Yamaha CLP-122S Användarmanual

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Modell: CLP-122S

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Typ: Användarmanual

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Clavinova CLP-122S

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Manual de instrucciones

Páginas 56 — 73

English

Owner’s Manual Page 2 — 19

Deutsch

Bedienungsanleitung Seite 20 — 37

Français

Mode d’emploi Pages 38 — 55

CLP-122S

Introduction

Thank you for choosing a Yamaha CLP-122S Clavinova. Your Clavinova is a fine musical in-

strument that employs advanced Yamaha music technology. With the proper care, your

Clavinova will give you many years of musical pleasure.

● Yamaha’s AWM (Advanced Wave Memory) tone generator system offers rich, realistic voices.

● Piano-like touch response — adjustable in 3 stages — provides extensive expressive control and out-

standing playability.

● Dual play mode allows 2 voices to be played simultaneously.

● Unique Clavinova Tone voice provides a fresh sound for new musical expression.

● Damper pedal includes natural resonance effect for the piano voices, simulating the string and sound-

board resonance of acoustic pianos.

● MIDI compatibility and a range of MIDI functions make the Clavinova useful in a range of advanced

MIDI music systems.

In order to make the most of your Clavinova’s performance potential and features, we urge you

to read this Owner’s Manual thoroughly, and keep it in a safe place for later reference.

Your Clavinova is a fine musical instrument, and deserves the most careful treatment.

Observe the following points and your Clavinova will sound and look great for many years.

1 Never open the case and touch or tamper with the inter-

nal circuitry.

2 Always turn the POWER switch OFF after use, and

cover the keyboard with the key cover provided.

3 Clean the cabinet and keys of your Clavinova only with

a clean, slightly damp cloth. A neutral cleanser may be

used if desired. Never use abrasive cleansers, waxes,

solvents or chemical dust cloths since these can dull or

damage the finish.

4 Never place any vinyl products on your Clavinova. Con-

tact with vinyl can cause irreversible damage to the

finish.

5 Install your Clavinova in a place that is away from di-

rect sunlight, excessive humidity or heat.

6 Never apply excessive force to the controls, connectors

or other parts of your Clavinova, and avoid scratching

or bumping it with hard objects.

7 Make sure that your local AC mains voltage matches the

voltage specified on the name plate.* In some areas a

voltage selector may be provided on the rear panel of

the main unit. Make sure that the voltage selector is set

for the voltage in your area.

* Name Plate Location

The CLP-122S name plate is located on the bottom

panel.

Taking Care Of Your Clavinova

Contents

The Control Panel................................................................................ 4

Connections.......................................................................................... 6

Selecting & Playing Voices ............................................................... 7

■ Playing the Demonstration Tunes ....................................................... 8

The Dual Mode...................................................................................... 9

● Adjusting the Balance Between the Dual-mode Voices.................. 9

● Shifting a Dual-Mode Voice Up One Octave .................................. 9

Reverb...................................................................................................10

● Adjusting Reverb Depth ................................................................ 10

The Pedals ........................................................................................... 11

● Soft/Sostenuto (Left) Pedal........................................................... 11

● Damper (Right) Pedal ................................................................... 11

Touch Sensitivity ............................................................................... 12

Transposition...................................................................................... 12

Pitch Control ....................................................................................... 13

● Tuning Up ..................................................................................... 13

● Tuning Down................................................................................. 13

● To Restore Standard Pitch ........................................................... 13

MIDI Functions ................................................................................... 14

● A Brief Introduction to MIDI........................................................... 14

● MIDI “Messages” Transmitted & Received by the Clavinova ....... 14

● MIDI Transmit & Receive Channel Selection................................ 15

● MIDI Transmit Transpose ............................................................. 15

■ Other MIDI Functions ........................................................................ 16

● Local Control ON/OFF .................................................................. 16

● Program Change ON/OFF ............................................................ 16

● Control Change ON/OFF .............................................................. 17

● The Multi-Timbre Mode................................................................. 17

● The MIDI Split & Left Local OFF Mode......................................... 18

● The MIDI Split & Right Local Off Mode......................................... 18

Troubleshooting.................................................................................19

Options & Expander Modules ........................................................ 19

Keyboard Stand Assembly ............................................................. 74

MIDI Data Format ............................................................................... 80

Specifications ..................................................................................... 81

MIDI Implementation Chart ............................................................. 82

The Control Panel

HEADPHONES Jacks

(Bottom Panel)

Left voice shift up key

(See page 9)

Pitch control keys

(See page 13)

Balance/Depth keys (See page 9, 10)

Transpose keys

(See page 12)

1 [POWER] Switch

Press the [POWER] switch once to turn the power

ON, a second time to turn the power OFF. When the

power is initially turned ON, the [PIANO 1] voice

selector LED will light.

2 [MASTER VOLUME] Control

The [MASTER VOLUME] control adjusts the vol-

ume (level) of sound produced by the Clavinova’s

internal stereo sound system. The [MASTER VOL-

UME] control also adjusts headphone volume when a

pair of headphones is plugged into the HEADPHONES

jack (page 6).

3 [REVERB] Button

The [REVERB] button selects a number of digital

reverb effects that you can use for extra depth and

expressive power.

➪

See page 10 for details.

4 [MIDI/TRANSPOSE] Button

The [MIDI/TRANSPOSE] button allows access to the

Clavinova’s TRANSPOSE function (to shift the pitch

of the entire keyboard up or down), keyboard touch

sensitivity adjustment, and MIDI functions. For details

refer to “TRANSPOSITION” on page 12, “TOUCH

SENSITIVITY” on page 12, and “MIDI FUNC-

TIONS” on page 14.

5 Voice Selectors

The CLP-122S has six voice selectors . Simply press

any of the voice selectors to select the corresponding

voice. The LED indicator above the voice selector will

light to indicate which voice is currently selected.

The CLP-122S also has a DUAL mode in which two

voices can be played simultaneously across the full

range of the keyboard — see page 9 for details.

Note: The PIANO 1 voice is automatically selected when-

ever the [POWER] switch is initially turned ON.

234 51

MASTER VOLUME

MIN MAX

REVERB

HALL 1

HALL 2

COSMIC

ROOM

MIDI/

TRANSPOSE

CLAVINOVA

TONE

PIANO

HARPSI-

CHORD

ORGANE. PIANO

Demonstration key

(See page 8)

Right voice shift up key

(See page 9)

Soft/Sostenuto

pedal

Damper pedal

6 Pedals

The CLP-122S’s soft/sostenuto (left) and damper

(right) pedals provide a range of expressive control

capabilities similar to the pedal functions on an acous-

tic piano.

➪

See page 11 for details.

● The Music Stand

If you will be using sheet music with your

Clavinova, raise the music stand built into its top

panel by lifting the rear edge of the music stand,

then flip down the music stand braces and engage

them with the corresponding recesses.

The music stand can be lowered after slightly

lifting it and folding the two brackets which support

it against the back of the stand.

Connections

These jacks are intended for use with an external tone generator module such as

the Yamaha DOM-30 Disk Orchestra Module. The stereo outputs from the exter-

nal tone generator module are connected to the OPTIONAL IN L and R jacks,

allowing the sound of the tone generator to be reproduced via the Clavinova’s

internal sound system and speakers.

The AUX OUT R and L/L+R jacks deliver the output of the Clavinova for con-

nection to an instrument amplifier, mixing console, PA system, or recording equip-

ment. If you will be connecting the Clavinova to a monaural sound system, use

only the L/L+R jack. When a plug is inserted into the L/L+R jack only, the left-

and right-channel signals are combined and delivered via the L/L+R jack so you

don’t lose any of the Clavinova’s sound.

The Internal Amplifier & Speaker System

The CLP-122S features a high-performance stereo amplifiers delivering 15 watts per

channel to a pair of 16-cm speaker units.

Note: The AUX OUT jack signal must never be returned to the OPTIONAL IN jacks, either

directly or through external equipment.

The MIDI IN connector receives MIDI data from an external MIDI device (such

as the DRC-20 Disk Recorder, or DOM-30 Disk Orchestra Module) which can be

used to control the Clavinova. The MIDI THRU connector re-transmits any data

received at the MIDI IN connector, allowing “chaining” of several MIDI instru-

ments or other devices. The MIDI OUT connector transmits MIDI data generated

by the Clavinova (e.g. note and velocity data produced by playing the Clavinova

keyboard).

More details on MIDI are given in “MIDI FUNCTIONS” on page 14.

312

1 OPTIONAL IN L/R Jacks

OPTIONAL IN

DOM-30

2 AUX OUT R and L/L+R Jacks

AUX. OUT

L/L+RR

Stereo System

MIDI

IN OUT THRU

DRC-20

3 MIDI IN, THRU and OUT

Connectors

Tone Generator

Two pairs of standard pair of stereo headphones can be plugged in here for pri-

vate practice or late-night playing. The internal speaker system is automatically

shut off when a pair of headphones is plugged into either of the HEADPHONES

jacks.

●

HEADPHONES Jacks (Bottom Panel)

ZTurn Power On

After making sure that the Clavinova’s AC plug is properly inserted into

a convenient AC wall outlet, press the [POWER] switch located to the left

of the keyboard to turn the power ON.

When the power is turned ON, the [PIANO 1] voice selector LED will

light (the PIANO 1 voice is automatically selected whenever the power is

turned ON).

Initially set the [MASTER VOLUME] control about half way between

the “MIN” and “MAX” settings. Then, when you start playing, re-adjust the

[MASTER VOLUME] control for the most comfortable listening level.

Select the desired voice by pressing one of the voice selectors.

The Clavinova offers keyboard touch response, so the volume and timbre

of notes played can be controlled according to how “hard” you play the

keys. The amount of variation available depends on the selected voice.

You can also add reverb effects as desired by using the [REVERB] but-

ton (see page 10).

VPlay

Selecting & Playing Voices

POWER

XSet the Volume

MASTER VOLUME

MIN MAX

CSelect a Voice

CLAVINOVA

TONE

PIANO

HARPSI-

CHORD

ORGANE. PIANO

BAdjust Tone & Add Effects

As Required

REVERB

HALL 1

HALL 2

COSMIC

ROOM

Playing the Demonstration Tunes

The CLP-122S features 6 demonstration tunes that effectively demonstrate their sound capabilities.

Here’s how you can select and play the demo tunes.

Press the C7 key while holding the [MIDI/TRANSPOSE] button. The

voice selectors will begin flashing in sequence to indicate that the demo

mode is engaged.

The demo tunes are selected via the voice selectors. Press a selector to

start playback of the corresponding tune, featuring the voice normally se-

lected by that voice selector button. The demo tunes will play in sequence

until stopped, starting with the selected tune. The voice selector indicator

will flash during demo playback.

Use the [MASTER VOLUME] control to adjust the volume, and play

along on the keyboard if you like.

Press the [MIDI/TRANSPOSE] button when you want to stop demo

playback and return to the normal play mode.

ZEngage the Demo Mode

Selecting & Playing Voices

MIDI/

TRANSPOSE

XSelect a Demo Tune

CLAVINOVA

TONE

PIANO

HARPSI-

CHORD

ORGANE. PIANO

CSet the Volume

MASTER VOLUME

MIN MAX

VStop the Demo

MIDI/

TRANSPOSE

The Demo Tunes

[PIANO 1] .................. “Grande valse brillante” by F. F. Chopin

[PIANO 2] .................. “Lake Louise” by Yuhki Kuramoto

[CLAVINOVA TONE] “Rêverie” by Debussy

[HARPSICHORD] ..... “Invention 3” by J. S. Bach

[ORGAN] ................... “Symphonie pour orgue No.5” by Widor

• The demonstration pieces listed above are short excerpts from the origi-

YAMAHA CORPORATION).

The Dual Mode

The DUAL mode makes it possible to play two voices simultaneously across the entire range of the key-

board. To activate the DUAL mode simply press two voice selectors at the same time (or press one voice

selector while holding another). The voice indicators of both selected voices will light when the DUAL mode

is active. To return to the normal single-voice play mode, press any single voice selector.

The volume levels of the two voices combined in the DUAL mode are

normally set automatically to produce a pleasing balance (see “Default Set-

tings” below). The balance can be adjusted manually by using the C2

through C4 keys on the keyboard while pressing the two voice selectors

corresponding to the voices to be combined in the DUAL mode.

The C3 key produces equal (50:50) balance between the two voices,

while keys to the left of C3 increase the volume of the left voice in relation

to the right voice, and keys to the right of C3 increase the volume of the

right voice in relation to the left voice. By “left” and “right” voice we refer

to the relative positions of the voice selectors — i.e. in a PIANO 2/

CLAVINOVA TONE combination PIANO 2 is the left voice and

CLAVINOVA TONE is the right voice.

Default Settings

Voice Combinations Balance keys

PIANO 1/ORGAN .................... F2

PIANO 2/ORGAN .................... F2

CLAVINOVA TONE/ORGAN ... F2

E. PIANO/ORGAN ................... F2

HARPSICHORD/ORGAN ........ G2

* All other voice combinations are set to C3 (equal balance).

Depending on which voices you combine using the DUAL mode, the

combination may sound better if one of the voices is shifted up an octave.

To shift the right voice, press the C5 key while pressing the two voice se-

lectors corresponding to the voices to be combined in the DUAL mode.

Press C5 again to shift the voice back to its normal range. Use the C1 key

in the same way to shift the left voice.

All voice combinations are set to the same octave by default.

● Adjusting the Balance Be-

tween the Dual-mode Voices

Equal

balance.

Left voice

maximum.

Right voice

maximum.

CLAVINOVA

TONE

ANO

PIANO

● Shifting a Dual-Mode Voice

Up One Octave

Left voice

shift up.

Right voice

shift up.

CLAVINOVA

TONE

ANO

PIANO

Reverb

The [REVERB] button selects a number of digital reverb effects that you can use for extra depth and

expressive power.

To select a reverb type press the [REVERB] button a few times until the indicator corresponding to the

desired type lights (the indicators light in sequence each time the [REVERB] button is pressed). No reverb

is produced when all indicators are off.

OFF............When no reverb effect is selected (no REVERB indicator is lit), a special natural

damper effect is applied to the piano voices. This simulates the natural resonance of

an acoustic piano’s strings and sound board when the damper pedal is pressed.

ROOM........This setting add a continuous reverb effect to the sound that is similar to the type of

acoustic reverberation you would hear in a medium-size room.

HALL 1 ......For a “bigger” reverb sound, use the HALL 1 setting. This effect simulates the natu-

ral reverberation of a medium-size concert hall.

HALL 2 ......For a really spacious reverb sound, use the HALL 2 setting. This effect simulates the

natural reverberation of a large concert hall.

COSMIC ....The COSMIC reverb effect produces an echo-plus-reverb sound that can add life and

animation to your music.

● Adjusting Reverb Depth

The depth of the selected reverb effect can be adjusted for the current

voice by using the C2 through C4 keys on the keyboard while holding the

[REVERB] button. The C3 key sets the “normal” depth for the selected

effect. Keys to the left of C3 decrease the reverb depth, while keys to the

right of the C3 key increase the reverb depth. Separate reverb settings can

be made for each effect and voice, and these settings are retained in

memory until the power is turned off. The depth of the natural damper ef-

fect is fixed.

REVERB

HALL 1

HALL 2

COSMIC

ROOM

Normal

depth.

Decrease

depth.

Increase

depth.

ROOM HALL 1 HALL 2

COSMIC

ORGAN C3 C3 F3 E3

Default Settings

* All effect types set to C3 for all other voices.

* The default reverb type is OFF.

The CLP-122S has two foot pedals that produce a range of expressive effects similar to

those produced by the pedals on an acoustic piano.

The Pedals

When the power is turned on the left pedal is set for soft pedal operation. Press-

ing the soft pedal reduces the volume and slightly changes the timbre of notes

played.

The left pedal can be switched to sostenuto operation by pressing the pedal

while holding the [MIDI/TRANSPOSE] button. If you play a note or chord on the

keyboard and press the sostenuto pedal while the note(s) are held, those notes will

be sustained as long as the pedal is held (as if the damper pedal had been pressed)

but all subsequently played notes will not be sustained. This makes it possible to

sustain a chord, for example, while other notes are played “staccato.” You can

switch back to soft pedal operation at any time simply by pressing the pedal while

holding the [MIDI/TRANSPOSE] button again.

The damper pedal functions in the same way as a damper pedal on an acoustic

piano. When the damper pedal is pressed notes played have a long sustain. When

no REVERB effect is selected and a piano voice is selected, the damper pedal also

produces a special “resonance” that simulates the ring of the strings and the sound

board of an acoustic piano. Releasing the pedal immediately stops (damps) any

sustained notes.

● Soft/Sostenuto (Left) Pedal

● Damper (Right) Pedal

To select a touch sensitivity setting press the [REVERB] button a few

times while holding the [MIDI/TRANSPOSE] button until the indicator

corresponding to the desired setting lights.

Three different types of keyboard touch sensitivity — HARD, MEDIUM or SOFT — can

be selected to match different playing styles and preferences. The different touch sensitivity

settings are selected by using the [MIDI/TRANSPOSE] and [REVERB] buttons.

HARD (ROOM indicator) ...........The HARD setting requires the keys to be played quite hard to

produce maximum loudness.

MEDIUM (HALL 1 indicator)......The MEDIUM setting produces a fairly “standard” keyboard

response. This is the initial factory default setting.

SOFT (HALL 2 indicator) ...........The SOFT setting allows maximum loudness to be produced

with relatively light key pressure.

Touch Sensitivity

REVERB

HALL 1

HALL 2

COSMIC

ROOM

MIDI/

TRANSPOSE

The [MIDI/TRANSPOSE] button and keys F#2 through F#3 on the keyboard are used for transposition.

ZPress and hold the [MIDI/TRANSPOSE] button.

XPress a key between F#2 and F#3 according to the desired amount of

transposition.*

CRelease the [MIDI/TRANSPOSE] button.

* Pressing the C3 key produces normal keyboard pitch. Pressing the key to

the left of C3 (B2) transposes the pitch of the keyboard down a semitone,

the next key to the left (Bb2) transposes down a whole tone (two semi-

tones), etc., down to the F#2 key which transposes down 6 semitones.

Upward transposition is accomplished in the same way using the keys to

the right of C3, up to F#3 which transposes up 6 semitones.

The Clavinova’s TRANSPOSE function makes it possible to shift the pitch of the entire key-

board up or down in semitone intervals up to a maximum of six semitones. “Transposing” the

pitch of the Clavinova keyboard facilitates playing in difficult key signatures, and you can easily

match the pitch of the keyboard to the range of a singer or other instrumentalist.

Transposition

Normal

pitch.

Transpose

down.

Transpose

up.

MIDI/

TRANSPOSE

● Tuning Up

ZTo tune up (raise pitch), hold the A-1 and B-1 keys simultaneously.

XPress any key between C3 and B3. Each time a key in this range is

pressed the pitch is increased by approximately 1.2 cents, up to a maxi-

mum of 50 cents above standard pitch.

CRelease the A-1 and B-1 keys.

ZTo tune down (lower pitch), hold the A-1 and A#-1 keys simultane-

ously.

XPress any key between C3 and B3. Each time a key in this range is

pressed the pitch is decreased by approximately 1.2 cents, up to a maxi-

mum of 50 cents below standard pitch.

CRelease the A-1 and A#-1 keys.

ZTo restore standard pitch (A3 = 440 Hz), hold the A-1, A#-1 and B-1

keys simultaneously.

XPress any key between C3 and B3.

CRelease the A-1, A#-1 and B-1 keys.

* Standard pitch (A3 = 440 Hz) is set when the [POWER] switch is ini-

tially turned ON.

Note: The PITCH CONTROL function has no effect when LOCAL OFF is active

(see “MIDI FUNCTIONS,” page 16).

● Tuning Down

● To Restore Standard Pitch*

Pitch control makes it possible to tune the Clavinova over a ±50-cent range in approximately

1.2-cent intervals. A hundred “cents” equals one semitone, so the tuning range provided allows

fine tuning of overall pitch over a range of approximately a semitone. Pitch control is useful for

tuning the Clavinova to match other instruments or recorded music.

Pitch Control

-1

DOM-30

MIDI Cable

MIDI INMIDI OUT

DRC-20

Data Being Recorded

Playback Data

MIDI IN MIDI INMIDI OUTMIDI OUT

● A Brief Introduction to MIDI

MIDI, the Musical Instrument Digital Interface, is a world-standard com-

munication interface that allows MIDI-compatible musical instruments and

equipment to share musical information and control one another. This

makes it possible to create “systems” of MIDI instruments and equipment

that offer far greater versatility and control than is available with isolated

instruments. For example, most MIDI keyboards (including the Clavinova,

of course) transmit note and velocity (touch response) information via the

MIDI OUT connector whenever a note is played on the keyboard. If the

MIDI OUT connector is connected to the MIDI IN connector of a second

keyboard (synthesizer, etc.) or a tone generator (essentially a synthesizer

with no keyboard), the second keyboard or tone generator will respond

precisely to notes played on the original transmitting keyboard. The result is

that you can effectively play two instruments at once, providing thick multi-

instrument sounds.

This same type of musical information transfer is used for MIDI se-

quence recording. A sequence recorder such as the Yamaha DRC-20 Disk

Recorder can be used to “record” MIDI data received from a Clavinova, for

example. When the recorded data is played back, the Clavinova automati-

cally “plays” the recorded performance in precise detail.

The examples given above really only scratch the surface. MIDI can do

much, much more. The CLP-122S offers a number of MIDI functions that

allows it to be used in fairly sophisticated MIDI systems.

Note: Always use a high-quality MIDI cable to connect MIDI OUT to MIDI IN termi-

nals. Never use MIDI cables longer than about 15 feet, since cables longer than

this can pick up noise which can cause data errors.

● MIDI “Messages” Transmitted

& Received by the Clavinova

Note and Velocity Data

This information tells the receiving keyboard or tone generator to play a certain note (specified by the MIDI

note number) at a certain dynamic level (specified by the MIDI velocity value). Note and velocity data is trans-

mitted by the Clavinova whenever a key is pressed, and the Clavinova’s internal AWM tone generator will

“play” the corresponding note(s) whenever note and velocity data is received from an external MIDI device.

Program Change Numbers

The CLP-122S transmits a MIDI program change number between 0 and 5 when one of its voice selectors is

pressed. This normally causes the correspondingly numbered voice to be selected on a receiving MIDI device.

The Clavinova will respond in the same way, automatically selecting the appropriate voice when a MIDI pro-

gram change number is received. See “Program Change ON/OFF” on page 16 for information on turning pro-

gram change number reception and transmission ON or OFF.

Control Change Numbers

Control Change data representing Soft, Sostenuto and Damper pedal operations is transmitted by the

Clavinova whenever one of these pedals is used. If the receiving device is a tone generator or another keyboard,

it will respond in the same way as the Clavinova’s internal tone generator when one of the pedals is used. The

Clavinova also receives and responds to the appropriate control change data. See “Control Change ON/OFF” on

page 17 for information on turning control change number reception and transmission ON or OFF.

The MIDI information (messages) transmitted and received by the

Clavinova are as follows:

Clavinova

MIDI Functions

DRC-20

Tone Generator

MIDI IN

MIDI OUT

MIDI THRU

● MIDI Transmit & Receive

Channel Selection

The MIDI system allows transmission and reception of MIDI data on 16

different channels. Multiple channels have been implemented to allow se-

lective control of certain instruments or devices connected in series. For

example, a single MIDI sequence recorder could be used to “play” two

different instruments or tone generators. One of the instruments or tone

generators could be set to receive only on channel 1, while the other is set

to receive on channel 2. In this situation the first instrument or tone genera-

tor will respond only to channel-1 information transmitted by the sequence

recorder, while the second instrument or tone generator will respond only to

channel-2 information. This allows the sequence recorder to “play” two

completely different parts on the receiving instruments or tone generators.

In any MIDI control setup, the MIDI channels of the transmitting and

receiving equipment must be matched for proper data transfer. An “OMNI”

receive mode is also available, which allows reception on all 16 MIDI chan-

nels. In the OMNI mode it is not necessary to match the receive channel of

the receiving device to the transmit channel of the transmitting device (ex-

cept when receiving mode messages).

Setting the Clavinova MIDI Channels

ZPress and hold the [MIDI/TRANSPOSE] button.

XPress the key on the keyboard corresponding to the desired MIDI trans-

mit or receive channel.*

CRelease the [MIDI/TRANSPOSE] button.

* Keys C1 through D#2 on the keyboard are used to set the MIDI transmit

channel, and keys C4 through D#5 are used to turn the OMNI mode OFF

and set the MIDI receive channel as shown in the illustration to the left.

The E5 key sets the OMNI receive mode and basic receive channel 1.

Note: When the power is initially turned ON, MIDI receive is set to the OMNI mode

and the transmit channel is set to 1.

This function allows the MIDI note data transmitted by the Clavinova to

be transposed up or down in semitone increments by up to plus or minus 6

semitones. The pitch of the Clavinova itself is not affected.

Setting the MIDI Transpose Function

ZPress and hold the [MIDI/TRANSPOSE] button.

XPress the key on the keyboard corresponding to the desired amount of

transposition.*

CRelease the [MIDI/TRANSPOSE] button.

* Keys F#5 through F#6 on the keyboard are used to set the MIDI transmit

transpose function as shown in the illustration to the left.

Note: When the power is turned ON, MIDI transmit transpose is set to 0 (no trans-

position).

● MIDI Transmit Transpose

(Set to receive on MIDI

channel 2)

Clavinova

(Set to receive on MIDI channel 1)

For setting the receive

channel. (C4 ~ D#5)

1356810121315

2 4 7 9 11 14 16

1356810121315

2 4 7 9 11 14 16

MIDI/

TRANSPOSE

For setting the transmit

channel. (C1 ~ D#2)

MIDI/

TRANSPOSE

-6 -4 -2 1 3 6

5420-1-3-5

For OMNI mode

MIDI Functions

Other MIDI Functions

The MIDI functions listed to the right are engaged by

holding down the [MIDI/TRANSPOSE] button and pressing

the corresponding voice selector. Full details are given in the

following pages.

“Local Control” refers to the fact that, normally, the Clavinova keyboard controls its internal tone generator,

allowing the internal voices to be played directly from the keyboard. This situation is “Local Control ON” since

the internal tone generator is controlled locally by its own keyboard.

Local control can be turned OFF, however, so that the Clavinova keyboard does not play the internal voices,

but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on

the keyboard. At the same time, the internal tone generator responds to MIDI information received via the MIDI

IN connector.

When using the DOM-30 Disk Orchestra Module with the Clavinova, for example, Local Control should be

turned OFF when recording using the DOM-30 voices only, and ON when recording the Clavinova voices while

listening to playback of the DOM-30 voices.

ZHold down the [MIDI/TRANSPOSE] button.

XPress the [PIANO 1] voice selector. If the PIANO 1 LED is lit when

the [PIANO 1] voice selector is pressed, you have turned local control

OFF. If the PIANO 1 LED is not lit when the [PIANO 1] voice selector

is pressed, you have turned local control ON.

CRelease the [MIDI/TRANSPOSE] button.

Normally the Clavinova will respond to MIDI program change numbers received from an external keyboard

or other MIDI device, causing the correspondingly numbered Clavinova voice to be selected. The Clavinova

will normally also send a MIDI program change number whenever one of its voices is selected, causing the

correspondingly numbered voice or program to be selected on the external MIDI device if the device is set up to

receive and respond to MIDI program change numbers.

This function makes it possible to cancel program change number reception and transmission so that voices

can be selected on the Clavinova without affecting the external MIDI device, and vice versa.

ZHold down the [MIDI/TRANSPOSE] button.

XPress the [PIANO 2] voice selector. If the PIANO 2 LED is lit when

the [PIANO 2] voice selector is pressed, you have turned program

change reception/transmission OFF. If the PIANO 2 LED is not lit

when the [PIANO 2] voice selector is pressed, you have turned pro-

gram change reception/transmission ON.

CRelease the [MIDI/TRANSPOSE] button.

● Local Control ON/OFF

● Program Change ON/OFF

MIDI/

TRANSPOSE

PIANO

CLAVIN

TON

PIANO

= Local Control OFF

= Local Control ON

MIDI/

TRANSPOSE

PIANO

CLAVIN

TON

PIANO

= Program Change OFF

= Program Change ON

Function

CLP-122

Voice Selector

Local Control ON/OFF [PIANO 1]

Program Change ON/OFF [PIANO 2]

Control Change ON/OFF [CLAVINOVA TONE]

Multi-Timbre Mode [E. PIANO]

MIDI Split & Left Local OFF [HARPSICHORD]

MIDI Split & Right Local OFF [ORGAN]

MIDI FUNCTION CHART

DRC-20

MIDI IN MIDI INMIDI OUTMIDI OUT

Normally the Clavinova will respond to MIDI control change data received from an external MIDI device or

keyboard, causing the selected Clavinova voice to be affected by pedal and other “control” settings received

from the controlling device. The Clavinova also transmits MIDI control change information when one of its

pedals are operated.

This function makes it possible to cancel control change data reception and transmission if you do not want

the Clavinova voices to be affected by control change data received from an external device or vice versa.

● Control Change ON/OFF

ZHold down the [MIDI/TRANSPOSE] button.

XPress the [CLAVINOVA TONE] voice selector. If the CLAVINOVA

TONE LED is lit when the [CLAVINOVA TONE] voice selector is

pressed, you have turned control change reception/transmission OFF. If

the CLAVINOVA TONE LED is not lit when the [CLAVINOVA

TONE] voice selector is pressed, you have turned control change re-

ception/transmission ON.

CRelease the [MIDI/TRANSPOSE] button.

The Multi-Timbre mode is a special mode in which the Clavinova voices

can be independently controlled on different MIDI channel numbers (1

through 10) by an external MIDI device such as the Yamaha DRC-20 Disk

Recorder. The Multi-Timbre mode can be activated as follows:

ZHold down the [MIDI/TRANSPOSE] button.

XPress the [E. PIANO] voice selector. If the E. PIANO LED is lit when

the [E. PIANO] voice selector is pressed, you have turned the Multi-

Timbre mode ON. If the E. PIANO LED is not lit when the [E. PI-

ANO] voice selector is pressed, you have turned the Multi-Timbre

mode OFF.

CRelease the [MIDI/TRANSPOSE] button.

A Multi-timbre Example

Here’s an example of how you could use the Multi-Timbre mode to

record two different parts on the DRC-20 Disk Recorder that will play dif-

ferent voices on the Clavinova when played back.

ZConnect the DRC-20 to the Clavinova as shown to the left.

XActivate the Clavinova Multi-Timbre mode.

CSet the DRC-20 track 1 to record.

VSelect a voice and record the first part on the DRC-20.

BSet the DRC-20 track 2 to record.

NSelect a voice and record the second part on the DRC-20.

MStill in the Multi-Timbre mode, play back the DRC-20. The recorded

parts will be played back using the individual voices selected during

recording, providing a full ensemble sound.

● The Multi-Timbre Mode

Clavinova

PIANO

CLAVINOVA

TONE

E. PIA

MIDI/

TRANSPOSE

CLAVINOVA

TONE

CLAVINOVA

TONE

= Control Change OFF

= Control Change ON

ANO

CLAVINOVA

TONE

E. PIANO

HAR

CHO

MIDI/

TRANSPOSE

E. PIANO

= Multi-Timble Mode ON

= Multi-Timble Mode OFF

DOM-30

LINE OUT

OPTIONAL IN

RMIDI OUT

MIDI

MIDI Functions

In the MIDI split mode one section of the Clavinova keyboard is used to play a Clavinova voice in the normal

way, while the remaining section is used to play a second MIDI keyboard or tone generator such as the Yamaha

DOM-30 Disk Orchestra Module. In this mode the right-hand section of the keyboard is used to play an internal

Clavinova voice, while the left-hand section of the keyboard plays the external keyboard or tone generator.

Playing the left-hand section of the keyboard produces no sound from the Clavinova. The “split point,” or the

key that divides the left- and right-hand sections of the keyboard can be set at any desired key.

● The MIDI Split & Left Local OFF Mode

The MIDI split mode is useful if, for example, you want to play a piano

(Clavinova) voice with the right hand while playing a synthesizer bass line

or string section with the left hand.

When the MIDI split mode is activated, notes played on the left-hand

section are transmitted via the Clavinova MIDI OUT connector on MIDI

channel 2. Notes played on the right-hand section are transmitted on the

“basic channel” (i.e. the channel set using the MIDI channel selection func-

tion described previously).

ZPress the [HARPSICHORD] voice selector while holding down the

[MIDI/TRANSPOSE] button. The HARPSICHORD LED will flash.

XWhile still holding the [MIDI/TRANSPOSE] button, press the key on

the keyboard at which you want to set the split point. The HARPSI-

CHORD LED will light continuously. The split-point becomes the first

key of the left-hand section.

CRelease the [MIDI/TRANSPOSE] button.

VTo return to the normal full-keyboard mode, hold the [MIDI/TRANS-

POSE] button and press the [HARPSICHORD] voice selector, then

release both buttons.

Note: When the power is turned ON the default split point key — F

2 — will be

automatically selected. If a new split point is selected it remains active until the

power is turned OFF or a different split point is selected.

● The MIDI Split & Right Local Off Mode

In the CLP-122S either the right- or left-hand section of the keyboard can be assigned to control an external

keyboard or tone generator. Assigning the left-hand section to external tone generator control was described in

the previous section. To assign the right-hand section to external tone generator control while playing the

Clavinova voices with the left hand, press the [ORGAN] voice selector instead of the [HARPSICHORD] voice

selector when activating the Split mode (see the preceding section). All other operations are exactly the same as

described in the previous section.

Clavinova

(Set to receive on

MIDI channel 2)

▼

Left-hand section plays

a DOM-30 bass voice.

Right-hand section plays a

Clavinova piano voice.

SPLIT POINT

INOVA

E. PIANO

HARPSI-

CHORD

MIDI/

TRANSPOSE

1. No Sound When the Power is Turned ON

● Options

BC-8 Bench

A comfortable bench styled to match your Yamaha Clavinova.

HPE-6 Stereo Headphones

High-performance lightweight dynamic headphones with extra-soft ear pads.

KC-883 Key Cover

A convenient way to keep your keyboard clean and dust-free.

Is the AC plug properly connected to an AC wall outlet? Check the AC connection carefully. Is the MASTER

VOLUME control turned up to a reasonable listening level?

This can occur if there is a high-power transmitter in your vicinity. Contact your Yamaha dealer.

This is usually due to turning ON or OFF a household appliance or other electronic equipment which is fed by the

same AC mains line as your Clavinova.

The Clavinova contains digital circuitry which can generate radio-frequency noise. The solution is to move the

Clavinova further away from the affected equipment, or vice versa.

If the Clavinova is connected to a stereo system or instrument amplifier and the sound is distorted, reduce the set-

ting of the Clavinova volume control to a level at which the distortion ceases.

2. The Clavinova Reproduces Radio or TV Sound

3. Intermittent Static Noise

4. Interference Appears On Radio or TV Sets Located Near the Clavinova

5. Distorted Sound When the Clavinova is Connected to An External Amplifier/Speaker System

Troubleshooting

If you encounter what appears to be a malfunction, please check the following

points before assuming that your Clavinova is faulty.

Options & Expander Modules

● Expander Modules

DRC-20Disk Recorder

DOM-30 Disk Orchestra Module

These state-of-the-art Expander Modules can dramatically expand the musical

scope of your Clavinova.

Note: We do not recommend attempting to assemble the

Clavinova alone. The job can be easily accomplished, how-

ever, with only two people.

Z Open the box and remove all the parts.

On opening the box you should find the parts shown in

the illustration above. Check to make sure that all the re-

quired parts are provided.

Assemble the side panels (D) and feet

(E).

Secure the feet (E) to the side panels (D) with the long

gold-colored screws 1 (3 each), making sure that the cut-

outs on the feet face the bracket side of the side panels.

Attach the center panel (B) to the side

panels (D).

The center panel (B) is installed between the side panels

(D) with the brackets on each end toward the rear of the

stand assembly. Place the square holes in the center-panel

brackets over the lugs extending from the side panels, then

slide down. Each side of the center panel is attached using

two short black screws 2.

Keyboard Stand Assembly

Hinweis: Wir raten davon ab, das Clavinova alleine

zusammenzubauen und aufzustellen. Zwei Personen können

diese Arbeit jedoch problemlos ausführen.

Öffnen Sie den Karton und nehmen Sie

alle Teile heraus.

Im Karton sollten die oben abgebildeten Teile enthalten

sein. Prüfen Sie zunächst bitte, ob alle Teile vollständig

vorhanden sind.

Schrauben Sie die Seitenwände (D) und

die Füße (E) zusammen.

Machen Sie die Füße (E) mit den langen goldenen

Schrauben 1 (jeweils 3 Schrauben) so an den

Seitenwänden fest, daß der Ausschnitt am jeweiligen Fuß

unter dem Winkelblech an der Seitenwand zu liegen kommt.

Schrauben Sie die Rückwand (B) an die

beiden Seitenwände (D).

Die Rückwand (B) wird mit den Winkelblechen an beiden

Enden nach hinten weisend an den Seitenwänden (D)

befestigt. Lassen Sie dabei die Führungsnasen an den

Seitenwänden in die Schlitzbohrungen in den beiden

Winkelblechen greifen, und drücken Sie die Rückwand dann

nach unten. Sichern Sie die Rückwand mit jeweils zwei

kurzen schwarzen Schrauben 2 an den Seitenwänden.

Zusammenbau und Aufstellung

The illustrations here are not available.

Sidan laddas...

Yamaha CLP-122S Användarmanual

Stämpla: Yamaha

Modell: CLP-122S

Kategori: Musikinstrument

Typ: Användarmanual

Denna manual är också lämplig för

Clavinova CLP-122S

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