Yamaha PSR-6000 Bruksanvisning

English

Owner’s Manual

Deutsch

Bedienungsanleitung

Français

Mode d’emploi

Congratulations!

You are the proud owner of an extraordinary electronic keyboard. The Yamaha

PSR-6000 PortaTone combines the most advanced AWM tone generation technol-

ogy with state-of-the-art digital electronics and features to give you stunning sound

quality with maximum musical enjoyment. The Interactive Accompaniment and

One Touch Setting features, in particular, are brilliant examples of how advanced

technology can significantly expand your musical horizons. A new large-size

graphic display and easy-to-use interface also greatly enhance the operability of

this advanced instrument.

In order to make the most of your PortaTone’s features and vast performance

potential, we urge you to read the manuals thoroughly while trying out the various

features described. Keep the manual in a safe place for later reference.

Taking Care of Your PortaTone 2

Floppy Disks & the Disk Drive.......... 3

Nomenclature 4

Connections & Music Stand 6

The Demonstration 8

The Demo Play Modes ........................9

The PSR-6000 Display &

Help Function 10

The Display & Multi-function

Controls ................................................10

■ The [MIXER] Button ........................10

■ The [LIST HOLD] Button .................11

■ The [CONTRAST] Control...............11

The Help Function.............................. 11

Playing the PSR-6000 12

Selecting & Playing Voices ............. 12

Keyboard Percussion .......................14

USER SET Voice Assignment.........15

Changing the Split Point ..................16

Transposition, Tuning, Octave

Change, & Key Velocity 17

TRANSPOSE & TUNE........................17

OCTAVE CHANGE..............................18

KEY VELOCITY ................................... 18

Using the Accompaniment Section

19

■ Accompaniment Volume .................25

■ Rhythm-only Accompaniment .........25

USER SET Style Assignment.......... 26

Interactive Accompaniment ............27

■ Auto Solo.........................................27

Using Disk Styles on Optional Data

Disks

...................................................... 28

■ Selecting a DISK Style ....................28

One Touch Setting 29

Expression & Effects 31

■ Harmony.......................................... 31

■ Sustain ............................................31

■ Reverb.............................................31

■ Effects .............................................31

■ Left Hold ..........................................32

■ Pitch Bend Wheel............................ 32

■ Modulation/Effect Wheel .................32

Using the Pads 33

The MULTI Mode................................. 33

The PHRASE Pads (pads 1 … 4)...... 33

■ Recording Phrases.......................... 34

■ Phrase Playback .............................34

The CHORD Pads (pads 5 … 8) ....... 35

■ Recording Chords ...........................35

■ Chord Playback ...............................36

■ MULTI Pad Repeat Playback..........36

The PERC Mode..................................37

■ Assigning Different Instruments

To the PERC Pads.......................... 37

■ Playing the Percussion Pads .......... 38

■ The PERC BREAK Function ...........38

The TEMPO Mode...............................39

■ The TEMPO SYNCHRO

Function ..........................................40

Panel Registration 41

Registering the Panel Settings ........41

Recall the Registered Panel

Settings.............................................. 42

The Freeze Function .........................42

Playing DOC (Disk Orchestra

Collection)

& General MIDI

Music Software Disks 43

Disk Orchestra Collection Disk

Playback

...............................................43

■ Volume Control ............................... 45

■ Muting Specific Parts ...................... 46

■ Octave, Transpose, and Tune ........ 46

■ Other Controls That Function

In the DOC Mode ............................ 46

General MIDI Disk Playback ............ 47

■ Volume Control ............................... 47

■ Muting Specific Tracks .................... 48

■ Octave .............................................48

■ Other Controls That Function

In the General MIDI Mode............... 48

The Sequencer 49

Recording ............................................. 49

Deleting Tracks ................................... 52

Playback ............................................... 53

Sequence Editing ...............................54

■ CONDITION/VOLUME —

CONDITION ....................................54

● METRONOME ............................54

● HARMONY .................................. 54

● RECORDING TYPE .................... 55

■ CONDITION/VOLUME —

TRACK VOLUME............................55

■ EDIT — TRACK COPY/MIX............ 56

■ REMOVE EVENT............................ 57

■ DELETE MEASURE ....................... 58

■ CREATE MEASURE ....................... 58

■ QUANTIZE ......................................59

■ ERASE ............................................ 60

■ NOTE SHIFT ................................... 60

■ SONG CLEAR................................. 61

Contents

The Custom Accompaniment

Programmer 62

Basic Programming Procedure

(Normal section)

.................................62

Creating Intro, Fill-In, &

Ending Sections

.................................66

Programming a Preset Intro,

Fill-in, or Ending Section.................. 66

Editing a Previously Saved User

Intro, Fill-in, or Ending Section........ 67

Creating a New Intro, Fill-in, or

Ending Section From Scratch.......... 67

Custom Accompaniment Editing

......68

■ RECORD — NAME/SECTION........68

● NAME ..........................................68

● SECTION .................................... 68

■ RECORD — MEASURE/BEAT.......69

■ RECORD — TRACK VOLUME....... 69

■ RECORD — FADER ASSIGN ........70

■ EDIT — QUANTIZE ........................70

■ EDIT — COPY ................................71

■ EDIT — REMOVE EVENT ..............72

■ STORE ............................................72

■ I/F/E Select...................................... 73

Exiting From the Custom

Accompaniment Programmer ........ 74

Selecting & Using a Custom

Accompaniment Style

.......................74

The PSR-6000 “Functions” 75

General Function Selection &

Editing Procedure ..............................75

■ The [EXIT] Button............................ 76

F1: Custom Voice Edit 77

Standard Voice Edit Functions

(voice groups 1 through 10)

............77

■ NAME/CONTROL ...........................77

● NAME ..........................................77

● CONTROLLER............................ 78

1 TOUCH SENS.......................... 78

2 PITCH BEND............................78

■ COMMON ....................................... 78

1 OCTAVE...................................78

2 PAN .......................................... 78

● MODULATION ............................ 79

3 DEPTH .....................................79

4 SPEED .....................................79

● TONE .......................................... 79

5 BRILLIANCE ............................ 79

6 RESONANCE .......................... 79

■ ENVELOPE .....................................80

1 ATTACK ...................................80

2 DECAY ..................................... 80

3 RELEASE.................................80

4 SUSTAIN.................................. 80

Dual Voice Edit Functions

(voice group 11)

..................................81

■ NAME/VOICE.................................. 81

● NAME ..........................................81

● VOICE ......................................... 81

■ OCT/PAN/VOL./DETUNE ...............82

● OCTAVE .....................................82

● PAN ............................................. 82

● VOLUME ..................................... 82

● DETUNE .....................................82

Drum Voice Edit Functions

(Voice group 12)

................................. 83

■ NAME/PAN/PITCH/SOFTNESS .....83

● NAME ..........................................83

● PAN ............................................. 83

● PITCH .........................................83

● SOFTNESS ................................. 83

F2: Reverb/Effect 84

■ REVERB TYPE & DEPTH ..............84

● REVERB TYPE ........................... 84

● REVERB DEPTH ........................ 84

■ EFFECT TYPE & DEPTH ...............85

● EFFECT TYPE ............................ 85

● EFFECT DEPTH ......................... 85

F3: Controller 86

■ FOOT CONTROLLER..................... 86

■

MODULATION/EFFECT WHEEL

...... 86

■ SUSTAIN PEDAL &

PITCH BEND WHEEL..................... 87

● SUSTAIN PEDAL ........................ 87

● PITCH BEND WHEEL................. 87

■ FOOT SWITCH...............................88

F4: One Touch Setting/IA 89

■ ONE TOUCH SETTING

SYNCHRO CHANGE...................... 89

■ INTERACTIVE

ACCOMPANIMENT ........................ 89

F5: Harmony Type 90

F6: Disk 91

■ The [TO DISK] Button .....................91

■ The [FROM DISK] Button................ 93

■ The F6: DISK Functions.................. 94

● 1 FROM DISK .............................94

● 2 TO DISK ................................... 95

● 3 RENAME FILE ......................... 97

● 4 DELETE FILE........................... 98

● 5 FORMAT DISK......................... 98

● 6 DISK FREE AREA ...................99

F7: Utility 100

■ MEMORY BACKUP &

REGISTRATION FREEZE ............ 100

● MEMORY BACKUP .................. 100

● REGISTRATION FREEZE ........ 101

■ RECALL PRESET DATA ..............101

F8: MIDI 102

■ THE NORMAL PLAY MODE......... 102

■ THE DOC MODE ..........................102

■ THE GENERAL MIDI (GM)

MODE ........................................... 103

● Initial General MIDI Mode

Settings .....................................103

MIDI Channel &

Multi Part Settings

............................104

■ Normal Play Mode......................... 104

● CH. SETTING............................ 104

TRANSMIT ................................ 104

RECEIVE................................... 104

SPLIT TRANSMIT ..................... 104

RHYTHM RECEIVE .................. 104

● SEQ. TRACK CH. ..................... 105

● MULTI PART .............................105

■ DOC/GM Mode ............................. 106

● KEYBOARD CHANNEL ............107

● LOCAL CONTROL ....................107

● TRANSPOSE ............................ 107

MIDI Switch, System Settings, &

Data Transmission

...........................107

■ MIDI SWITCH (Normal Play

Mode Only).................................... 107

■ MIDI SYSTEM (Normal Play

Mode Only).................................... 108

● CLOCK ...................................... 108

● LOCAL CONTROL ....................108

● TRANSPOSE ............................ 108

● SPLIT SEND ............................. 108

■ DATA TRANSMIT (Normal Play

Mode Only).................................... 109

● MIDI Bulk Dump Reception

(Memory Data Receive) ............110

● Receiving MIDI Bulk Dump

Request Messages ...................110

● Bulk Dump Error Messages ......110

Error Messages 111

■ Sequencer Errors ..........................111

■ Custom Accompaniment

Programmer Errors ....................... 111

■ Disk Errors .................................... 111

■ MIDI Errors....................................112

■ DOC/GM Mode Errors...................112

■ Other Messages............................112

Troubleshooting 113

Index 114

Voice List ............................................ 116

■ Keyboard Percussion List ............. 118

Style List .............................................119

Normal Play Mode

MIDI Percussion Map ...................... 120

GM/DOC Mode

Percussion Map

................................121

Fingering Chart ................................. 122

MIDI Function Tree........................... 128

MIDI Messages ..................................133

MIDI Implementation Chart............ 140

Specifications.................................... 141

2

Taking Care of Your PortaTone

Your PortaTone will give you years of playing pleasure if you follow

the simple rules given below:

■ Location

Do not expose the instrument to the following conditions

to avoid deformation, discoloration, or more serious

damage.

● Direct sunlight (e.g. near a window).

● High temperatures (e.g. near a heat source, outside,

or in a car during the daytime).

● Excessive humidity.

● Excessive dust.

● Strong vibration.

■ Power Supply

● Turn the power switch OFF when the instrument is

not in use.

● The power supply cord should be unplugged from the

AC outlet if the instrument is not to be used for an

extended period of time.

● Unplug the instrument during electric storms.

● Avoid plugging the instrument into the same AC

outlet as appliances with high power consumption,

such as electric heaters or ovens. Also avoid using

multi-plug adapters since these can result in reduced

sound quality, operation errors, and possibly damage.

■ Turn Power OFF When Making

Connections

● To avoid damage to the instrument and other devices

to which it is connected (a sound system, for exam-

ple), turn the power switches of all related devices

OFF prior to connecting or disconnecting audio and

MIDI cables.

■ Handling and Transport

● Never apply excessive force to the controls, connec-

tors or other parts of the instrument.

● Always unplug cables by gripping the plug firmly,

not by pulling on the cable.

● Disconnect all cables before moving the instrument.

● Physical shocks caused by dropping, bumping, or

placing heavy objects on the instrument can result in

scratches and more serious damage.

■ Cleaning

● Clean the cabinet and panel with a dry soft cloth.

● A slightly damp cloth may be used to remove stub-

born grime and dirt.

● Never use cleaners such as alcohol or thinner.

● Avoid placing vinyl objects on top of the instrument

(vinyl can stick to and discolor the surface).

■ Electrical Interference

● This instrument contains digital circuitry and may

cause interference if placed too close to radio or

television receivers. If this occurs, move the instru-

ment further away from the affected equipment.

■ Data Backup

● Internal data (e.g. sequencer data) is retained in

memory even if the power switch is turned OFF. If the

power is not turned ON for periods longer than about

a week, however, memory data will be lost. Save all

important data to disk before turning off for longer

periods.

● Internal memory data can be corrupted due to incor-

rect operation. Be sure to “save” important data to a

floppy disk frequently so you have a backup to revert

to if something happens to damage the data in memory.

Also note that magnetic fields can damage data on the

disk, so it is advisable to make a second back-up copy

of disks that contain very important data, and keep

backup disks in a safe place away from stray mag-

netic fields (i.e. away from speakers, appliances

containing motors, etc.).

■ Service and Modification

● The PSR-6000 contains no user serviceable parts.

Opening it or tampering with it in anyway can lead to

irreparable damage and possibly electric shock. Re-

fer all servicing to qualified YAMAHA personnel.

3

Taking Care of Your PortaTone

Floppy Disks & the Disk Drive

■ Type of Disk

Use only 3.5-inch 2DD floppy disks.

■ Disk Insertion & Removal

● To insert a floppy disk in the disk drive, hold the disk

with the label side facing up and the sliding shutter

facing the disk drive door, then insert carefully until

the disk clicks into place.

■ Floppy Disk Handling & Storage

The actual recording medium inside a floppy disk has a

fine coating of magnetic particles in which the data is

“stored”. To protect this coating as well as the disk

drive’s delicate read-write head, please observe the fol-

lowing:

● Always keep floppy disks in their plastic case when

they are not in use. Never place heavy objects on a

disk or bend the disk in any way. Also keep disks

away from liquids and dust.

● Never open the disk’s shutter and touch the exposed

surface of the disk.

● Keep floppy disks away from strong magnetic fields

such as those produced by television sets, speakers,

motors, etc.

● Never leave floppy disks in areas exposed to strong

direct sunlight, excessively high or low temperature,

or high humidity.

● Never use a floppy disk with a deformed shutter or

housing.

● Do not attach anything other than the provided labels

to a floppy disk. Also make sure that labels are

attached in the proper location.

■ Protecting Your data

● To prevent accidental erasure of important data you

have saved to floppy disk, be sure to slide the disk’s

write-protect tab to the “write protect” position (the

tab window should be open). When this is done the

disk cannot be written to.

● To remove a floppy disk from the disk drive, make

sure the disk drive “in use” light is not lit and press the

disk eject button firmly as far as it will go and then,

when the disk is full ejected, remove it by hand.

If the eject button is only partially pressed or pressed

too quickly the eject mechanism may not function

properly, leaving the disk stuck halfway. Do not

attempt to remove the disk forcefully if this happens,

since excess force can damage the disk and/or the

drive mechanism. Try either pressing the eject button

carefully again, or push the disk all the way back into

the drive and repeat the eject procedure.

● Never attempt to remove a floppy disk during a

record or playback operation!! This can corrupt the

data on the disk, and actually damage the disk drive!

● Be sure to remove the floppy disk from the disk drive

before turning off the power. A floppy disk left in the

drive for extended periods can easily pick up dust and

dirt that can cause data read/write errors.

■ Clean the Read/Write Head Regularly

This instrument employs a precision magnetic read/

write head which, after an extended period of use, will

pick up a layer of magnetic particles from the disks used

that will eventually cause read and write errors. To

maintain the disk drive in optimum working order we

recommend that you use a commercially-available Dry-

type Head Cleaning Disk to clean the head about once a

month. Ask your Yamaha dealer about the available of

head-cleaning disks.

● Make regular backup copies of important data to a

separate floppy disk, and keep your backup disks in

a separate, safe place.

● To ensure the safety of your data (and of the disk drive

itself) always use floppy disks from a well-known,

reliable manufacturer. “No-brand” disks can cause

trouble.

YAMAHA is not responsible for damage caused by improper handling or operation.

Write protected Write enabled

4

Nomenclature

MAX

MIN

MODULATION/

EFFECT

SYNCHRO

START

START/

RE-START

STOPCHORUS

2

SOLOCHORUS

1

VERSE

2

VERSE

1

MODE

SELECT

MULTI REPEAT

PERC. BREAK

TEMPO SYNCHRO

MULTI PLAYING

REC /

STOP

PHRA

S

Tap StartTempo Change

21

PHONES

ENDING/

rit.

FILL INFILL IN

INTRO 3INTRO 2INTRO 1

DOWN

UP

PITCH BEND

MIN

MAX

MASTER

VOLUME

STYLE

DANCE LATIN

ROCK’N’

ROLL

LATIN POP

ROCK WALTZ

POP

COUNTRY

PRESET

USER SET

CUSTOM A

CUSTOM B

BALLAD

TRADITIONAL

JAZZ FOR DISK IA

HELP/

LANGUAGE

EXITFUNCTIONCONTRAST

INTERACTIVE

ACCOMPANIMENT

AUTO BASS

CHORD

ONE TOUCH SETTING

VERSE

ABAB

CHORUSVERSE CHORUS

+–

TEMPO

MIXER

LIST HOLD

4

5 6 7 8

9

0 !

#

$ %

^

@

*

)

q

E R

&

17

28

39

410

511

612

THRU ––––––––– OUT –––––––

––

IN

––––

MIDIFOOT CONTROLLER SUSTAIN FOOT SWITCH

1 POWER Button ........................................ [page 8]

2 DEMO Button........................................... [page 8]

3 DISK ORCHESTRA/GENERAL MIDI

Button..................................................... [page 43]

4 MASTER VOLUME Control...................... [page 8]

5 CONTRAST Control............................... [page 11]

6 FUNCTION Button ................................. [page 75]

7 HELP/LANGUAGE Button ..................... [page 11]

8 EXIT Button........................................ [page 9, 11]

9 STYLE Buttons .............. [page 21, 26, 28, 62, 64]

PRESET, USER SET, CUSTOM A,

CUSTOM B, Style Group [1] – [12] Buttons

0 INTERACTIVE ACCOMPANIMENT

Button..................................................... [page 27]

! AUTO BASS CHORD Button ................. [page 19]

@ ONE TOUCH SETTING Buttons............ [page 29]

VERSE A, VERSE B, CHORUS A, CHORUS B

# TEMPO [–], [+] Buttons and

Beat Display ........................................... [page 22]

$ Fill-in, Intro, and Ending Buttons [page 22, 23, 25]

FILL INj (INTRO 1), FILL INn (INTRO 2),

ENDING/rit. (INTRO 3)

% Verse, Chorus, and Solo Buttons ........... [page 24]

VERSE 1, VERSE 2, CHORUS 1,

CHORUS 2, SOLO

^ Accompaniment Control Buttons [page 22, 23, 25]

SYNCHRO START, START/RE-START, STOP

& Liquid Crystal Display (LCD) .............. [page 8, 10]

* LCD Buttons....................................... [page 8, 10]

( LCD Dials........................................... [page 9, 10]

) MIXER Button ........................................ [page 10]

q LIST HOLD Button ................................. [page 11]

w PAD Buttons........................................... [page 33]

PAD MODE SELECT Buttons,

REC/STOP, 1-8

5

Nomenclature

>

CANCEL

PAD

S

E

CHORD

Tempo l a tempofasteraccel. slower rit.

876543

POWER

DISK ORCHESTRA/

GENERAL MIDI

DEMO

SEQUENCER / CUSTOM ACCOMPANIMENT PROGRAMMER

CHORD 1 CHORD 2 CHORD 3 CHORD 4 CHORD 5 CHORD 6 BASS RHYTHM

1 2 3 4 5 6 7 ACCOMP.

PLAY/REC PLAY/REC PLAY/REC PLAY/REC PLAY/REC PLAY/REC PLAY/REC PLAY/REC

RECORD DELETE EDIT

CUSTOM ACCOMP.

SEQUENCER

ORCHESTRA VOICE

WOODWIND

PIANO/E. PIANO GUITAR

ORGAN/

ACCORDION

BASS

STRINGS/CHOIR SYNTH

WORLD/

PERCUSSIVE

BRASS

DUAL VOICE/

SOUND

EFFECT

ORCH. 1

ORCH. 2

VOICE PART

PRESET

USER SET

CUSTOM VOICE

ORCH.

2 1

ORCH.

2+1

ORCHESTRATION

ORCH.

1

LEFT

HOLD

SUSTAINHARMONY REVERB EFFECT

DISK IN USE

FROM

DISK

TO

DISK

PANEL REGISTRATION

MEMORY

FREEZE

12345678

1

2

3

*

(

w

e

r

t y u i o p

BANK

Q

W

MALLET DRUMS

17

28

39

410

511

612

ABCD

L/L+R

––

AUX OUT

––

R L/L+R

––

AUX IN

––

R

e SEQUENCER/CUSTOM ACCOMPANIMENT

PROGRAMMER Buttons ................. [page 49, 62]

SEQUENCER, CUSTOM ACCOMP.

Sequencer Track/Custom Accompaniment

Programmer Track Buttons

1 through 6/CHORD 1 through 6, 7/BASS,

ACCOMP./RHYTHM

Sequencer/Custom Accompaniment Programmer

Control Buttons

RECORD, DELETE, EDIT, p (Top),

r (Rewind), f (Forward)

r ORCHESTRA VOICE Buttons ... [page 13, 15, 77]

VOICE PART ORCH.1, VOICE PART ORCH.2,

PRESET, USER SET, CUSTOM VOICE,

Voice Group [1] – [12] Buttons

t ORCHESTRATION Buttons ................... [page 12]

ORCH. 1, ORCH. 2+1, ORCH. 2v1

y LEFT HOLD Button................................ [page 32]

u HARMONY Button ................................. [page 31]

i SUSTAIN Button .................................... [page 31]

o REVERB Button..................................... [page 31]

p EFFECT Button...................................... [page 31]

Q DISK IN USE Buttons ...................... [page 91, 93]

FROM DISK, TO DISK

W PANEL REGISTRATION Buttons........... [page 41]

MEMORY, FREEZE, 1-8, BANK

E PITCH BEND Wheel .............................. [page 32]

R MODULATION/EFFECT Wheel ............. [page 32]

T Disk Drive..................................... [page 3, 28, 43]

Y Disk Eject Button................................ [page 3, 45]

T

Y

6

Connections & Music Stand

PHONES

▼

1

1 The PHONES Jack......................................................................................................................................................................

A standard pair of stereo headphones can be plugged in here for

private practice or late-night playing. The internal stereo speaker

system is automatically shut off when a pair of headphones is

plugged into the PHONES jack.

3 AUX IN L/L+R and R Jacks................................................................................................................................................

These jacks are intended primarily for use with external audio

sources such as tone generators, drum machines, CD players, and

similar equipment. The signal received via the AUX IN L and R jacks

is reproduced via the PSR-6000’s internal stereo amplifier and

speaker system. If you will be connecting a monaural source to the

PSR-6000, use only the L/L+R jack. When a plug is inserted into the

L/L+R jack only, the monaural input signal is fed to both the left and

right channels of the PSR-6000 stereo sound system. Please note that

the PSR-6000 MASTER VOLUME control does not affect the level

of the signal delivered to external equipment.

The rear-panel AUX OUT L/L+R and R jacks deliver the output

of the PSR-6000 for connection to a keyboard amplifier, stereo sound

system, a mixing console, or tape recorder. If you will be connecting

the PSR-6000 to a monaural sound system, use only the L/L+R jack.

When a plug is inserted into the L/L+R jack only, the left- and right-

channel signals are combined and delivered via the L/L+R jack so

you don’t lose any of the PSR-6000 sound.

CAUTION

• To prevent damage to the internal circuitry, the AUX OUT jack signal

must never be returned to the AUX IN jacks, either directly or

through external equipment.

2 The AUX OUT L/L+R and R Jacks.............................................................................................................................

AUX OUT

L/L+RR

Stereo System

AUX IN

L/L+RR

Tone Generator

7

FOOT

SWITCH

FOOT

SWITCH

SUSTAIN

FOOT

CONTROLLER

MIDI

OUT THRUIN

AUX OUT AUX IN

L/L+RL/L+RRR

2 3 7

4 5 6

The Music Stand

The PSR-6000 is supplied with a music stand that can

be attached to the instrument by inserting it into the slot at

the rear of the control panel.

4 FOOT SWITCH Jack..................................................................................................................................................................

An optional Yamaha FC5 footswitch connected to this jack can be

used to control a range of important functions. Refer to the “FOOT

SWITCH SELECT” function described on page 86.

7 MIDI IN, THRU and OUT Connectors ......................................................................................................................

The MIDI IN connector receives MIDI data from an external

MIDI device (such as a MIDI sequencer) which can be used to

control the PSR-6000. The MIDI THRU connector re-transmits any

data received at the MIDI IN connector, allowing “chaining” of

several MIDI instruments or other devices. The MIDI OUT connec-

tor transmits MIDI data generated by the PSR-6000 (e.g. note and

velocity data produced by playing the keyboard). More details on

MIDI are provided on page 102.

MIDI

OUT THRUIN

6 FOOT CONTROLLER Jack ................................................................................................................................................

An optional Yamaha FC7 Foot Controller can be connected to this

jack to allow foot expression (swell) or effect control. Please note

that when the foot controller is used for expression control, no sound

will be produced if it is set to the minimum position.

5 SUSTAIN Jack.................................................................................................................................................................................

An optional FC5 footswitch can be connected here for foot

sustain control. The footswitch functions like the damper pedal on a

piano — press for sustain, release for normal sound.

SUSTAIN

FOOT

CONTROLLER

Tone Generator

Music

Computer

Connections & Music Stand

8

The Demonstration

Z Switch ON............................................................................................................................................................................................

To give you an idea of the PSR-6000’s sophisticated capabilities, it

is programmed with 21 demonstration sequences which can be played

in a number of ways.

Plug the AC power cord into a convenient AC

outlet, then press the [POWER] button to turn the

PSR-6000 ON.

NOTES

• The demonstration sequences have been specially programmed for demon-

stration purposes — it is not possible to reproduce the demonstration

sequences 100% using the PSR-6000 sequencer functions.

X Set an Initial Volume Level................................................................................................................................................

Set the [MASTER VOLUME] control to a

position about half way toward the highest setting.

You can re-adjust the [MASTER VOLUME] con-

trol for the most comfortable overall volume level

after playback begins.

C Press the [DEMO] Button...................................................................................................................................................

Press the [DEMO] button and the PSR-6000

demo display will appear.

DISK ORCHESTRA/

GENERAL MIDI

DEMO

B Exit When Done ..........................................................................................................

Press either the [DEMO] button or the [EXIT]

button to exit from the demo mode and return to the

normal play-mode display when you’ve finished

playing the demo songs.

MIN

MAX

MASTER

VOLUME

DISK ORCHESTRA/

GENERAL MIDI

DEMO

EXIT

POWER

V Start & Stop Playback as Required

Press the START LCD button to start playback of

all demo songs. Press the STOP LCD button when

you want to stop playback.

NOTES

• The default demo play mode is RANDOM.

• Demo playback can also be started and

stopped by using the [START/RE-START]

and [STOP] buttons on the PSR-6000

panel.

9

The Demo Play Modes

If you play the demo as described above, you’ll hear all 21 demo songs, one after another. Note that the demo

songs are arranged into 7 groups of three songs each. By selecting an appropriate play mode, you can also play back

all the songs in sequence, in random order, or a single specified song.

The Demonstration

B

Exit When Done.............................................................................................................................................................................

Press either the [DEMO] button or the [EXIT]

button to exit from the demo mode and return to the

normal play-mode display when you’ve finished

playing the demo songs.

DISK ORCHESTRA/

GENERAL MIDI

DEMO

EXIT

V Start & Stop Playback as Required.........................................................................................................................

Press the START LCD button to start playback of

the selected demo song(s). Press the STOP LCD

button when you want to stop playback.

C Turn the Repeat Mode ON or OFF....

Use the REP. LCD dial to turn repeat playback

ON or OFF as required (when ON, the selected song

or sequence of songs will be repeated until the STOP

LCD button is pressed)

Z Select a Play Mode ....................................................................................................................................................................

With demo playback stopped, use any of the

three LCD dials under PLAY MODE on the display

to select one of the available play modes.

ALL SONGS All 21 demo songs are played back in

sequence.

RANDOM All 21 demo songs are played back in

random order. This is the default mode.

SINGLE SONG Only the selected song is played.

X Select a Song ..................................................................................................................................................................................

If you’ve selected the SINGLE SONG play

mode, press the LCD button corresponding to the

demo group you want to play (DANCE, ROCK, etc.)

and use the same LCD button to select the desired

song (a new song within the group is selected each

time it is pressed). If you’ve selected the ALL

SONGS or RANDOM play mode, you can use the

LCD buttons to select the first song to be played

back. You can also use either of the LCD dials under

SONG on the display to select any of the 21 demo

songs.

XC

X

10

The PSR-6000 Display & Help Function

The Display & Multi-function Controls

■ The [MIXER] Button..................................................................................................................................................................

The lower section of the normal play mode

display, shown above, provides individual volume

controls for the PSR-6000’s rhythm, bass, chord 1,

chord 2, orchestra 1, and orchestra 2 parts. This is

essentially a “mixer” that you will use the achieve

the best overall balance for your musical needs. The

mixer controls will disappear when functions which

have different displays are selected, but can be

instantly recalled without exiting from the current

display mode by pressing the [MIXER] button.

Pressing the [MIXER] button a second time (or the

[EXIT] button) causes the mixer controls to disap-

pear.

The PSR-6000 makes general operation and program-

ming easier than ever with a large backlit LCD display

panel and multi-function controls. The 8 LCD buttons —

four on either side of the display panel — and 8 LCD dials

below the display perform the function indicated by the

adjacent section of the display. In the example display

shown here, for example, the two LCD dials immediately

below TEMPO on the display can be used to adjust the

tempo (in this case both dials perform the same function).

In the same way, the LCD button immediately to the right

of KEY VELOCITY on the display is used to turn key

velocity ON or OFF.

MIXER

LIST HOLD

11

The PSR-6000 Display & Help Function

■ The [LIST HOLD] Button......................................................................................................................................................

When selecting voices (page 13) or accompani-

ment styles (page 21), the voice or style list will

appear on the display, but will automatically disap-

pear after a few seconds if no selections are made.

The voice/style list can be kept on the display for as

long as required by pressing the [LIST HOLD]

button so that its LED lights. Press [LIST HOLD]

a second time (the LED will go out) to disengage the

list hold function.

NOTES

• If the [LIST HOLD] button is engaged when the voice

or style list is not showing, the list will not appear even

when a voice or style group button is pressed.

If you’re ever in doubt about a display or button, the

PSR-6000 HELP function is available. Simply press the

[HELP/LANGUAGE] button to get information about

the current display, or press [HELP/LANGUAGE] and

then any panel button for information about that button

and its function. If more that one help display page is

available for the selected topic, use the [

] and [ ]

LCD buttons to change pages. Help is provided in five

languages — English, German, French, Spanish, and

Italian — that you can select by using any of the LCD

dials.

Exit from the HELP function by pressing either the

[HELP/LANGUAGE] or [EXIT] button.

NOTES

• The HELP function will be automatically exited if a disk is

inserted or ejected.

The Help Function

HELP/

LANGUAGE

EXITFUNCTIONCONTRAST

■ The [CONTRAST] Control..................................................................................................................................................

The PSR-6000 display panel is a liquid-crystal

type which can be easier or more difficult to read

from different angles. Use the [CONTRAST] con-

trol to set the display for optimum legibility at your

viewing angle.

CONTRAST HELP/

LANGUAGE

EXITFUNCTION

MIXER

LIST HOLD

12

■ Before You Begin

Before playing your PSR-6000 for the first time,

it might be a good idea to re-initialize it to the

original factory settings just in case these have been

changed at some point before you receive the instru-

ment. To do this, turn the [POWER] switch ON

while holding the [EXIT] and [DEMO] buttons.

When the display shown to the right appears, use

the LCD dials to select the language you want the

HELP text and messages to be displayed in, then

press the OK LCD button.

CAUTION

• When the above initialization procedure is carried

out, all sequencer and custom accompaniment

data will also be initialized and therefore lost!

Z Turn Power On and Set Initial Volume Levels...............................................................................................

Press the [POWER] button to turn the power

ON, and set the [MASTER VOLUME] control

about half way toward its highest setting. Also make

sure that the RHY, BASS, CHD2, CHD1, ORC2,

and ORC1 volume levels on the LCD are set to their

maximum “100” levels (use the corresponding LCD

dials to set these volume levels if necessary). You

can set the [MASTER VOLUME] control for the

most comfortable overall volume level after begin-

ning to play.

NOTES

• No sound will be produced if all volume levels other

than the [MASTER VOLUME] control are set to their

minimum values.

X Select the Orchestration .....................................................................................................................................................

ORCH.

2 1

ORCH.

2+1

ORCHESTRATION

ORCH.

1

LEFT

HOLD

SUSTAINHARMONY REVERB EFFECT

The PSR-6000 has three orchestration modes,

selected by the corresponding ORCHESTRATION

buttons. The corresponding ORCHESTRATION LED

will light.

Selecting & Playing Voices

Playing the PSR-6000

MIN

MAX

MASTER

VOLUME

POWER

EXIT

DEMO

13

ORCH. 1 In this mode a single voice — the ORCH. 1 voice — can be played across the entire keyboard.

ORCH. 2+1 This is a “dual” mode in which two voices — ORCH. 1 and ORCH. 2 — can be played simultaneously

across the entire keyboard.

ORCH. 2v1 This is a “split” mode in which the ORCH. 2 voice is played on the left-hand section of the keyboard

(to the left of the “split point” — see “NOTES” below), while the ORCH. 1 voice is played on the right-

hand section of the keyboard.

Right-hand Section

Left-hand Section

Split Point (F#2)

• The lowest key on the keyboard is C1.

NOTES

• The split point for the PSR-6000 is initially set at F

#

2.

This means that when the “ORCH. 2

v

1” mode is

selected, the ORCH. 2 voice will be played by all keys

to the left of and including F

#

2, while the ORCH. 1 voice

will be played on all keys to the right of F

#

2. You can

change the split point to any key desired as described

on page 16.

• Since two voices are played simultaneously in the dual

and split modes, the total number of notes that can be

played on the keyboard at the same time is reduced.

• When the “ORCH.2+1” mode is selected and the same

voice is selected for both ORCH. 1 and ORCH. 2, the

sound may be slightly different from the normal voice.

• When the “ORCH.2

v

1” mode is selected, the ORCH.

2 voice will automatically be transposed up one octave.

C Select a Voice or Voices........................................................................................................................................................

ORCHESTRA VOICE

WOODWIND

PIANO/E. PIANO GUITAR

ORGAN/

ACCORDION

BASS

STRINGS/CHOIR SYNTH

WORLD/

PERCUSSIVE

BRASS

DUAL VOICE/

SOUND

EFFECT

ORCH. 1

ORCH. 2

VOICE PART

PRESET

USER SET

CUSTOM VOICE

MALLET DRUMS

17

28

39

410

511

612

Before selecting a preset voice, make sure that

the ORCHESTRA VOICE control section [PRE-

SET] button LED is lit (if it isn’t press the [PRE-

SET] button so that it does light).

The PSR-6000 has 128 preset voices organized

in 12 voice groups (see page 116 for a complete

voice list).

Press the [ORCH. 1] or [ORCH. 2] VOICE

PART button, depending on which voice you want

to select. The corresponding VOICE PART LED

will light.

Use the voice group buttons to select the group

from which you want to select a voice. The corre-

sponding voice display will appear.

NOTES

• The display will automatically revert to the main display

after a few seconds if the [LIST HOLD] button is not

engaged (page 11).

Playing the PSR-6000

ORCHESTRA VOICE

WOODWIND

PIANO/E. PIANO GUITAR

ORGAN/

ACCORDION

BASS

STRINGS/CHOIR SYNTH

WORLD/

PERCUSSIVE

BRASS

DUAL VOICE/

SOUND

EFFECT

ORCH. 1

ORCH. 2

VOICE PART

PRESET

USER SET

CUSTOM VOICE

MALLET DRUMS

17

28

39

410

511

612

C

3

▼

14

Use the PAGE LCD dials the select the page

containing the voice you want if more than one page

is available, then press the LCD button correspond-

ing to the desired voice. You can also use either of

the SELECT LCD dials to select any of the voices

within the selected group.

V Play & Adjust Volume .............................................................................................................................................................

You can now play the selected voice or voices

with the selected orchestration. Use the [MASTER

VOLUME] control to adjust the overall volume

level, and the ORC1 and ORC2 LCD dials can be

used to set the desired balance between the ORCH.

1 and ORCH. 2 voices when either the dual or split

orchestration mode is used.

NOTES

• Voices in the DUAL VOICE/SOUND EFFECT group

are actually combinations of two voices, so the total

number of simultaneous notes that can be played when

these voices are selected is less than when any of the

other voices are selected.

Keyboard Percussion

When either of the DRUMS voices is selected —

Drum Kit or Pop Drum Kit, you can play 59 different

drums and percussion instruments on the keyboard. The

drums and percussion instruments played by the various

keys are marked by symbols above the keys. Some of the

instruments in the Drum Kit and Pop Drum Kit voices

sound different even though they have the same name,

while others are essentially the same.

Playing the PSR-6000

NOTES

• The Transpose, Tune, Sustain, Harmony, Left Hold, Modu-

lation, and Octave Change functions do not affect the key-

board percussion sound.

• The pitch bend wheel can be used to bend the pitch of the

keyboard percussion voices to create unique musical ef-

fects, but it has little effect on some percussion sounds.

• See page 118 for a complete listing of the keyboard percus-

sion drum instrument assignments.

15

USER SET Voice Assignment

The PSR-6000 USER SET voice selection mode lets you assign any 12 voices — preset or custom (page 13, 77)

— to the 12 voice select buttons so you can select them directly without having to select a category, page, and then

a voice. This is particularly useful for the performer who want direct access to the voices he needs for a song or set.

Playing the PSR-6000

X Select a Voice Button..............................................................................................................................................................

Press the voice group button to which you want

to assign a voice.

Z Select the USER SET Mode .............................................................................................................................................

Press the [USER SET] button so that its indica-

tor lights. The USER SET voice display will appear.

NOTES

• The display will automatically revert to the main display

after a few seconds if the [LIST HOLD] button is not

engaged (page 11).

C Select a Voice ..................................................................................................................................................................................

Use the PAGE LCD dials, the SELECT LCD

dials, and the LCD buttons as required to select the

voice you want to assign to the currently selected

voice button. To assign a custom voice, press the

[CUSTOM VOICE] button so that its indicator

lights (when the CUSTOM VOICE LED is off the

preset voices are assigned).

That’s all there is to it, now the assigned voice

will instantly be recalled anytime you press the

same voice button while the USER SET mode is

engaged. Voice assignments can be changed at any

time in the same way.

ORCHESTRA VOICE

WOODWIND

PIANO/E. PIANO GUITAR

ORGAN/

ACCORDION

BASS

STRINGS/CHOIR SYNTH

WORLD/

PERCUSSIVE

BRASS

DUAL VOICE/

SOUND

EFFECT

ORCH. 1

ORCH. 2

VOICE PART

PRESET

USER SET

CUSTOM VOICE

MALLET DRUMS

17

28

39

410

511

612

ORCHESTRA VOICE

WOODWIND

PIANO/E. PIANO GUITAR

ORGAN/

ACCORDION

BASS

STRINGS/CHOIR SYNTH

WORLD/

PERCUSSIVE

BRASS

DUAL VOICE/

SOUND

EFFECT

ORCH. 1

ORCH. 2

VOICE PART

PRESET

USER SET

CUSTOM VOICE

MALLET DRUMS

17

28

39

410

511

612

16

Changing the Split Point

The PSR-6000 split point applies to both the ORCH. 2v1 split play mode, described in this section, and Auto

Bass Chord accompaniment described on page 19. The current split point is indicated on the display by the triangular

split marker (t) and the “split” in the graphic keyboard when the ORCH. 2v1 orchestration mode is selected.

Here’s how you can change the split point to suit your own playing requirements.

Z Press the ABC MODE/SPLIT POINT LCD Button .....................................................................................

Press the ABC MODE/SPLIT POINT LCD

button. The ABC MODE and SPLIT POINT func-

tion displays will appear.

Playing the PSR-6000

X Set the Split Point.......................................................................................................................................................................

The split point can be set in two ways: either use

the SPLIT POINT LCD dials, or press the desired

key on the keyboard while holding the DIRECT

SETTING LCD button (or vice-versa). The new

split point will be indicated on the graphic keyboard

in the LCD.

C Return to the Main Display When Done..............................................................................................................

Press the VOLUME LCD button to return to the

main display when done.

Press a key while holding the DIRECT

SETTING LCD button.

17

Transposition, Tuning,

Octave Change, & Key Velocity

The most important and fundamental adjustment for any musical

instrument is tuning. The TRANSPOSE, TUNING, and OCTAVE

CHANGE functions described below let you control the pitch of the

PSR-6000 in a number of ways.

The Key Velocity function has also been included in this section

because it affects the way the PSR-6000 responds to notes played on

the keyboard.

TRANSPOSE & TUNE

These functions allow the overall pitch of the PSR-6000 to be transposed up or down in semitone increments,

and fine-tuned in 0.5 Hertz increments.

Z Press the TRANSPOSE/TUNE LCD Button .....................................................................................................

Select the transpose and tune functions from the

normal play mode display by pressing the TRANS-

POSE/TUNE LCD button.

X Set the Transposition and/or Tuning As Required...................................................................................

Use the TRANSPOSE LCD dials to set the

desired degree of transposition, and the TUNE LCD

dials to set the desired degree of tuning.

The transpose range is from -6 to +6, allowing

a maximum upward or downward transposition of

1/2-octave. A setting of “0” produces the normal

pitch.

The tuning range is from 427.5 Hertz to

452.5 Hertz, adjustable in 0.5-Hertz increments.

A3 = 440.0 Hertz is “normal” pitch.

C Return to the Main Display When Done..............................................................................................................

Press the VOLUME LCD button to exit from the

transpose and tune functions and return to the main

display.

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