4 switches
These switches send the mono signal to the AUX buses. They are on when
pressed in.
[ST1] and [ST2] select the AUX 1 and AUX 2 buses.
[ST3] and [ST4] select the AUX 3 and AUX 4 buses.
6
Assign switches (1-2, 3-4, ST)
These switches assign the signal of the stereo module to the group outputs
and the ST output. The PAN control located below adjusts the stereo posi-
tion of the signal between the odd (ODD) group and left (L) outputs and
the even (EVEN) group and right (R) outputs.
7
BAL/PAN control
The BAL/PAN knob adjusts the balance or the L/R position of the stereo
module signal. For example if this knob is turned all the way to the left, the
signal will be sent only to the L and odd (ODD) groups whose assign
switches are pressed. If it is turned all the way to the right, the signal will be
sent only to the R and even (EVEN) groups. If the knob is set to the center
position, the same amount of signal will be sent to the stereo L and R, and
the odd/even groups.
8
LEVEL control
This adjusts the output level of the stereo module.
S
T
1
A
B
+4
-10
PEAK
SIGNAL
HIGH
–15 +15
LOW
–15 +15
AUX 2
1–2
3–4
ST
AUX 1
BAL/PAN
L
ODD
R
EVEN
LEVEL
010
ON
PFL
S
T
3
+4
-10
PEAK
SIGNAL
AUX 4
AUX 3
1
2
7
8
9
0
2
4
3
3
6
5
5
6
Front and rear panels
MX400 User’s Guide
9
ON switch
This switch turns the stereo module on/off. When the switch is pressed the
stereo module is on. Be sure to turn off input modules that are not in use.
Even when a module is off, the SIGNAL and PEAK indicators will light if a
signal is being input. You can also use the PFL switch to monitor the signal
even if a module is off.
0
PFL switch
PFL is an acronym for Pre-Fader Listen. This switch allows you to monitor
the signal of the stereo module regardless of the fader position, the settings
of the ON switch, the group assign switches, or the AUX settings. As the
name suggests, the signal is taken pre-fader (post EQ). You may listen to an
individual module, or to two or more modules simultaneously.
AUX SEND module
7
MX400 User’s Guide
AUX SEND module
1
AUX SEND fader
This adjusts the signal level of the AUX SEND output. A position at the zero
(0) marking is the nominal level. Raising the fader above 0 provides up to
10dB of gain.
2
PEAK indicator
This indicator lights when the level of the input signal reaches 3dB before
clipping.
3
Signal (0/–20) indicator
The 0dB indicator (yellow) lights when the output signal level reaches +4dB.
The –20dB indicator (green) lights when the output signal reaches –16dB.
4
ON switch
This switch turns the AUX SEND on/off. When the switch is pressed in it is
turned on. When off, no signal will be output from the corresponding AUX
SEND jack.
5
AFL (After Fader Listen) switch
This monitors the AUX SEND signal. This is on when the switch is pressed
in.
GROUP module
1
TO ST switch
This sends the GROUP signal to the stereo bus.
2
PAN control
This adjusts the panning of the signal sent to the stereo bus.
3
ON switch
This switch turns the GROUP on/off. The group is on when the switch is
pressed in. When off, no signal will be output from the corresponding
GROUP OUT jack.
4
AFL (After Fader Listen) switch
This monitors the GROUP signal. This is on when the switch is pressed in.
5
Group fader
This fader adjusts the signal level of the GROUP output.
∞
40
30
15
10
5
0
5
10
20
ON
AFL
PEAK
0
–20
1
4
5
2
3
∞
40
30
25
20
15
10
5
0
5
10
PAN
LR
ON
AFL
TO ST
1
2
3
4
5
8 Front and rear panels
MX400 User’s Guide
ST2/MONITOR module
1 PFL indicator
This indicator (yellow) will light when the PFL switch of one or more mod-
ules is turned on.
2 2TR IN switch
This switch selects the 2TR IN input signal. This signal will be sent to the
headphone jack and to the ST2/MONI OUT jack. When this switch is on,
the 2TR IN input signal will be sent regardless of each module’s PFL and
AFL switch settings.
3 MONI/ST2 switch
This switch selects the signal that is output to the ST2/MONI OUT jack.
When the switch is in the “ST2” position, the signal will be the same as the
signal that is sent to the ST1 OUT jack. When the switch is in the “MONI”
position, the signal will be taken from the PFL bus, AFL bus, or the 2TR IN
jack.
4 ON switch
This switch turns the ST2/MONITOR module on/off. When the switch is
pressed in the module is on. When the module is off, no signal will be output
from the ST2/MONI OUT jack.
5 L+R switch
This switch causes a mono mixed signal to be output from the ST2/MONI
OUT jack.
6 ST2/MONITOR fader
This fader controls the signal level of the ST2/MONITOR output.
∞
40
30
25
20
15
10
5
0
5
10
PFL
ON
L+R
2TR IN
MONI
ST2
1
2
3
4
5
6
Master module (L-ST1-R) 9
MX400 User’s Guide
Master module (L-ST1-R)
1 POWER indicator
This indicator lights when the power switch is turned on.
2 PHANTOM indicator
This indicator lights when the PHANTOM switch is turned on, indicating
that phantom power is being supplied.
3 TALKBACK IN jack
This is an unbalanced XLR type jack for connecting a talkback mic. The
nominal input level is –50dB.
4 Assign switches (GRP 1-4, AUX 1-4, ST)
These switches select the output destination (mix bus) of the talkback mic.
5 LEVEL control
This adjusts the signal level of the talkback mic.
6 TB switch
This switch controls the talkback signal. When it is pressed, the talkback sig-
nal will be sent to the output destination selected by the assign switch located
above.
7 Headphone jack / PHONES control
This is a 1/4” stereo phone jack for connecting a set of stereo headphones.
Headphones connected here can be used to monitor PFL, AFL, and the 2TR
IN signals.
8 REC OUT / TAPE IN controls
The REC OUT control adjusts the output signal level of the REC OUT jack.
The TAPE IN control adjusts the input signal level of the TAPE IN jack.
9 ON switch
This switch turns the ST1 OUT output on/off. When it is pressed in, the sig-
nal from the ST1 OUT jack will be output.
0 L-ST1-R faders
These faders control the level of the ST OUT output. A position at the zero
(0) marking is the nominal output level.
ON
L — ST 1 — R
∞
40
30
25
20
15
10
5
0
5
10
∞
40
30
25
20
15
10
5
0
5
10
REC OUT
010
TAPE IN
010
LEVEL
010
PHONES
010
TB
ST
AUX 1–4
GRP 1–4
TALKBACK IN
POWER
PHANTOM
1
2
5
6
0
3
4
7
8
9
10 Front and rear panels
MX400 User’s Guide
Meters
The MX400 provides six LED meters, and three types of output level can be
viewed on the meters. 1) GROUP 1/2, 2) GROUP 3/4 or ST2/MONITOR L/R,
3) STEREO L/R.
The “0” position indicates the nominal output level.
The “PEAK” position indicates that the output level is 3dB before clipping.
1 METER SELECT switch
This switch selects whether GROUP 3/4 or ST2/MONITOR L/R will be
monitored.
When the switch is not pressed in ( ), the central meter group will indicate
the GROUP 3/4 signal level.
When the switch is pressed in ( ), the central meter group will indicate
the ST2/MONITOR L/R signal level.
GROUP 1 GROUP 2 GROUP 3 GROUP 4
LRST2/MONITOR
LRSTEREO 1
METER SELECT
PEAK
+6
+4
+2
0
–2
–4
–7
–10
–15
–20
PEAK
+6
+4
+2
0
–2
–4
–7
–10
–15
–20
PEAK
+6
+4
+2
0
–2
–4
–7
–10
–15
–20
1
Rear panel 11
MX400 User’s Guide
Rear panel
1 INPUT A jacks
These are unbalanced XLR3-31 type jacks which input the signal for each
input module. Use the A/B switch to select these jacks.
• Nominal input level: –60dB
Phantom power (+48 V) can be supplied to these jacks. Phantom power is
turned on/off using the PHANTOM switch.
When the PHANTOM switch is on, make sure that those devices which do
not require phantom power are connected to the INPUT B jacks (
2).
2 INPUT B jacks
These are 1/4” phone jacks which input the signal for each input module.
Use the A/B switch to select these jacks. These are balanced TRS jacks, with
tip=hot, ring=cold, and sleeve=ground.
• Nominal input level: –60dB
3 INPUT INSERT I/O jacks (0dB)
These are 1/4” phone jacks patched in front of the input module faders.
These are unbalanced TRS jacks, with tip=out, ring=in, and sleeve=ground.
• Nominal input level: 0dB
• Nominal output level: 0dB
4 DIRECT OUT jacks (0dB)
These are unbalanced 1/4” phone jacks which output the post-fader signal
independently from each input module.
• Nominal output level: 0dB
INSERT
OUT IN
87654321
87654321
87654321
87654321
DIRECT OUT 0dB
INSERT I/O 0dBINPUT
INPUT B
INPUT A
1
2
3
4
12 Rear panel
MX400 User’s Guide
5 GROUP SUB IN jacks (+4dB)
These are unbalanced 1/4” phone jacks which input signals from sub-mixers
or other devices.
• Nominal input level: +4dB
6 2TR IN jacks (–10dBV)
These are RCA pin jacks used to input a stereo sound source.
• Nominal input level: –10dBV
7 ST SUB IN jacks (+4dB)
These are 1/4” unbalanced phone jacks which input a stereo signal from a
sub-mixer or other source.
• Nominal input level: +4dB
8 REC OUT jacks (–10dBV)
These are RCA pin jacks which output a stereo signal to a DAT or cassette
recorder. These jacks are positioned before the stereo master fader.
• Nominal output level: –10dBV
9 TAPE IN jacks (–10dBV)
These are RCA pin jacks which input a stereo source such as a DAT, stereo
cassette deck, or CD player.
• Nominal input level: –10dBV
0 ST INPUT 1/2 A jacks
These are unbalanced 1/4” phone jacks which input a stereo source. These
jacks are selected by the A/B switch.
• Nominal input level: +4dB or –10dB
A ST INPUT 1/2 B jacks
These are RCA pin jacks which input a stereo source. These jacks are selected
by the A/B switch.
• Nominal input level: +4dB or –10dB
Phantom Power Warning
To prevent hazard or damage, connect
only microphones and cables that
conform to the IEC268-15A standard.
9-E FNTM 01 3/5
0
A
B
5
6J
E
789
C
D
F
G
H
I
ON OFF
POWER
ON OFF
PHANTOM+48V
AUX SEND +4dB
GROUP INSERT I/O 0dB
GROUP OUT +4dB
ST2/MONI OUT +4dB
ST1 OUT +4dB
ST INSERT
I/O
A
A
BB
GROUP SUB IN +4dB
2TR IN ST SUB IN
TAPE INREC OUT
ST INPUT 2
ST INPUT 4
ST INPUT 1
ST INPUT 3
54321
4321
4321
RL
RL
R
L
0dB
43
21
R
L
–10dBV
R
L
–10dBV
R
L
–10dBV
R
L
+4dB
R
L
R
L
R
L/
MONO
R
L/
MONO
R
L/
MONO
R
L/
MONO
Rear panel 13
MX400 User’s Guide
B ST INPUT 3/4 jacks
These are unbalanced 1/4” phone jacks which input a stereo source.
• Nominal input level: +4dB or –10dB
C AUX SEND jacks (+4dB)
These are unbalanced 1/4” phone jacks which output the signals of the AUX
SEND buses.
• Nominal output level: +4dB
D GROUP INSERT I/O jacks (0dB)
These are 1/4” phone jacks patched in front of the GROUP faders. These
TRS jacks are unbalanced.
• Nominal output level: 0dB
• Nominal input level: 0dB
Tip=out, Ring=in, Sleeve=ground
E ST INSERT I/O jacks (0dB)
These are 1/4” phone jacks patched in front of the L-ST1-R fader of the mas-
ter module. These TRS jacks are unbalanced, with Tip=out, Ring=in, and
Sleeve=ground.
• Nominal output level: 0dB
• Nominal input level: 0dB
F GROUP OUT jacks (+4dB)
These are unbalanced 1/4” jacks which output the signals of the GROUP
buses.
• Nominal output level: +4dB
G ST2/MONI OUT jacks (+4dB)
These are unbalanced 1/4” jacks which output the signal of the STEREO L,R
bus or the signal of the MONITOR bus.
• Nominal output level: +4dB
H ST1 OUT jacks (+4dB)
These are balanced XLR3-32 type jacks which output the signal of the stereo
L,R bus.
• Nominal output level: +4dB
I POWER switch
This switch turns the power on/off. When in the “ON” position, the POWER
indicator will light.
J PHANTOM power switch
This switch turns the internal phantom power supply on/off. When in the
“ON” position, the PHANTOM indicator will light, and 48 DC power will
be provided between pin 2 and pin 3 of the INPUT A jacks.
If you do not need phantom power, be sure to turn this to the “OFF” posi-
tion.
14 Appendix
MX400 User’s Guide
Appendix
General specifications.
Frequency response
20 Hz~20 kHz +1, –2dB (ST L/R, GROUP @ 600 Ω AUX SEND @ 600 Ω)
Total harmonic distortion
Less than 0.1% (20 Hz~20 kHz @ 14dB*) (ST L/R, GROUP @ 600 Ω AUX SEND
@ 600 Ω)
Crosstalk (@1 kHz)
–70dB (between adjacent channels)
–70dB (between outputs)
Hum & Noise (Average, Rs=150 Ω)
(Measured with BPF 20 Hz~20 kHz)
–128dB* equivalent input noise (CH 1~24)
–96dB* residual noise (STEREO 1,2, GROUP 1~4, AUX SEND 1~5)
–87dB* (STEREO 1,2, GROUP 1~4) Measured with master faders at nominal
level and all assign switches off
–64dB* (SN ratio = 68dB) (STEREO 1,2, GROUP 1~4) Measured with master
fader and input module 1 at nominal level position
–78dB* (AUX SEND 1~5) Measured with AUX SEND master faders at nominal
level and AUX controls of all modules at minimum position
–64dB* (SN ratio = 68dB) (AUX SEND 1~5) Measured with AUX SEND faders
and the AUX control of one module at nominal level position
–82dB* (STEREO 2/MONITOR) Measured with the ST2/MONITOR master fad-
er and PFL and AFL switched off for all modules. Measured with MONI/ST2
switch in the MONI position.
–64dB* (SN ratio = 68dB) (STEREO 2/MONITOR) Measured with the
ST2/MONITOR master fader and the PFL switch on for one module, and the
MONI/ST2 switch in the MONI position
Maximum voltage gain
84dB INPUT A/B → STEREO OUT 1,2
84dB INPUT A/B → GROUP OUT 1~4
80dB INPUT A/B → AUX SEND 1,2
90dB INPUT A/B → AUX SEND 3~5
28dB TAPE IN → STEREO OUT 1,2
30dB ST INPUT 1~4 → STEREO OUT 1,2, GROUP OUT 1~4
30dB ST INPUT 1~4 → AUX SEND 1~4
10dB GROUP SUB IN → GROUP OUT
10dB ST SUB IN → STEREO OUT
22dB 2TR IN → STEREO 2/MONITOR
70dB TALKBACK → STEREO OUT
Input module EQ
Maximum variation +/–15dB
HIGH 12 kHz shelving type
MID 250 Hz~5 kHz peaking
LOW 80 Hz shelving type
* Turnover/roll-off frequency for shelving: 3dB before maximum variation
ST input module EQ
Maximum variation +/–15dB
HIGH 12 kHz shelving
LOW 80 Hz shelving
* Turnover/roll-off frequency: 3dB before maximum variation
Input module HPF
80 Hz 12dB/oct
Input module GAIN control
44dB variable –60dB~ –16dB
Meters (0 LED = +4dB* output level)
6 × 11 segment LED (–20, –15, –10, –7, –4, –2, 0, +2, +4, +6, PEAK), GROUP
1,2, GROUP 3,4 or ST2/MONITOR L,R, ST1 L,R
Input module, stereo input module indicators
PEAK Lights red when post EQ signal reaches 3dB before clipping
SIGNAL Lights green when post EQ signal reaches 10dB before nominal lev-
el
AUX SEND indicators
PEAK Lights red when output signal reaches 3dB before clipping
0 Lights yellow when output signal reaches +4dB
–20 Lights green when output signal reaches –16dB
Input Specifications 15
MX400 User’s Guide
* 0dB=0.775V R.M.S
Input Specifications
*1. Sensitivity is the lowest input level that will produce an output of +4dB (1.23V) or the nominal output level when MX400 is set to
maximum gain (i.e. all level controls and faders set to maximum).
*2. XLR-type connectors and phone jacks (TRS) are balanced (Tip=HOT, Ring=COLD, Sleeve=shield).
*3. Insert phone jacks (TRS) are unbalanced (Tip=out, Ring=in, Sleeve=GND).
*4. Phone jacks are unbalanced.
*5. The talkback jack is unbalanced.
*6. In these specifications, when dB represents a specific voltage, 0dB is referenced to 775mV RMS,and when dBV represents a specific
voltage, 0dBV is referenced to 1V RMS.
Power requirements
US&Canada model
120V AC, 60Hz
General model
230V AC, 50Hz
Weight
MX400-8 17kg, MX400-12 19kg, MX400-16 22kg, MX400-24 28kg
Power Consumption
80W
Dimensions (W × H × D)
MX400-8 562×180.2×596mm
MX400-12 682×180.2×596mm
MX400-16 802×180.2×596mm
MX400-24 1042×180.2×596mm
Input Connection
PAD
Switch
GAIN
Control
Actual Load
Impedance
For Use with
Nominal
Input level
Mixer
Connector
Sensitivity *1 Nominal
Max. Before
Clip
INPUT A/B
— –60
4k Ω
50–600 Ω mics
&
600 Ω lines
–80dB
(77.5µV)
–60dB
(775µV)
–40dB
(7.75mV)
XLR-3-31 type
(A),
Phone jack (B)
*2
— –16
–36dB
(12.3mV)
–16dB
(123mV)
+4dB
(1.23V)
–20 –16
–16dB
(123mV)
+4dB
(1.23V)
+24dB
(12.3V)
STEREO INPUT 1, 2
+4 —
5k Ω 600 Ω lines
–12dB
(195mV)
+4dB
(1.23V)
+24dB
(12.3V)
Phone jack *4
RCA
(switchable)
–10 —
–26dB
(38.8mV)
–10dB
(245mV)
+10dB
(2.45V)
STEREO INPUT 3, 4
+4 —
5k Ω 600 Ω lines
–12dB
(195mV)
+4dB
(1.23V)
+24dB
(12.3V)
Phone jack *4
–10 —
–26dB
(38.8mV)
–10dB
(245mV)
+10dB
(2.45V)
INPUT INSERT IN 10k Ω 600 Ω lines
–20dB
(77.5mV)
0dB
(775mV)
+20dB
(7.75V)
Phone jack
(TRS) *3
STEREO INSERT IN 10k Ω 600 Ω lines
–20dB
(77.5mV)
0dB
(775mV)
+20dB
(7.75V)
Phone jack
(TRS) *3
GROUP INSERT IN 10k Ω 600 Ω lines
–20dB
(77.5mV)
0dB
(775mV)
+20dB
(7.75V)
Phone jack
(TRS) *3
TAPE IN 10k Ω 600 Ω lines
–26dBV
(50mV)
–10dBV
(316mV)
— RCA
STEREO SUB IN 10k Ω 600 Ω lines
–6dB
(388mV)
+4dB
(1.23V)
+24dB
(12.3V)
Phone jack *4
GROUP SUB IN 10k Ω 600 Ω lines
–6dB
(388mV)
+4dB
(1.23V)
+24dB
(12.3V)
Phone jack *4
2TR IN 10k Ω 600 Ω lines
–20dBV
(100mV)
–10dBV
(316mV)
+10dBV
(3.16V)
RCA
TALKBACK 10k Ω 50~600 Ω mics
–66dB
(388µV)
–50dB
(2.45mV)
–30dB
(24.5mV)
XLR-3-31 type
*5
16 Appendix
MX400 User’s Guide
Output Specifications
*1. XLR-type connectors and Phone jacks are balanced (Tip=HOT, Ring=COLD, Sleeve=GND).
*2. Insert phone jacks (TRS) are unbalanced (Tip=out, Ring=in, Sleeve=GND).
*3. Phone jacks are unbalanced.
*4. In these specifications, when dB represents a specific voltage, 0dB is referenced to 775mV RMS, for TAPE SEND dBV represents a specific
voltage, 0dBV is referenced to 1V RMS.
• All specifications subject to change without notice.
Dimensions
Output Connection
Actual Source
Impedance
For Use with
Nominal
Output Level
Mixer Connector
Nominal Max. Before Clip
ST1 OUT L/R 150 Ω 600 Ω lines +4dB (1.23V) +24dB (12.3V) XLR-3-32 type *1
STEREO INSERT OUT L/R 600 Ω 10k Ω lines 0dB (775mV) +20dB (7.75V) Phone jack (TRS)*2
ST2/MONI OUT L/R 75 Ω 600 Ω lines +4dB (1.23V) +20dB (7.75V) Phone jack *3
REC OUT L/R 600 Ω 10k Ω lines –10dBV (316mV) +16dBV (6.31V) RCA
GROUP 1~4 75 Ω 600 Ω lines +4dB (1.23V) +20dB (7.75V) Phone jack *3
AUX SEND 1~5 75 Ω 600 Ω lines +4dB (1.23V) +20dB (7.75V) Phone jack *3
INPUT INSERT OUT 600 Ω 10k Ω lines 0dB (775mV) +20dB (7.75V) Phone jack (TRS) *2
GROUP INSERT OUT 600 Ω 10k Ω lines 0dB (775mV) +20dBV (7.75V) Phone jack (TRS) *2
DIRECT OUT 600 Ω 10k Ω lines 0dB (775mV) +20dB (7.75V) Phone jack *3
PHONES OUT 100 Ω 40 Ω phones 3mW (346mV) 100mW (2.0V) Stereo phone jack
D: 596
Wl
W
Wi
129.5
108.9
434.5
155.5
H: 180.2
13.3
31.9
Model
MX400-8
MX400-12
MX400-16
MX400-24
WI
465
585
705
945
Wi
527
647
767
1007
W
562
682
802
1042
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Yamaha MX400 Användarmanual

Yamaha
varumärke
Yamaha
Modell
MX400
Kategori
Musikinstrument
Typ
Användarmanual
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