Yamaha S90 Bruksanvisning

OWNER’S MANUAL

MUSIC SYNTHESIZER

Basics SectionQuick GuideReferenceAppendix

This document is printed on chlorine free (ECF) paper with soy ink.

Yamaha Web Site (English only)

www.yamahasynth.com

Yamaha Manual Library

http://www2.yamaha.co.jp/manual/english/

M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

V943760 206MWCP25.2-01A0

Printed in Japan

PRODUCT SAFETY MARKINGS:

Yamaha electronic products

may have either labels similar to the graphics shown below or

molded/stamped facsimiles of these graphics on the enclosure. The

explanation of these graphics appears on this page. Please

observe all cautions indicated on this page and those indicated in

the safety instruction section.

The exclamation point within the equilateral

triangle is intended to alert the user to the

presence of important operating and

maintenance (servicing) instructions in the

literature accompanying the product.

The lightning ﬂash with arrowhead symbol,

within the equilateral triangle, is intended to

alert the user to the presence of uninsulated

“dangerous voltage” within the product’s

enclosure that may be of sufﬁcient magnitude

to constitute a risk of electrical shock.

IMPORTANT NOTICE:

All Yamaha electronic products are tested

and approved by an independent safety testing laboratory in order

that you may be sure that when it is properly installed and used in

its normal and customary manner, all foreseeable risks have been

eliminated. DO NOT modify this unit or commission others to do so

unless speciﬁcally authorized by Yamaha. Product performance

and/or safety standards may be diminished. Claims ﬁled under the

expressed warranty may be denied if the unit is/has been modiﬁed.

Implied warranties may also be affected.

SPECIFICATIONS SUBJECT TO CHANGE:

The information

contained in this manual is believed to be correct at the time of

printing. However, Yamaha reserves the right to change or modify

any of the speciﬁcations without notice or obligation to update

existing units.

92-469-1(rear)

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products

that are both user safe and environmentally friendly. We sincerely

believe that our products and the production methods used to

produce them, meet these goals. In keeping with both the letter and

the spirit of the law, we want you to be aware of the following:

Battery Notice:

This product MAY contain a small non-

rechargable battery which (if applicable) is soldered in place. The

average life span of this type of battery is approximately ﬁve years.

When replacement becomes necessary, contact a qualiﬁed service

representative to perform the replacement.

Warning:

Do not attempt to recharge, disassemble, or incinerate

this type of battery. Keep all batteries away from children. Dispose

of used batteries promptly and as regulated by applicable laws.

Note: In some areas, the servicer is required by law to return the

defective parts. However, you do have the option of having the

servicer dispose of these parts for you.

Disposal Notice:

Should this product become damaged beyond

repair, or for some reason its useful life is considered to be at an

end, please observe all local, state, and federal regulations that

relate to the disposal of products that contain lead, batteries,

plastics, etc.

NOTICE:

Service charges incurred due to lack of knowledge

relating to how a function or effect works (when the unit is operating

as designed) are not covered by the manufacturer’s warranty, and

are therefore the owners responsibility. Please study this manual

carefully and consult your dealer before requesting service.

NAME PLATE LOCATION:

The graphic below indicates the

location of the name plate. The model number, serial number, power

requirements, etc., are located on this plate. You should record the

model number, serial number, and the date of purchase in the

spaces provided below and retain this manual as a permanent

record of your purchase.

Model

Serial No.

Purchase Date

SPECIAL MESSAGE SECTION

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

AC INLET

POWER

ON/ OFF

CARD

3.3V

THRU OUT IN

MIDI

RRL/MONO PHONES

ASSIGNABLE

A/D INPUT12

FOOT CONTROLLER

FOOT SWITCH

ASSIGNABLE

BREATH

SUSTAIN

GAIN

OUTPUT OUTPUT

L

USB

Plug-in SLOT

GREEN

YELLOW

ORANGE

3

2

1

INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,

AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.

WARNING-

When using any electrical or electronic product,

basic precautions should always be followed. These precautions

include, but are not limited to, the following:

1.

Read all Safety Instructions, Installation Instructions, Special

Message Section items, and any Assembly Instructions found in

this manual BEFORE making any connections, including

connection to the main supply.

2.

Do not attempt to service this product beyond that described in

the user-maintenance instructions. All other servicing should be

referred to qualiﬁed service personnel.

3.

Main Power Supply Veriﬁcation: Yamaha products are

manufactured speciﬁcally for the supply voltage in the area where

they are to be sold. If you should move, or if any doubt exists about

the supply voltage in your area, please contact your dealer for

supply voltage veriﬁcation and (if applicable) instructions. The

required supply voltage is printed on the name plate. For name

plate location, please refer to the graphic found in the Special

Message Section of this manual.

4.

DANGER-

Grounding Instructions: This product must be

grounded and therefore has been equipped with a three pin

attachment plug. If this product should malfunction, the ground pin

provides a path of low resistance for electrical current, reducing the

risk of electrical shock. If your wall socket will not accommodate this

type plug, contact an electrician to have the outlet replaced in

accordance with local electrical codes. Do NOT modify the plug or

change the plug to a different type!

5.

WARNING:

Do not place this product or any other objects on

the power cord or place it in a position where anyone could walk on,

trip over, or roll anything over power or connecting cords of any

kind. The use of an extension cord is not recommended! If you must

use an extension cord, the minimum wire size for a 25’ cord (or less)

is 18 AWG. NOTE: The smaller the AWG number, the larger the

current handling capacity. For longer extension cords, consult a

local electrician.

6.

Ventilation: Electronic products, unless speciﬁcally designed for

enclosed installations, should be placed in locations that do not

interfere with proper ventilation. If instructions for enclosed

installations are not provided, it must be assumed that unobstructed

ventilation is required.

7.

Temperature considerations: Electronic products should be

installed in locations that do not seriously contribute to their

operating temperature. Placement of this product close to heat

sources such as; radiators, heat registers etc., should be avoided.

8.

This product was NOT designed for use in wet/damp locations

and should not be used near water or exposed to rain. Examples of

wet /damp locations are; near a swimming pool, spa, tub, sink, or

wet basement.

9.

This product should be used only with the components supplied

or; a cart, rack, or stand that is recommended by the manufacturer.

If a cart, rack, or stand is used, please observe all safety markings

and instructions that accompany the accessory product.

10.

The power supply cord (plug) should be disconnected from

the outlet when electronic products are to be left unused for

extended periods of time. Cords should also be disconnected when

there is a high probability of lightning and/or electrical storm

activity.

11.

Care should be taken that objects do not fall and liquids are

not spilled into the enclosure through any openings that may exist.

12.

Electrical/electronic products should be serviced by a

qualiﬁed service person when:

a. The power supply cord has been damaged; or

b. Objects have fallen, been inserted, or liquids have

been spilled into the enclosure through openings; or

c. The product has been exposed to rain; or

d. The product does not operate, exhibits a marked

change in performance; or

e. The product has been dropped, or the enclosure of

the product has been damaged.

13.

This product, either alone or in combination with an ampliﬁer

and headphones or speaker/s, may be capable of producing sound

levels that could cause permanent hearing loss. DO NOT operate

for a long period of time at a high volume level or at a level that is

uncomfortable. If you experience any hearing loss or ringing in the

ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time period

before damage occurs.

14.

Some Yamaha products may have benches and/or accessory

mounting ﬁxtures that are either supplied as a part of the product or

as optional accessories. Some of these items are designed to be

dealer assembled or installed. Please make sure that benches are

stable and any optional ﬁxtures (where applicable) are well secured

BEFORE using. Benches supplied by Yamaha are designed for

seating only. No other uses are recommended.

PLEASE KEEP THIS MANUAL

92-469-3

IMPORTANT SAFETY INSTRUCTIONS

(2)-8

1/2

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

W

ARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical

shock, short-circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to, the following:

• Only use the voltage speciﬁed as correct for the instrument. The

required voltage is printed on the name plate of the instrument.

• Check the electric plug periodically and remove any dirt or dust

which may have accumulated on it.

• Use only the supplied power cord/plug.

• Do not place the power cord near heat sources such as heaters

or radiators, and do not excessively bend or otherwise damage

the cord, place heavy objects on it, or place it in a position where

anyone could walk on, trip over, or roll anything over it.

• This instrument contains no user-serviceable parts. Do not

attempt to disassemble or modify the internal components in any

way.

• Do not expose the instrument to rain, use it near water or in damp

or wet conditions, or place containers on it containing liquids

which might spill into any openings.

• Never insert or remove an electric plug with wet hands.

• Do not put burning items, such as candles, on the unit. A burning

item may fall over and cause a ﬁre.

• If the power cord or plug becomes frayed or damaged, or if there

is a sudden loss of sound during use of the instrument, or if any

unusual smells or smoke should appear to be caused by it,

immediately turn off the power switch, disconnect the electric

plug from the outlet, and have the instrument inspected by

qualiﬁed Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to

the instrument or other property. These precautions include, but are not limited to, the following:

• Always connect the three-pin attachment plug to a properly

grounded power source. (For more information about the main

power supply, see page 14.)

• When removing the electric plug from the instrument or an outlet,

always hold the plug itself and not the cord. Pulling by the cord

can damage it.

• Remove the electric plug from the outlet when the instrument is

not to be used for extended periods of time, or during electrical

storms.

• Do not connect the instrument to an electrical outlet using a

multiple-connector. Doing so can result in lower sound quality, or

possibly cause overheating in the outlet.

• Do not expose the instrument to excessive dust or vibrations, or

extreme cold or heat (such as in direct sunlight, near a heater, or

in a car during the day) to prevent the possibility of panel

disﬁguration or damage to the internal components.

• Do not use the instrument in the vicinity of a TV, radio, stereo

equipment, mobile phone, or other electric devices. Otherwise,

the instrument, TV, or radio may generate noise.

• Do not place the instrument in an unstable position where it might

accidentally fall over.

• Before moving the instrument, remove all connected cables.

• Use only the stand speciﬁed for the instrument. When attaching

the stand or rack, use the provided screws only. Failure to do so

could cause damage to the internal components or result in the

instrument falling over.

• Do not place objects in front of the instrument’s air vent, since this

may prevent adequate ventilation of the internal components,

and possibly result in the instrument overheating.

Power supply/Power cord

Do not open

Water warning

Fire warning

If you notice any abnormality

Power supply/Power cord

Location

(2)-8

2/2

• Before connecting the instrument to other electronic components,

turn off the power for all components. Before turning the power on

or off for all components, set all volume levels to minimum. Also,

be sure to set the volumes of all components at their minimum

levels and gradually raise the volume controls while playing the

instrument to set the desired listening level.

• When cleaning the instrument, use a soft, dry cloth. Do not use

paint thinners, solvents, cleaning ﬂuids, or chemical-impregnated

wiping cloths.

• Do not insert a ﬁnger or hand in any gaps on the instrument.

• Never insert or drop paper, metallic, or other objects into the

gaps on the panel or keyboard. If this happens, turn off the power

immediately and unplug the power cord from the AC outlet. Then

have the instrument inspected by qualiﬁed Yamaha service

personnel.

• Do not place vinyl, plastic or rubber objects on the instrument,

since this might discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the

instrument, and do not use excessive force on the buttons,

switches or connectors.

• Do not operate the instrument for a long period of time at a high

or uncomfortable volume level, since this can cause permanent

hearing loss. If you experience any hearing loss or ringing in the

ears, consult a physician.

Saving and backing up your data

• DRAM data (see page 27) is lost when you turn off the power to

the instrument. Save the data to the Flash ROM (USER memory;

see page 73).

Saved data may be lost due to malfunction or incorrect operation.

Save important data to a Memory Card (SmartMedia).

Never attempt to turn off the power while data is being

written to Flash ROM (while an “Executing...” or “Please

keep power on” message is shown). Turning the power off in

this state results in loss of all user data and may cause the

system to freeze (due to corruption of data in the Flash

ROM).

When you exit from the Utility mode or Favorite Category

function, the parameter you changed in the display is

automatically stored. However, this edited data is lost if you

turn off the power without properly exiting from the display.

Backing up the Memory Card (SmartMedia)/

external media

•To protect against data loss through media damage, we

recommend that you save your important data onto two Memory

Cards (SmartMedia)/external media.

Yamaha cannot be held responsible for damage caused by improper use or modiﬁcations to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use.

Connections

Maintenance

Handling caution

Saving data

6

Introduction

Thank you for purchasing the Yamaha S90 Music Synthesizer.

In order to get the most out of your new S90 and its

sophisticated functions, we suggest you read through this manual thoroughly.

Also keep it in a safe, convenient place

so that you can regularly refer to it when necessary.

Package Contents

• AC Power cord • CD-ROM x 2 • Installation Guide

• Owner’s Manual • Data List

About the Included CD-ROM

Application software for your S90 is included on this CD-ROM. The Voice Editor lets you edit the Voices of the S90

with a highly intuitive graphical interface, and a File Utility, which lets you easily transfer data between the memory

card and a computer. With the included sequencing software (Windows only), you can easily create and edit your

own original songs on your computer. For details, refer to the separate Installation Guide or the on-line manual

included with the software.

Never attempt to play back the CD-ROM on an audio CD player. Doing so may result in damage to your hearing as well as

to your CD player/audio speakers.

Main Features

• Wide range of dynamic and authentic voices — over 512 in total, with 49 drum kits (page 25). Use the Category

Search function to quickly call up the sounds you want, based on their instrument type (page 38).

•Performance mode lets you use four different voices together — in layers or in a keyboard split (page 25).

• Extensive effect processing, with Reverb (12 types), Chorus (25 types), two separate Insertion sections (total 104

types), a Variation section (25 types), and a Master 5-band EQ (page 67).

• Comprehensive real-time control with four sliders — letting you adjust ﬁlter, levels, effects, EG, and more, while

you play (page 53).

• The built-in Arpeggio feature not only puts a wealth of hip rhythmic sequences at your ﬁngertips, it even has

special “human” patterns — such as guitar strumming and woodwind trills (page 45).

• Master mode for using the S90 as a master keyboard controller (with independent Zones), and for easily

reconﬁguring the instrument between Voice/Performance play and Sequence Play in live applications (page 48).

•Exceptionally easy-to-understand interface with two-tiered operation buttons: [F1] - [F6] and [SF1] - [SF5]

(page 32)

•Remote Control — for operating your favorite sequencing software from the panel controls of the S90. Mute

tracks, control transport (Play, Stop, etc.), mix both MIDI and audio tracks (up to 16) with the S90’s sliders, pan

the tracks, control EQ, and tweak effect sends — all without ever touching the mouse (page 57).

• Three Modular Synthesis Plug-in System slots let you upgrade the S90 with a completely new synthesizer or

sound-processing engine. These Plug-in boards give you more voices, more effects, more polyphony and more

instrument parts. Plus, special Plug-in voices have already been programmed and stored to the S90, ready to be

played as soon as you install the proper board (page 25).

• Comprehensive I/O terminals — including assignable outputs, audio inputs, MIDI, USB for multi-port connection

to a computer, and SmartMedia card slot for data storage.

• Expansion bay for optional mLAN — Yamaha’s new mLAN interface technology makes it possible to transfer all

your digital audio and MIDI data via a single broad-band cable.

• Naturally responsive 88-Key Balanced Hammer Effect Keyboard (with Aftertouch), drawing on our extensive

experience and expertise in piano-making.

7

About This Manual

This manual consists of the following sections.

■

Basics Section (page 12)

This section provides an overview of the main functions and features of the S90 and introduces you to the basic

operating conventions.

■

Quick Guide (page 36)

This section explains how to use the basic functions.

■

Reference (page 98)

The S90 encyclopedia. This section explains all functions and parameters.

■

Appendix (page 114)

This section contains detailed information on the S90 such as MIDI, instructions for installing optional

equipment, Display Messages, Troubleshooting and Speciﬁcations.

■

Installation Guide (separate booklet)

Refer to this for instructions on installing the included software programs (on the CD-ROM) to your computer.

■

Data List (separate booklet)

This contains various important lists such as the Voice List, Wave List, Performance List, and MIDI

Implementation Chart.

About the Reference Numbers

In addition to the regular page references, this manual also includes special Reference Numbers (e.g., Ref. #15).

These let you easily and quickly cross-reference the corresponding parameters in the Parameter Table on page 93.

(For more information, also see page 96.)

●

Copying of commercially available music sequence data and/or digital audio ﬁles for any purpose other than your

own personal use, is strictly prohibited.

●

This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or

with respect to which it has license to use others’ copyrights. Such copyrighted materials include, without

limitation, all computer software, styles ﬁles, MIDI ﬁles, WAVE data and sound recordings. Any unauthorized

use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of

copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.

●

The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may

appear somewhat different from those on your instrument.

●

The name “mLAN” and its logo are trademarks of Yamaha Corporation.

●

The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of

their respective companies.

8

Application Index

This convenient, easy-to-use index is divided to general categories to help you when you want to ﬁnd information on

a speciﬁc topic or function.

■

Listening/Playing

• Listening to Demo songs .............................................................................................................................................. Demo Playback (Page 19)

• Playing the voices ..................................................................................................................................................................................... (Page 36)

• Calling up Voices in a desired instrument group .......................................................................Using the Voice Category function (Page 38)

• Playing songs from memory cards .........................................................................................................................................................(Page 75)

•

Converting Standard MIDI ﬁle from format 1 to format 0

...... The separate Installation Guide and the File Utility Owner’s Manual (PDF)

• Using as a Master keyboard ....................................................................................................................................................................(page 48)

• Splitting the keyboard – Setting upper and lower ranges for the Voices

· In Master mode

..................................................................................................................................................................................... (Page 51)

· In Performance mode ........................................................................................................................................................................... (Page 42)

· In Voice mode .................................................................................................................................................................... Note Limit (Page 62)

• Layering several voices (Parts together)

· In Master mode

..................................................................................................................................................................................... (Page 51)

· In Performance mode ........................................................................................................................................................................... (Page 42)

• Changing the keyboard played part

In Master mode

..................................................................................................................................TransCh (Master Zone Edit [F1] Ref. #25)

In Sequence Play mode......................................................................................................................................... Song track selection (Page 76)

• Selecting the touch sensitivity (Global setting) ...................................................................................................................................(Page 87)

• Changing the volume response to your playing strength — getting high volume from soft playing or soft volume from strong playing

(for each Voice/Performance) .........................

Velocity Depth/Velocity Offset (Performance/Mixing Part Edit [F1]

→

[SF5] Ref. #39, #40)

• Playing Arpeggios..................................................................................................................................................................................... (Page 45)

• Setting Arpeggio MIDI OUT on/off

· Voice setting

............................................................................................................................... Output Switch (Utility [F3]

→

[SF2] Ref. #86)

· Performance/Mixing setting.................................................... Output Switch (Performance/Mixing Common Edit [F3]

→

[SF4] Ref. #86)

• Changing the Arpeggio tempo (compared to Song tempo) .........................................................................................................................

................................................................................................ Unit Multiply (Voice/Performance/Mixing Common Edit [F3]

→

[SF3] Ref. #83)

■

Using controllers

• Connecting controllers ..................................................................................................................................................................(Page 18)

• Setting the Pitch Bend Range..............PB Upper/Lower (Voice Common Edit, Performance/Mixing Part Edit [F1]

→

[SF5] Ref. #14)

• Using a Foot Controller/Footswitch to control parameters.........................................................................................................(Page 54)

• Using a Footswitch to start/stop the sequencer..................................................................................FS (Utility [F4]

→

[SF3] Ref. #130)

• Using a Footswitch to advance through Voice/Performance/Master programs................................FS (Utility [F4]

→

[SF3] Ref. #130)

• Using a Footswitch to start/stop the Arpeggio ...................................................................................FS (Utility [F4]

→

[SF3] Ref. #130)

• Using Remote Control function for external sequencer..............................................................................................................(Page 57)

• Maintaining the controller state/position when you switch between voices .............. Controller Reset (Utility [F1]

→

[SF4] Ref. #24)

• Setting the Controllers...................................................................................................................................................................(Page 55)

• Using Control Sliders.....................................................................................................................................................................(Page 53)

■

Copying

• Copying the Voice Effect/Arpeggio settings to the Performance mode ............................................. Using the copy function (Page 71)

• Copying Performance Part parameters to Parts in the Mixing mode.......................................................... Performance Copy (Page 72)

• Copying Element/Key parameter settings of the Voice to another Element/Key ...................................................................... (Page 71)

• Copying Part parameter settings of the Performance/Mixing to another Part........................................................................... (Page 71)

■

Changing the sound

• Editing a Voice .............................................................................................................................................................Voice Edit (Page 60)

• Effect structure and signal ﬂow .............................................................................................................................Using Effects (Page 67)

• Editing the effect settings................................................................................................................. Example of Effect Settings (Page 67)

• Adjusting the Voice sustain..............................................................................................................................AEG REL TIME (Page 66)

• Getting a brighter sound ................................................................................................................................................... Cutoff (Page 63)

• Getting a more pronounced effect .............................................................................................................................Resonance (Page 63)

Application Index

9

• Simulating monophonic instruments.............Mono/Poly (Voice Common Edit, Performance/Mixing Part Edit [F1]

→

[SF2] Ref. #3)

• Setting the stereo pan position............................................................................................................................................. Pan (Ref. #44)

• Changing the Element/Part that is sounded according to the velocity............................................................................... Velocity Limit

In Voice Mode ................................................................................................................................................................................(Page 62)

In Performance/Mixing Mode ............................................................................ (Performance/Mixing Part Edit [F1]

→

[SF3] Ref. #33)

• Getting a smooth transition in pitch from one note to the next.................................................................................................................

......................... PORTA Switch/Time (Voice /Performance Common Edit, Performance/Mixing Part Edit [F1]

→

[SF4] Ref. #7-#11)

• Synchronizing the LFO to the tempo of the Arpeggio or sequencer .......... Tempo Sync (Voice Common Edit [F5]

→

[SF1] Ref. #161)

• Modulating the Resonance according to the LFO settings....................... LFO Dest (Voice Common Edit [F5]

→

[SF3/4/5] Ref. #170)

• Editing Voices using a computer............................ See separate Installation Guide and Voice Editor for S90 Owner’s Manual (PDF)

• Setting the User LFO...........................COMMON LFO (See separate Installation Guide and Voice Editor for S90 Owner’s Manual)

■

Changing the pan position

• Moving the pan position alternately each time a key is played .........Alternate Pan (Voice Element/Key Edit [F4]

→

[SF1] Ref. #136)

• Moving the pan position randomly each time a key is played .............Random Pan (Voice Element/Key Edit [F4]

→

[SF1] Ref. #137)

• Moving the pan position according to the key position .........................Scaling Pan (Voice Element/Key Edit [F4]

→

[SF1] Ref. #138)

• Modulating the pan position according to the LFO settings.................... LFO Dest (Voice Common Edit [F5]

→

[SF3/4/5] Ref. #170)

■

Changing the pitch

• Transposing the sound/Adjusting the pitch (tone generator settings)

· Voice (Element) settings ............................................................... Coarse/Fine (Voice Element/Key Edit [F2]

→

[SF1] Ref. #59, #60)

· Plug-in Voice, Performance/Mixing (Part) settings ...................................................................................................... (Ref. #41, #153)

· Global setting ..........................................................................................................................Note Shift (Utility [F1]

→

[SF1] Ref. #41)

• Transposing the keyboard

· Global Setting..........................................................................................................................Transpose (Utility [F1]

→

[SF2] Ref. #18)

· Master Setting................................................................................................................... Transpose (Master Zone Edit [F2] Ref. #18)

• Adjust the tuning to other instruments ......................................................................................... Tune (Utility [F1]

→

[SF1] Ref. #216)

• Setting the all notes (keys) to the same pitch ......................................................PitchSens (Voice Element Edit [F2]

→

[SF4] Ref. #70)

• Setting the tuning system for the voice ......................................................... Micro Tuning (Voice Common Edit [F1]

→

[SF2] Ref. #5)

■

Setting the volume/level

• Adjusting the total volume.............................................................................................................. MASTER VOLUME slider (Page 14)

• Adjusting the global volume.......................................................................................................... Volume (Utility [F1]

→

[SF1] Ref. #43)

• Adjusting the Performance volume (affects all parts) ..................................................... Volume (Common Edit [F2]

→

[SF1] Ref. #43)

• Adjusting each part’s volume.................................................................................................... Volume (Part Edit [F2]

→

[SF1] Ref. #43)

• Adjusting the Voice volume (affects all elements)........................................................................Volume (Common Edit [F2] Ref. #43)

• Adjusting each element/key’s volume......................................................................... Level (Element/Key Edit [F4]

→

[SF1] Ref. #135)

• Adjusting the volume by using Control Sliders ...........................................................................................................................(Page 53)

• Adjusting the output gain of OUTPUT jacks ................................. L & R Gain, Assign L/R Gain (Utility [F2]

→

[SF2] Ref. #55, #56)

■

Setting the sound of a drum voice

• Setting the drum key for independent open and closed hi-hat sounds ............. Altnate Group (Voice Key Edit [F1]

→

[SF5] Ref. #38)

• Setting the key release response: Enabling a sound to decay naturally even when a key is released, or having the sound cut off when

key is released ......................................................................................................... Rcv Note Off (Voice Key Edit [F1]

→

[SF5] Ref. #37)

■

Selectively disabling sounds

• Keeping certain elements from sounding temporarily during editing....................................................... Mute function (Pages 30, 61)

•

Disabling the sound of speciﬁc elements/parts........... Element Sw/Part Sw (Voice Element/Key Edit, Performance Part Edit [F1]

→

[SF1] Ref. #28)

• Keeping certain Performance parts from sounding temporarily................................................Performance Part on/off (Pages 30, 42)

• Keeping certain Song parts from sounding temporarily.......................................................................Song Track on/off (Pages 30, 76)

• Disabling the sound of speciﬁc Song parts.......................................................................................................................RcvCh (Page 80)

■

Convenient editing functions

• Creating a completely new Voice/Performance from scratch...................................................................................... Initialize (Page 70)

•

Listening to the difference between the Voice/Performance with your edited settings and the same Voice/Performance prior to

editing.............................................................................................................................................................Compare Function (Page 61)

• Restore the voice/Performance with your latest edits intact ...........................................................................................Recall (Page 71)

Application Index

10

■

Entering data

• Entering characters (Program/File Name Settings) ............................................................................................................ (Pages 34, 84)

■

Saving data

• Storing the edited data to the S90’s internal (USER) memory...................................................................................................(Page 73)

• Saving S90 settings to Memory Card............................................................................................................................................(Page 82)

• Saving S90 settings to an external device such as a computer............................................................................... Bulk Dump (Page 72)

• Saving Board voices .......................................................................................................................................................................(Page 73)

■

Connecting the S90 to other devices

• Connecting a computer ..........................................................................................................Connecting a Personal computer (Page 17)

• Setting Local Control On/Off............................................................................................. Local Control (Pages 18, Utility [F5]

→

[SF2])

• Using the S90 as a multitimbral tone generator ..........................................................................................................................(Page 80)

• Editing Voices using a computer........................... The separate Installation Guide and Voice Editor for S90 Owner’s Manual (PDF)

• Using the included sequencing software (Windows only)............ The separate Installation Guide and the application’s on-line help

• Setting the S90 to either receive or ignore program changes from an external device

· Voice settings ...........................................................................................Pgm Change/BankSel (Utility [F5]

→

[SF2] Ref. #180, #181)

· Performance/Mixing settings...................................................................... RCV SW (Performance/Mixing Part Edit [F5] Ref. #175)

• Determining whether or not the S90 sends program changes to an external device

· Voice settings ...........................................................................................Pgm Change/BankSel (Utility [F5]

→

[SF2] Ref. #180, #181)

· Master settings........................................................................................................................ TXSW (Master Zone Edit [F3] Ref. #89)

• Determining whether or not an external sequencer starts/stops when starting/stopping the S90’s sequencer .....................................

.....................................................................................................................................................SeqCtrl (Utility [F5]

→

[SF3] Ref. #187)

• Determining whether or not the S90’s sequencer starts/stops when starting/stopping an external sequencer ....................................

.....................................................................................................................................................SeqCtrl (Utility [F5]

→

[SF3] Ref. #187)

• Determining whether or not Song/Arpeggio playback is synchronized to an external MIDI device’s clock

...............................................................................................................................................MIDI Sync (Utility [F5]

→

[SF3] Ref. #185)

■

Resetting parameters (Initializing)

• Initializing Voice/Performance/Mixing/Master parameters....................................................................................... Initialize (Page 70)

• Formatting Memory Card..............................................................................................................................................................(Page 82)

• Resetting the S90 to its default settings....................................................................... Factory Set (Restore Factory Defaults) (Page 72)

■ Installing and using optional hardware

• Installing the Plug-in Board ........................................................................................................................................................(Page 124)

• Using two or three identical Plug-in Boards as one board to increase polyphony.....................................................................................

..............................................................................................................................................Poly Expand (Utility [F6]→[SF1] Ref. #206)

• Installing the mLAN8E ...............................................................................................................................................................(Page 126)

■ Quick solutions and reference materials

• Global functions of the Function List ............................................................................................................................(Pages 88 and 98)

• S90 parameter structure and the Reference Number......................................................................................Parameter Table (Page 92)

• Reference Number (Ref. #) and its page reference......................................................................................................................(Page 96)

• Function Tree ................................................................................................................................................................................(Page 88)

• Display Indications........................................................................................................................................................................(Page 30)

• NUMBER Button functions..........................................................................................................................................................(Page 30)

• Memory Structure – indicating where various settings are stored...............................................................................(Pages 25 and 27)

• Voice/Performance Structure........................................................................................................................................................(Page 26)

• Filter Types....................................................................................................................................................................................(Page 63)

• Category List

· Voice/Performance .....................................................................................................................................................................(Page 35)

· Arpeggio......................................................................................................................................................................................(Page 45)

• Lists of the Voices, Performances, Waves, Arpeggio types, Effect types, etc........................................................The separate Data List

• File types that can be handled.......................................................................................................................................................(Page 83)

• General information on MIDI .............................................................................................................................. About MIDI (Page 118)

• Information Displays................................................................................................................................................................... (Page 114)

• Meaning of the display messages..................................................................................................................Display Messages (Page 116)

• Troubleshooting...........................................................................................................................................................................(Page 128)

Application Index

11

Basics SectionQuick GuideReferenceAppendix

Table of Contents

Basics Section ............................. 12

The Controls & Connectors ..................................... 12

Top Panel ...................................................................................12

Rear Panel .................................................................................13

Setting Up ................................................................ 14

Power Supply .............................................................................14

Power-on Procedure ..................................................................14

Turning on the S90 ...................................................................14

Connections .............................................................. 15

Demo Playback ........................................................ 19

Overview of the S90 ................................................ 20

Controller ...................................................................................20

Tone Generator .........................................................................20

Effects ........................................................................................ 24

Card Drive/Sequencer ..............................................................24

Voices & Performance ............................................. 25

Bank (Memory) Structure ........................................................25

Overview of Voice/Element/Performance ..............................26

Normal Voices & Drum Voices ................................................27

GM Voices .................................................................................27

Internal Memory and File Management .................. 27

Basic Operations ...................................................... 29

Modes .........................................................................................29

Mode Table ................................................................................29

Selecting a Mode ........................................................................30

Display Indications ...................................................................30

Selecting Functions and Parameters ........................................32

Display-based Controls .............................................................33

Quick Guide .............................. 36

Playing Voices .......................................................... 36

Selecting a voice ........................................................................36

Using the Category Search function ........................................38

Voice editing in the Voice Play mode (Quick Edit) .................39

Playing Performances .............................................. 41

Selecting a Performance ............................................................41

Layering Voices (Parts) Together (Layer)

Splitting the Keyboard (Split) ...................................................42

Editing Performances in the Performance Play mode

(Quick Edit)................................................................................44

Using the Arpeggio function .................................... 45

What is the Arpeggio function? ...............................................45

Arpeggio playback..................................................................... 46

Arpeggio Type, Tempo, and Limit ...........................................46

Using as a Master Keyboard .................................... 48

What is the Master Mode? ........................................................48

Playing the Master Demo (Selecting Masters) ........................49

Memorize to a Master ...............................................................50

Using Zones — Creating a Layer/Split with an external

tone generator ...........................................................................51

Using Controllers ..................................................... 53

Pitch Bend Wheel & Modulation Wheel .................................53

Control Sliders (CS) .................................................................. 53

Foot Controller ..........................................................................54

Footswitch (assignable) ............................................................54

Footswitch (sustain) .................................................................54

Breath Controller ...................................................................... 54

Aftertouch .................................................................................54

Remote Control for external sequencer ................... 57

Setting Up ..................................................................................57

Using the Remote Control function .........................................58

Voice Edit ................................................................. 60

Using Effects ............................................................ 67

Effect structure ..........................................................................67

Effect connection ......................................................................68

Using the Jobs .......................................................... 70

Saving the Settings (Store) ...................................... 73

Playing the Songs ..................................................... 75

Mixing mode ..............................................................................77

Using Memory Cards................................................ 82

Touch Sensitivity ..................................................... 87

Function Tree ........................................................... 88

Parameter Table ....................................................... 92

Parameter/Function List ..........................................................97

Reference ...................................98

Reference (Function List) ........................................ 98

Appendix .................................114

Information Displays ............................................. 114

Display Messages ................................................... 116

About MIDI ............................................................ 118

Installing Optional Hardware ................................ 123

Optional units that can be installed to the S90 .................... 123

Installation locations .............................................................. 123

Installation Precautions ......................................................... 123

Optional Plug-in Board Installation ...................................... 124

Optional mLAN8E Installation ............................................. 126

Troubleshooting ..................................................... 128

Specifications ......................................................... 131

Index ...................................................................... 132

Table of Contents

12

Basics Section Quick Guide Reference Appendix

The Controls & Connectors

Basics Section

The Controls & Connectors

Top Panel

1 [PITCH] Bend wheel (page 53)

2 [MODULATION] wheel (page 53)

3 [MASTER VOLUME] slider (page 14)

4 [CONTROL FUNCTION] button (pages 53, 59)

5 [CS1] - [CS4] (Control Slider) (pages 53, 56)

6 LCD Contrast control (page 14)

7 [F1] - [F6] (Function) buttons (page 32)

8 [SF1] - [SF5] (Sub Function) buttons (page 32)

9 LCD (Liquid Crystal Display) (pages 30, 114)

) [INFORMATION] button (pages 33, 34, 35)

! Data dial (pages 33, 76)

@ [INC/YES] button (page 33)

# [DEC/NO] button (page 33)

$ Cursor buttons (page 33)

% [EXIT] button (page 32)

^ [ENTER] button (page 32)

& MODE buttons (page 29)

* [ARPEGGIO] button (page 45)

( [EFFECT BYPASS] button (page 67)

º [PLAY/STOP] button (page 75)

¡ BANK buttons (pages 36, 38, 41)

™ GROUP [A] - [H] buttons (pages 37, 41)

£ NUMBER [1] - [16] buttons

(pages 30, 37, 42, 49, 58, 61, 76, 80)

¢ [CATEGORY SEARCH] button (page 38)

∞ [REMOTE CONTROL] ON/OFF button (page 57)

§ [TRACK SELECT] button (pages 30, 37, 76)

¶ [MUTE] button (pages 30, 42, 61, 76)

• SLOT 1-3 lamps (page 125)

PITCH MODULATION

PAN

CONTROL

FUNCTION

MASTER

VOLUME

CUTOFF

ASSIGN A

MEQ LOW

VOLUME 1

ZONE 1

CS 1

TEMPO

RELEASE

ASSIGN 2

MEQ HIGH

VOLUME 4

ZONE 4

CS 4

REVERB

RESONANCE

ASSIGN B

MEQ LOW MID

VOLUME 2

ZONE 2

CS 2

CHORUS

ATTAC K

ASSIGN 1

MEQ HI MID

VOLUME 3

ZONE 3

CS 3

F1 F2 F3 F4 F5 F6

SF1 SF2 SF3 SF4 SF5

INFORMATION

DEC/NO INC/YES

EXIT ENTER

EXECUTE

VOICE

PERFORM

MASTER

UTILITY

CARD

SEQ PLAY

ARPEGGIO

EFFECT

BYPASS

PLAY/

STOP

JOBEDIT

COMPARE

STORE

MODE PROGRAM

SLOT 1 SLOT 2 SLOT 3

DRUM KITS

FAVORITES

COMMON

A. PIANO

SYN LEAD SYN PAD/

CHOIR

SYN COMP

CHROMATIC

PERCUSSION

DRUM/

PERCUSSION

SE

MUSICAL FX

COMBI

KEYBOARD

ORGAN BASS STRINGS BRASS REED/PIPEGUITAR/

PLUCKED

PRE 1 PRE 2 PRE 3 GM USER PLG 1 PLG 2 PLG 3

A B C D E F G H

1 2 3 4 5 6 7 8

9 10 11 12 13 14 15 16

REMOTE

CONTROL

CATEGORY

SEARCH

TRACK

SELECT

MUTE

SOLO

ELEMENT / PERF.PART / ZONE

PA N

CONTROL

FUNCTION

MASTER

VOLUME

CUTOFF

ASSIGN A

MEQ LOW

VOLUME 1

ZONE 1

CS 1

TEMPO

RELEASE

ASSIGN 2

MEQ HIGH

VOLUME 4

ZONE 4

CS 4

REVERB

RESONANCE

ASSIGN B

MEQ LOW MID

VOLUME 2

ZONE 2

CS 2

CHORUS

AT TAC K

ASSIGN 1

MEQ HI MID

VOLUME 3

ZONE 3

CS 3

4

21

!

A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B5 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7

¶

§

7635

$

(%

98

)

^* º £

•

@

&

¡

¢

∞

™

#

13

Basics SectionQuick GuideReferenceAppendix

The Controls & Connectors

Rear Panel

ª [POWER] switch (page 14)

‚ AC INLET (AC power cord socket) (page 14)

⁄ Plug-in Board cover (page 126)

¤ mLAN Expansion Board (mLAN8E) cover (page 126)

‹ MIDI IN/OUT/THRU terminals (page 16)

› BREATH Controller jack (page 18)

ﬁ FOOT SWITCH jack (ASSIGNABLE) (pages 18, 54)

ﬂ FOOT SWITCH jack (SUSTAIN) (pages 18, 54)

‡ FOOT CONTROLLER 1, 2 jacks (pages 18, 54)

° A/D INPUT jack (page 15)

· [GAIN] knob (page 15)

HH

ASSIGNABLE OUT L & R jacks (page 15)

II

OUTPUT L/MONO & R jacks (page 15)

JJ

PHONE jack (page 15)

KK

USB terminal (page 17)

LL

CARD slot (page 82)

Never attempt to turn off the power while data is being

written to Flash ROM (while an “Executing...” or

“Please keep power on” message is shown). Turning the

power off in this state results in loss of all user data and

may cause the system to freeze (due to corruption of data

in the Flash ROM).

USB

USB is an abbreviation for Universal Serial Bus.

It is a serial interface for connecting a computer with

peripheral devices.

It allows “hot swapping” (connecting peripheral

devices while the power to the computer is on).

mLAN

“mLAN” is a digital network designed for musical

applications. It uses and extends the industry standard

IEEE 1394 high performance serial bus.

For details, refer to the Guide Book of the mLAN8E.

AC INLET

POWER

ON/ OFF

CARD

3.3V

THRU OUT IN

MIDI

RRL/MONO PHONES

ASSIGNABLE

A/D INPUT12

FOOT CONTROLLER

FOOT SWITCH

ASSIGNABLE

BREATH

SUSTAIN

GAIN

OUTPUT OUTPUT

L

USB

Plug-in SLOT

GREEN

YELLOW

ORANGE

3

2

1

ª‹‡HIJ LK›ﬁﬂ °·⁄

‚¤

14

Basics Section Quick Guide Reference Appendix

Setting Up

Power Supply

1

Make sure the POWER switch on the S90 is set to OFF.

2 Connect the supplied power cord to the AC INLET

terminal on the instrument’s rear panel.

3 Connect the other end of the power cord to an AC

outlet. Make sure your S90 meets the voltage

requirement for the country or region in which it is

being used.

Make sure your S90 is rated for the AC voltage supplied

in the area in which it is to be used (as listed on the rear

panel). Connecting the unit to the wrong AC supply can

cause serious damage to the internal circuitry and may

even pose a shock hazard!

Use only the AC power cord supplied with the S90. If

the supplied cord is lost or damaged and needs to be

replaced, contact your Yamaha dealer. The use of an

inappropriate replacement can pose a ﬁre and shock

hazard!

The type of AC power cord provided with the S90 may be

different depending on the country in which it is

purchased (a third prong may be provided for grounding

purposes). Improper connection of the grounding

conductor can create the risk of electrical shock.

Do NOT modify the plug provided with the S90. If the

plug will not ﬁt the outlet, have a proper outlet installed

by a qualiﬁed electrician. Do not use a plug adapter

which defeats the grounding conductor.

Power-on Procedure

Once you’ve made all the necessary connections (page

15) between your S90 and any other devices, make

sure that all volume settings are turned down all the

way to zero. Then, turn on the every device in your

setup in the order of MIDI masters (senders), MIDI

slaves (receivers), then audio equipment (mixers,

ampliﬁers, speakers, etc.). This ensures smooth signal

ﬂow from the ﬁrst device to the last (ﬁrst MIDI, then

audio). When powering down the setup, ﬁrst turn

down the volume for each audio devices, then switch

off each device in the reverse order (ﬁrst audio devices,

then MIDI).

When using the S90 as MIDI receiver:

Turning on the S90

Before you switch your S90 on or off, ﬁrst turn down the

volume of any connected audio equipment.

1 Press the POWER switch.

After a while, the default display appears (as set in

the Utility parameter, Power On Mode Display).

n Adjusting the display contrast if the LCD is difﬁcult

to read, adjust the contrast with the LCD contrast

control knob (page 12).

2 Raise the sound system volume to a reasonable

level.

3 Gradually raise the MASTER VOLUME control

while playing the keyboard to set the desired

listening level.

AC INLET terminal

Power cord

(included)

12345678910111213141516LR

MUSIC SYNTHESIZER

Modular Synthesis Plug-in System

MIDI master (transmitting device)

S90 as MIDI slave (MIDI receiving device)

Audio equipment (ﬁrst mixer, then ampliﬁer)

POWER

ON!

AC INLET

POWER

ON/ OFF

15

Basics SectionQuick GuideReferenceAppendix

Connections

Before connecting the S90 to other electronic components, turn off the power to all the components. Before turning the power on

or off to all components, set all volume levels to minimum (0). Otherwise, electrical shock or damage to the components may occur.

Connecting to External

Audio Equipment

Since the S90 has no built-in speakers, you’ll need an

external audio system or a set of stereo headphones to

properly monitor it. The following illustrations show

various connection examples; use the one most similar

to your intended setup.

Connecting stereo powered speakers

A pair of powered speakers can accurately produce the

instrument’s rich sounds with their own pan and effect

settings. Connect your powered speakers to the

OUTPUT L/MONO and R jacks on the rear panel.

n When using just one powered speaker, connect it to the

OUTPUT L/MONO jack on the rear panel.

Connecting to a mixer

There are extra audio outputs in addition to the

OUTPUT (L/MONO and R) jacks. Connect these

outputs to a mixer for separately controlling the

outputs of up to four Parts in Performance mode

(pages 29, 41).

A/D input

■ Connecting a microphone or other audio

equipment (analog input)

You can import external sounds (page 44). When

importing from an external audio source, connect a

microphone or the audio source to the A/D INPUT

jack.

n After the above connections are complete, you are ready

to set up for importing. When starting an importing, you

may need to adjust the input gain of the audio source by

using the GAIN knob.

■ Connecting to mLAN-compatible audio

equipment (When an optional mLAN8E has

been installed)

n Sound can be input via either the mLAN jacks or the

A/D INPUT jacks. Which jacks are used is determined

in the Utility mode ([F2]→[SF1] A/DSource Ref. #53).

MUSIC SYNTHESIZER

Modular Synthesis Plug-in System

Powered speaker

(Left)

Powered speaker

(Right)

Headphones

INPUT

OUTPUT L/MONO OUTPUT R

PHONES

S90

12345678910111213141516LR

LR

LR R

R

MUSIC SYNTHESIZER

Modular Synthesis Plug-in System

S90

Headphones

OUTPUT

L/MONO

PHONES

Speaker

OUTPUT L

Ampliﬁer

Mixer

ASSIGNABLE

OUTPUT

MUSIC SYNTHESIZER

Modular Synthesis Plug-in System

MUSIC SYNTHESIZER

Modular Synthesis Plug-in System

S90

L/MONO

A/D INPUT

Audio Device (merged to mono internally)

Apply effects to the microphone sound by

using the Vocal Harmony Plug-in Board

(PLG100-VH).

Mic (MONO)

A/D INPUT

MUSIC SYNTHESIZER

Modular Synthesis Plug-in System

S90

mLAN audio device

mLAN jacks

16

Basics Section Quick Guide Reference Appendix

Connections

Connecting External MIDI

Equipment

Using a standard MIDI cable (available separately), you

can connect an external MIDI device, and control it

from the S90. Likewise, you can use an external MIDI

device (such as a keyboard or sequencer) to control the

sounds on the S90. Below are several different MIDI

connection examples; use the one most similar to your

intended setup.

■

Controlling from an external MIDI keyboard

■

Controlling an external MIDI keyboard

■

Recording and playback using an external

MIDI sequencer

■ Controlling another MIDI device via MIDI

THRU

In the above setup, Synthesizer 2 can be played from

the S90 (via MIDI OUT), while the external sequencer

plays Synthesizer 1 (via MIDI THRU).

n The MIDI cable should be no greater than 15 meters in

length, and there should be no more than three devices in

a MIDI chain (chained in series via each unit’s MIDI

THRU). To connect more units, use a MIDI Thru Box

for parallel connections. You may encounter errors if the

MIDI cables are too long or if too many devices are

chained together via their MIDI THRU connectors.

■ Using an mLAN interface (when an optional

mLAN8E has been installed)

n Any one of the following interfaces can be used for MIDI

data transmission/reception: the MIDI connectors, the

mLAN terminal connector, or the USB connector.

However, they cannot be used at the same time. Select

which connector is used for MIDI data transfer in the

Utility mode ([F2]→[SF1] AD/Source Ref. #53).

MUSIC SYNTHESIZER

Modular Synthesis Plug-in System

UTILITY [F5]→[SF4] MIDI IN/OUT=MIDI

MIDI IN

MIDI OUT

External MIDI keyboard or synthesizer

S90

MUSIC

PRODUCTION

SYNTHESIZER

Integrated

Sampling

Sequencer

Real-timeExternalControl

Surface

Modular

SynthesisPlug-in

System

MUSIC SYNTHESIZER

Modular Synthesis Plug-in System

UTILITY [F5]→[SF4] MIDI IN/OUT=MIDI

MIDI OUT

MIDI IN

External MIDI keyboard or synthesizer

S90

MUSIC SYNTHESIZER

Modular Synthesis Plug-in System

UTILITY [F5]→[SF4] MIDI IN/OUT=MIDI

MIDI OUT

External MIDI sequencer

S90

MIDI OUT

MIDI IN

MUSIC SYNTHESIZER

Modular Synthesis Plug-in System

UTILITY [F5]→[SF4] MIDI IN/OUT=MIDI

MIDI OUT

External MIDI sequencer

S90

MIDI THRU

MIDI IN

External MIDI synthesizer 1

MIDI OUT

MIDI IN

External MIDI synthesizer 2

MUSIC SYNTHESIZER

Modular Synthesis Plug-in System

UTILITY [F5]→[SF4] MIDI IN/OUT=mLAN

IEEE1394 (mLAN) cable

S90

mLAN keyboard

Transmit & Receive

17

Basics SectionQuick GuideReferenceAppendix

Connections

Connecting to a Personal

Computer

By connecting a computer, you can transfer data

between the S90 and the computer via MIDI, and use

the computer to control, edit and organize data on the

S90. For example, you can use the included Voice

Editor program to edit the S90’s voices. There’s also a

special File Utility program that lets you use your

computer to manage ﬁles in the Memory Card inserted

in the S90’s CARD slot.

■ Using an USB interface

n If you are using the Remote Control function to control

operations on a computer sequencer, we recommend

making connections with a USB cable.

n The USB connection can only be used for transfer of

MIDI data. No audio data can be transferred via USB.

n For details about the signal ﬂow of this setting, see page

113 (*67).

About the USB connector

USB cables have different connectors on each end:

an A type and a B type. When using the USB

connection, connect the A type to your computer

and the B type to the S90.

Disconnecting/connecting the USB cable or turning

the power off/on may cause the computer operation

to hang-up, or may stop the S90 from functioning

properly. Be careful NOT to disrupt the USB

connection or turn the power on/off in the following

operating conditions.

• While the S90 is recognizing the device or while

loading the driver.

• While starting or shutting down the operating

system.

• While computer operation is suspended (with

power management controls such as sleep or

hibernation).

• While a MIDI application is starting.

The computer may also hang up and/or the S90’s

functions may stop if you do the following:

• Turn the power on/off, or connect/disconnect the

cable too often.

• Enter the sleep mode while transmitting the MIDI

data, and resume operation.

• Disconnect/connect the cable while the S90 is on.

• Turn the S90 on/off, start the computer, or install

driver software while a huge amount of data is

being transferred.

■ Using an IEEE1394 interface (when an

optional mLAN8E has been installed)

MUSIC SYNTHESIZER

Modular Synthesis Plug-in System

UTILITY [F5]→[SF4] MIDI IN/OUT=USB

USB terminal

S90

Computer with a

USB Interface

USB cable

MUSIC SYNTHESIZER

Modular Synthesis Plug-in System

MIDI OUT

S90

MIDI IN

Data send/receive

MIDI OUT

USB terminal

Computer with a

USB Interface

USB cable

External MIDI sequencer

External MIDI synthesizer

MIDI cable

MUSIC SYNTHESIZER

Modular Synthesis Plug-in System

UTILITY [F5]→[SF4] MIDI IN/OUT=mLAN

IEEE1394 cable

S90

Computer with an

IEEE1394 interface

18

Basics Section Quick Guide Reference Appendix

Connections

■ Using a MIDI interface

Using the computer’s MIDI interface

Using an external MIDI interface

n Make sure to use the appropriate MIDI interface for your

computer.

n If you are using a computer that has a USB interface,

make sure to connect the computer and the S90 by USB.

(The data transfer rate is faster than MIDI and you’ll

have access to multiple MIDI ports.)

Local On/Off - When Connected to a

Computer (Utility [F5] [SF2])

When connecting the S90 to a computer, the

keyboard performance data is generally sent to the

computer, and then returned from the computer to

play the tone generator or sound source. If the Local

Control is set to “on,” a “double” sound may result,

since the tone generator is receiving performance

data from both the keyboard directly and the

computer. Use the setting suggestions below as a

guideline; speciﬁc instructions may differ depending

on your computer and the software used.

When MIDI “Echo” is enabled on the software/

computer, set the S90 Local Control to “off.”

n When transmitting or receiving System Exclusive

data (such as with the Bulk Dump function), use

the setting example below, making sure that MIDI

“Echo” on the computer software is set to “off.”

When MIDI “Echo” is disabled on the software/

computer, set the S90 Local Control to “on.”

n Although not indicated in the illustration above,

the S90 actually receives and responds to MIDI

data from the computer application (sequencer),

regardless of the Local Sw setting on the S90.

* MIDI “Echo” is a function on sequencers that takes

any data received via the MIDI IN and “echoes” it

(or sends it as is) through the MIDI OUT. In some

software, this function is also called “MIDI Thru.”

n Refer to the owner’s manual of your particular

software for speciﬁc instructions.

Connecting Various

Controllers

The S90 features several controller jacks on the rear

panel — letting you independently control various

aspects of the sound and a variety of functions with

optional controllers (page 53).

MUSIC SYNTHESIZER

Modular Synthesis Plug-in System

UTILITY [F5]→[SF4] MIDI IN/OUT=MIDI

MIDI cable

S90

Computer with

MIDI Interface

MIDI OUTMIDI IN

MIDI IN

MIDI OUT

MUSIC SYNTHESIZER

Modular Synthesis Plug-in System

UTILITY [F5]→[SF4] MIDI IN/OUT=MIDI

MIDI Interface

S90

Serial port

(modem or printer port)

or USB port

MIDI OUTMIDI IN

MIDI IN

MIDI OUT

Computer

Computer with

Application Software

OUT

IN

Echo Back On

OUTIN

USB

Local Off

Keyboard

Tone

Generator

S90 Local Control=off

Computer with

Application Software

IN

Echo Back On

OUTUSB

Local On

Keyboard

Tone

Generator

S90 Local Control=on

12

FOOT CONTROLLER

FOOT SWITCH

ASSIGNABLE

BREATH

SUSTAIN

FC7

BC3

FC4 or FC5

19

Basics SectionQuick GuideReferenceAppendix

Demo Playback

The S90 features a variety of demo songs, showcasing its dynamic sound and sophisticated functions.

n Make sure the synthesizer is ready for playback. Details are given in the section “Setting Up” on page 14.

1 Press the [SEQ PLAY] button to call up the CHAIN screen.

2 Press the [SF5] (DEMO) button to call up the Demo data.

n You can select the ﬁrst song for playback by using the [▲ ▼] buttons.

3 Press the [PLAY/STOP] (or [SF5]) button to start playback of the Demo song.

n You can set the song tempo or the song position. The operations are the same as the ones in SEQ PLAY mode (page 76).

4

The [PLAY/STOP] (or [SF5]) button lets you pause playback and then start again from the same point in the song.

5 To exit from the Demo mode, stop playback, then press one of the [MODE] buttons or [EXIT] button.

n Demo song playback continues indeﬁnitely until stopped.

F1 F2 F3 F4 F5 F6

SF1 SF2 SF3 SF4 SF5

INFORMATION

DEC/NO INC/YES

EXIT ENTER

EXECUTE

VOICE

PERFORM

MASTER

UTILITY

CARD

SEQ PLAY

ARPEGGIO

EFFECT

BYPASS

PLAY/

STOP

JOBEDIT

COMPARE

STORE

1

2

(34)

345

20

Basics Section Quick Guide Reference Appendix

Overview of the S90

The S90 has a wide variety of advanced and convenient features. This section gives you an overview of these

features. The following diagram shows the various component sections or “blocks” of the S90.

Controller

This block consists of the keyboard, Pitch Bend and Modulation wheels, Control Sliders, and so on (page 53).

The keyboard itself doesn’t generate sounds, but instead sends note, velocity and other information to the S90’s tone

generator section for the notes you play. The controllers also send non-note performance data. Information from the

keyboard and controllers can be transmitted to other external MIDI devices through the MIDI OUT connector.

Tone Generator

This block plays back sounds according to information received from the keyboard and controllers. The following

example illustrates the path taken by the signal from an Element in the Voice Mode (page 26).

Song

(SMF)

File

Memory Card

S90

Data

(Playback)

AWM2

Plug-in Board

Arpeggiator

Keyboard

Sequencer

Controller

Tone Generator

Load

Save

Reverb

Effect

MIDI OUT

Output

Controllers

Chorus

Variation

Insertion 1

Insertion 2

Master Equalizer

Tone Generator

OSC

(Oscillator)

PITCH

FILTER

Controls the pitch of each Element

output from the OSC section.

Changes the tonal quality of each

Element output from the PITCH section.

Outputs the waveform of each

Element. Each Voice consists of up to

four Elements.

Controls the output level (amplitude) of

each Element output from the FILTER

section. The signals are then sent at this

level to the Effects Unit.

AMP

(Amplitude)

To Effects units

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